Coming Soon: Definitely not a climactic big game, that is for darn sure
While details remain scant, screenwriter Murphy Quinn has pledged that her upcoming football-themed film will be released by the end of the World Cup 88 qualifiers (consult your local authorities for appropriate time dilation conversions). Moreover, she has hinted at the script's plot by pledging that the story will be neither "one of those corny forced plotlines where the heroes overcome adversity and pull together to win the big game in the end," nor "one of those stupid plotlines where the heroes overcome adversity and pull together only to lose the big game in the end."
"I mean, geez, do you think I went to film school so I could play Fire Escape by Frog and Toad over a training montage?" Quinn said rhetorically. "Do you think we held auditions for men and women who knew how to kick a football, just to shove in some contrived heteronormative subplot about how one partner just doesn't understand? Do you think we got cameos from real-life broadcasters to appear at the beginning and make some guess about the long odds of our heroes winning it all only to eat their words in the end? Do you? Really?"
"I mean, we didn't do that last thing," Quinn clarified, "but that's only because most of our announcers are too goofy and weird even to be movie extras."
While deriding the "cliché and formulaic" tropes of plucky underdogs achieving both team spirit and on-field success, Quinn had even more scorn for the "cynical hacks" who attempt to subvert these formulas by having their protagonists lose the big game in the end. "What's even the bleeping point. If I wanted to watch the heartless vicissitudes of randomness or experience the realism of regression to the mean, I'd go watch actual sports. You know? The thing that they show live on TV from zillions of countries all year round?" Quinn pointed out. "And let's not pretend this is some nationalistic thing where some parts of the world believe in happy endings and some don't. Nuh-uh. Most of the pretentious twerps who don't believe in happy endings think that it was totally fine for our ancestors to write inspiring and hopeful narratives, but at some point in the past, a switch flipped and closure and denouement became immature. To which I say: bold of you assuming that time is even linear, the way some of these countries are. Bleep the haters."
"And if you think it would be cool and neat to have a frame-story or flash-forwards to the main characters' tragic or premature deaths," she added, "what the bleep is wrong with you."
While football certainly has a vibrant tradition in Zwangzug, it hasn't been well-represented in fictional works (perhaps because truth is often stranger than fiction). A few fans on internet forums have speculated that the characterizations in the bilingual dystopian film Worm Holes/Wondi Pōēnandumak are, very loosely, based on football personalities from the first-generation team. But as the title might suggest, at least in-characterwise it has more to do with baseball than football. Indeed, with baseball being more of the "established" sport in pre-modern history, it has shown up in several popular Zwangzugian films. These include:
-Parks Department Field, an animated film praised for its diverse cast of child characters but criticized for its "unrealistic" portrayals of kids socializing and making friends without structured adult supervision. It was almost released as Parks Department Field #2 before people worried this might give the false impression it was a sequel.
-The Floodlands, a magical-realism drama about a man who has otherworldly encounters after opening a Yaforite baseball encyclopedia
-Limb of the Tree, a very loose retelling of a medieval saga, updated to feature a contemporary left-hander with a semi-mythic bat. Perhaps proving Quinn's point about different cultures' attitudes towards happy endings, the original script featured a relatively happy ending even though the protagonist retired due to injury. The original actor slated to play her, however, flatly refused and thought the end should represent failure/corruption. The writer refused to back down, so the actor was replaced by a stand-in at the last minute, whose scenes are very obviously filmed backwards because the replacement was right-handed. Despite the atrocious editing, this has held up rather well as an example of Zwangzugian cinema in terms of its soundtrack and humor (although this might just be because our cinema is very bad).
-everything else we imported from Quintessence of Dust.
As for the historical underpinnings of this project, Quinn has said merely that the movie will be set in an "under-reported period of our sporting history," which honestly could mean anything, but does mean it probably won't be about the national team or even fictionalized versions thereof.
(Idmar 37)