Worldvision Song Contest 110 | IC | Ous

by **Britonisea** » Sat Oct 21, 2023 1:54 pm

#22 BRITONISEA
Elise & The Band - "The Void"
Tune : ENEMY INSIDE - "Phoenix"
Music: Rico Zapata, Dean Yates // Lyrics: Elise

Elise with her guitar: "The Void" will be the 59th entry to represent Britonisea at the WorldVision Song Contest and Elise's guitar will make an appearance during the performance...

Britonisea is set to return to the WorldVision Song Contest with Loueske-born artist Elise, who will be joined on the stage with her friends and bandmates...

Elise's band in Loueske
Ample May

After the sixth Britonish hosting of the WorldVision Song Contest in Doportedas three editions ago, it was announced that for the 108th WorldVision Song Contest, Britonisea would be taking a break from the contest. Prior to the 107th edition, Britonisea participated in only the 101st and 104th editions since the turn of the "decade". Keeping in the tradition of participating in every three editions, Britonisea and BITC were determined to make it to the 110th WorldVision Song Contest after missing its opportunity to potentially win another WorldVision title ten editions after its last - in the same nation it was then hosted in, Carrelie. While BITC 2 has been broadcasting the WorldVision Song Contest, viewership for the competition remained steady but nothing compared to what it used to be during Britonisea's heyday many, many editions ago. BITC wanted to return ahead of the nation's 80th anniversary since its debut all the way back at the 31st WorldVision Song Contest in Russadonia and so will be using the Ous competition as a warm-up ahead of that event. There were talks of whether Britonisea would bid for the 111st WorldVision Song Contest but BITC quickly dismissed those rumours saying that BITC was still reeling from the sudden hosting of semi-finals at the 107th WorldVision Song Contest and said it's not in the nation's best interest to bid for and welcome the WorldVision Song Contest "at this stage." Britonisea's return at the 110th edition marks the nation's 59th entry to the WorldVision Song Contest and it will be sung by Elise.

Elise is a 26 year-old singer from the north of the country in Loueske who wrote the lyrics to this song, "The Void". Elise is in a band called Ample May who performs in small gigs in her home city. However, the opportunity came for Elise to perform in a bigger stage and for the broadcaster so she submitted a song to a BITC writing camp and they seemed to like her suggestions. Elise was invited to make her lyrical suggestions into a song at the Eaux City writing camp alongside two writers, Rico Zapata, Dean Yates which gave birth to "The Void" as you know it. She didn't want to leave her bandmates behind however, and asked whether she could take them to the stage with her and BITC agreed as they were the ones she thought about when making the song a rock track. Her band members were more than happy to join her on the stage, raising her profile, their profile but also for music that is made in relatively unknown Loueske. They would also be credited too. Once arriving to Ous, Elise and her bandmates weren't sure what to expect and they didn't know much about Ugunnustan but were very impressed by the crispy batter of the fried chicken served at the KFC but not very impressed by the oppressive laws against homosexuality. Nevertheless, the nation enjoyed their stay in Ugunnustan leading up to the performance. On the night, they were set to perform 22nd.

Lots of Britonish performances in the past have had podiums on the stage and this performance was no different. Standing on the tallest podium, which was covered in decaying roses and thorns stood Elise. Elise was wearing an almost gothic-looking outfit, with a similar rose-looking outfit that looked slightly doused in blood. Around her, there was a mini-orchestra that had formed a circle while some of her bandmates were on smaller platforms further back on the diamond-shaped stage. In the actual live version, the orchestral elements of the song could be heard a little bit more, but as the music would play throughout, you would see these orchestra players strumming away to the song.

At the start of the song, there were twinkling sounds which provided a very dramatic entry into the performance. There was an establishing shot of the arena after the audience died down, with the camera slowly zooming in, getting faster as it got closer to the stage. As the music kicked in, there were plumes of fire that immediately shot into the air as red, orange and yellow filled the stage giving off a very fiery vibe and atmosphere on the stage. There were quick camera cuts from side to side, up and down, with Elise standing in the middle with a microphone in front of her. The fans were on full power doing this, with Elise being able to flick her hair from side to side, egging the audience to scream and shout - to participate in the song. When she started singing, the fiery atmosphere was immediately put out as we cut to a midshot which was slowly zooming into a close up of her. The stage around her was suddenly dark with a singular spotlight on her with only the edges of the podiums around her being lit - though you couldn't see this much as we were in such a close up.

I feel...like I have lost myself
I'm searching, I'm looking high and low
Each day that passes, I feel like I'm rotting more and more
This hell that I'm living in,
It's breaking every part of, of me!

We moved towards the first verse, and into the pre-chorus and you could feel that something more explosive was about to happen. That opening shot midshot of her was used for quite some time, but as we moved onto the line, "Each day that passes," there was some dynamism added and the camera cuts started to become a lot more interactive, with there being some focus on her bandmates who were on their own podiums. Similarly to the RL music video at 00:51, the camera angles flickered between Elise, one of the guitarists in the background and the man on the drums - while Elise grew a wide and almost sinister smile on her face. Elise gripped her chest as she melodically screamed into the microphone as we went into the explosive chorus. There was another long shot of the arena as the fiery atmosphere returned to the stage, alongside the fans.

Come, please save me -
Before I fall deep into the void,
Before I drown in my own sea,
of despair and of my self-pity.

In the background, the yellow, red and orange that was prominent almost created a "black hole" behind her as we moved further throughout the chorus - a black hole which eventually swallowed Elise. We then reached the next part of the song, the verse, with a starry atmosphere now being shown on the huge LED's behind her with a long shot showing her size compared to the size of the huge stage behind her. The other shots that proceeded this were a lot closer and tighter to keep the audience still within the story that Elise and the delegation were trying to create. As we moved into verse, a universe was created behind her with Elise looking around as shooting stars and the like circled around her on the LEDs.

I'm shouting but my cries fall on deaf ears,
Running out of steam, I've hit an all-time low (oh-oh)
Each day that passes, I feel like I'm rotting more and more
This hell that I'm living in,
It's breaking every part of, of me!

Throughout the verse, she was good at using hand gestures to try and convey her emotions. As we moved into another fiery pre-chorus, the camera cuts were a lot more erratic and perhaps foreboding than the cuts before. Elise kept her eyes on the cameras, trying to communicate to the audience at home the hell that she's recently been living in. As she sang the final note of the pre-chorus, the universe turned into an underwater paradise as a huge gush of water flooded the LED screens while a modest number of fire plumes were used during this. While the LEDs and the plumes contradicted one another, the juxtaposition between the two created a very cool effect - with the reddy orange flames sticking out against the oceanic blue of the screens behind her.

Come, please save me -
Before I fall deep into the void,
Before I drown in my own sea,
of despair and of my self-pity.

I know I've failed once, but I must be given one more chance,
One more chance to fly!
[Guitar solo]

For the chorus, you could tell that Elise was giving it a little bit more welly than the first chorus. We then moved onto the middle eight of the song, with Elise kneeling down on the floor, with the camera capturing this moment where Elise looked more vulnerable. The stage and scenery calmed down a little bit, with dark brown and rouge being the main colour themes behind her. But as she sang the lyric, "One more chance to fly!" she looked directly at the camera with a face of determination. She grabbed a guitar from the ground, putting the microphone on the stand as she made her way up and donned her guitar before engaging in an epic guitar solo. The guitar solo ended with pyrotechnic sparks sparkling from the end of the guitar which the audience seemed to enjoy very much - a long shot, a low shot, capturing the "money shot" of the performance. We then headed back into the chorus, and while the sparks on the guitar stopped, BITC blew the pyrotechnics budget on this performance with the broadcaster throwing the kitchen sink into this, sparks flying from all corners. A huge pyrotechnic shower flowed behind her which looked majestic and serene from every point in the arena.

Come, please save me -
Before I fall deep into the void,
Before I drown in my own sea,
of despair and of my self-pity.
Come, please save me -
Before I fall deep into the void.
I know I've failed but just give me,
One more chance to prove that I can fly.

The orchestral people around her and her bandmates all seemed to be enjoying the music as they were all rocking their heads back and forth to the rhythm and pace of the music. As the music became a lot heavier during the final repetition of the chorus, Elise slightly changed the lyrics at the end of the song so that it sounded similar to the bridge section, with the camera zooming in on her before there was a long shot of the arena as you could see (using augmented reality) something that was shining, lifting up into the arena from where Elise was standing as the rest of the stage turned dark. The crowd in Ous applauded with Elise thanking the audience, "Thank YOUUUUOOOUSSS!" She then moved off the stage as the crew got ready for the next performance.

by **Conburn** » Sun Oct 22, 2023 12:26 am

23. The Superficial Domain of Conburn
The Glamour Girls - Conburn's Era

Radiancy, Conburn - the Capital

The Superficial Domain of Conburn- also known as the "pretty pariah" by modern contemporaries- is a large, resource-rich, and technologically advanced state that for years has been at the forefront of the entertainment, music, and service industries. Conburn, long before the arrival of Her newest despot, has been the place of diamond-encrusted airplanes, sensationalized and pornography-infested media, and a bitter arrogance about all other nations. If Regina George could have gone to her dream school, it would probably have been in Conburn.

Why is this information important? Because the Domain has a new leader- Queen Stacy "Kay" Watteffs. She used to be a pariah of her own in her homeland of South Alezia, but once WTF went broke after reunification she found herself at the forefront of the national entertainment industry... in Zamboodle. It was there that she got several plastic surgeries that allowed her to move and totally didn't make her look uncanny valley at all. However, she didn't have the money to pay the doctors among one of Kumswalo's worst outbreaks of the "sheet-blood fever" in ten editions of WorldVision, explaining the Zamboodlese absence from the WSC.

Zamboodle, divided in civil war, faded from memory and took Kay Watteffs with it. However, when the city of Kumswalo came under siege between the Islamic State of Zamboodle and the "Revolutionary Juche Study Corps" lead by a man only known as "Dae General", Kay Watteffs found her chance to escape. She, despite her artifically large bust, managed to squeeze through the doors and flee for her life.

You'd think being trapped in a Zamboodlese prison for a few years would have humbled her. Nope!

Kay Watteffs went on a world tour, eventually culminating in her arrest in the Spiritual Republic of Caryton on five counts of indecent exposure (and no, they weren't exaggerating this time). The judge, not wanting to burden the fragile Carytonic prison system with the diva that was Kay Watteffs, simply put her on a yacht and sent her to sea. It was by that boat that she found Conburn. For the past two years, she worked her nails to the bone to climb up the ranks. She was an "actress", then an actual actress, then the host of the "Sexy Action News", then a member of a city council, and then... her chance.

She took advantage of a rift between King Nicuecado Avuecado and Orleen Muckbang and had both defiled and cancelled on social media, and boldly stepped up to the throne. And so crowned was the Queen Watteffs. Her reign brought a rigid caste system to Conburn- one not based on race but by physical attractiveness alone. She coined the term "hotocracy", where the sexy rule in luxury, the average are kept submissive by rabid capitalism and catering to their carnal desires, and the uglies... well... there are special camps for those where they get to slayfully labor 25 hours a day but the foreign media doesn't know about that bc they're too busy consuming C-Pop, or worrying about which gay actor is hooking up with who, or getting their mail-ordered twink delivered to them while they enjoy the banana beaches and soma-spiked vacay with hyper-stimmy pornographic media in the background.

Conburn uses liberalism and hedonism to bait-and-switch everyone else, all while Queen Watteffs ruthlessly condemns the poor and ugly, and sings about it too. She also nuked Zamboodle out of spite and revenge for "keeping her with poor pplz all day".

Enter the Glamour Girls, a group of Conburnian soldier-women (formerly S. Alezian dolls but also got botched surgery in Zamboodle) who are ready to take. WV. by. storm...

Conburn's era.

-

The stage is a nauseating and intense strobe of neon pink as seven barbie-like girls in skimpy pink camo and white fishnets strut on stage, hitting provocative poses, then march in place. In the background, the gargantuan metropolis of Radiancy is shown. Behind them, a live band of 10 more of the same girls, plus a token-gay male soldier in nothing but a pink camo jock. The frontmost girl, a blonde diva with her hair put up authoritatively, begins to sing.

The illustrious and enchanting armies of your regime converge!
Under the platinum sabre of the majestic Kay Watteffs!
At your word, three hundred million can even be as one-
And will exact revenge on your foes.

Behind them, a screen displaying thousands of Conburn's actual soldiers marching as tens of thousands more civilians wave enthusiastically at Queen Watteffs.. Pink-coated and desert camoed tanks alike roll on screen as confetti is shot and the lights stabilize. The Glamor Girls sing, unsheathing symbolic swords and strongly swipe them at an imaginary foe in such unison it would make Llaltese pop girl groups cry and tremble. No mistakes, or else you're #cancelled.

Conburn, Conburn! Conburn’s victory!
Brought to us by the golden one!
Queen Watteffs’ prosperous Conburn!
Progressive and aesthetic Conburn!

Conburn, Conburn! Conburn’s era!

The chorus, the girls sheathe their swords and strut in a reverse arrow formation as if preparing to encircle and pounce on the new girl. The snarling devotion on their glitter-covered faces is enough to demonstrate their conviction. The reverse-arrow converges in two lines in between verses, showcasing each duo in striking or sultry poses. They unfurl into a shoulder-to-shoulder line. Behind them, the beachy paradise that is Conburn contrasts with silvery skyscrapers, palm trees with superhighways, and ruthless advertisements everywhere. Basic valley girls and vsco gays are featured prominently.

The majestic one, betrayed by her homeland of Alezia-
Imprisoned and kept for ransom in Zamboodle-
Through will and sexy looks, freed herself then nuked Zamboodle.
Then came and deposed the pretenders of old!

The girls do intricate choreography with their hands, altogether symbolizing the story of their leader, culminating in a nuclear blast on screen and well-placed fans blowing their hair, as they dance towards the opposite side of the stage to sing their chorus. #srrynotsrry is featured as the recording of the ruins of Kumswalo are fervently portrayed. The backing girls enter and begin to sing.

Conburn, Conburn! Conburn’s prestige!
Safeguarded by titans of beauty! (Titans of beauty!)
Queen Watteffs’ beautiful and rich Conburn! (Conburn!)
No room for ugly and poor people Conburn! (Conburn!)

Conburn, Conburn! Conburn’s era!

Yasss, Conburn's era. The girls march and slowly fill the spot left by the blast. The camera captures provocative angles as they sing the chorus, lots of body rolls and gyration. They shake their head and wipe alligator tears as they mention those they don't like, then stomp in tune to the motto of the song- Conburn's era. Nobody elses'.

[sexy instrumental]

Lots of zooming in on the one male player and his puffy chest, and the stringy piece of mesh that he called an outfit. The girls enter a dance break reminiscent of the most elite K-Pop synchronization. The only difference is that their symmetry and unison nature is the feature of this break. Not a single girl is out of step, not even as their knee-high white boots stomp as they file into a diagonal line and salute. The powerful moment of unison begins.

Our glittering metropolises are yours alone,
Our honors and acknowledgements are all for you,
Our mighty armies bow to your carnation scepter,
Our will is for your prosperity and youth!

Conburn, Conburn! Conburn’s dignity!
Preserved by advanced technology! (This is our era!)
Queen Watteffs’ filthy-rich gold-enriched Conburn! (Conburn)
Perfected and dollified and twink-friendly Conburn! (Conburn)

Conburn, Conburn! Conburn’s era!

An image of Queen Watteffs fills the screen surrounded by pink flowers. The conburnian fans ruthlessly applaud as they stand, saluting until the next chorus, in which the LED's showcase the technological innovations of Radiancy's city center. A golden statue of Kay Watteffs is featured, the inscription a word-for-word quote from her first ever performance in worldvision--

"I'll be filthy rich enrich myself in gold."

Then the beautiful and aesthetic faces of inclusive and metropolitan Conburn~

Queen Watteffs’ immortal and slayful Conburn!
Not like poor and flopful Malta!

Conburn, Conburn! Conburn’s era!

The random diss on Malta earn the whole group's grimace, and then they file back into a neat single file line as they sing. The song ends as the lights turn off save for a menacing pink aura that contrasts with the blackness, outlining each girl as the enters a pose that diverts from the main line.

by **Furballland** » Tue Oct 24, 2023 7:00 am

24

Tune: IVE - After LIKE

Details

"After Dawn" tells the tale of a chance encounter between two individuals in the early morning hours. The protagonist, a mysterious and alluring woman, takes a stroll into the heart of the city as dawn breaks. The lyrics depict the unfolding of a captivating love story that transpires over the course of the day.

In the first verse, the protagonist meets a boy drawn to her enigmatic charm. The chorus hints at the clandestine nature of their connection, symbolizing a journey through the city filled with whispered secrets and shared desires. The alleyways serve as a metaphor for the risks they take in pursuing this newfound connection.

As the narrative progresses, the two characters ascend to a rooftop, where their relationship deepens against the backdrop of a sunset. The bridge describes the afterglow of their shared moments, highlighting the beauty of their connection amidst the changing colors of the sky.

The final verse and chorus affirm the enduring nature of their love story. The promises made on the rooftop set the stage for future encounters, and the lyrics emphasize the timeless quality of their connection. The outro paints a picture of the city below as a canvas, capturing the essence of their love within the vibrant tapestry of urban life.

Overall, "After Dawn" weaves a tale of love, mystery, and adventure set against the evolving backdrop of a waking city, creating a narrative that lingers in the hearts of the characters and the listeners alike.

Ansurat, the Group

Ansurat, stylized as "ƏN§URĀT," is a captivating all-girls group formed in 2011. They made a splash with their debut song "Kiss Me Baby" and gained widespread recognition for their hit track "Ta Ta Ta." The group's latest release, "After Dawn," continues to showcase their evolving musical prowess. The talented members include Tämara Lontróvin, Nadya Szőrotav, Denikę Aszutša, Gementai Ohgätåmőd, Antravela Möszarik, Chol-Mi Yeon, and Pènszerak Lee.

In 2011, Ansurat's members, including Tämara Lontróvin, Nadya Szőrotav, Denikę Aszutša, Gementai Ohgätåmőd, Antravela Möszarik, Chol-Mi Yeon, and Pènszerak Lee, were selected to form the group through a rigorous audition process, showcasing their individual talents and contributions to the group's dynamic.

"Kiss Me Baby," released on November 22, 2011, not only marked Ansurat's official entrance into the music scene but also set the stage for their distinct blend of talent and charisma. The debut song resonated with fans, leaving a lasting impression and establishing the group as a promising force in the industry. The catchy melodies and vibrant energy showcased in "Kiss Me Baby" hinted at the artistic depth that would define Ansurat's musical identity in the years to come.

In 2018, Ansurat reached new heights with the release of "Ta Ta Ta," a sensational track that quickly became their standout song, garnering an impressive 2.8 billion views. This monumental success not only solidified their position in the music industry but also showcased the group's ability to create music that resonates globally. The popularity of "Ta Ta Ta" stands as a testament to Ansurat's enduring appeal and the unwavering support of their dedicated fanbase.

Ansurat's ambition reached new horizons as they decided to participate in the Worldvision Song Contest. Their entry, "After Dawn," was chosen to represent them in WV110, hosted in Ous, Ugunnustan. This move not only reflects the group's desire to showcase their musical prowess on a global stage but also signifies their readiness to embrace diverse audiences with their captivating sound. Fans and music enthusiasts around the world eagerly anticipate Ansurat's performance in the contest.

Preparing the Contest

Ansurat is diligently preparing for their performance in the Worldvision Song Contest, fine-tuning choreography, vocals, and stage presence to deliver a mesmerizing show. The group's dedication and attention to detail promise an unforgettable experience for fans and viewers alike, as they aim to leave a lasting impression on the global stage with their song "After Dawn" in WV110. The anticipation for their performance continues to build, creating an exciting atmosphere surrounding Ansurat's Worldvision debut.

The members of Ansurat have immersed themselves in rigorous rehearsals, combining their individual talents to create a cohesive and captivating stage presence. Choreographers work tirelessly to craft visually stunning routines that complement the enchanting melodies of "After Dawn." Vocal harmonies are meticulously perfected, ensuring a flawless performance that resonates with the diverse audience of the Worldvision Song Contest.

As the date approaches, the excitement within the group grows, fueled by a shared passion for delivering an exceptional performance. Ansurat's journey from the auditions in 2011 to gracing the Worldvision stage is a testament to their perseverance and artistic evolution. Fans eagerly await the moment when Ansurat steps onto the global platform, ready to make their mark in the music world.

Their Performance

As the music started, glitchy holographic visuals dance around the stage, creating a dynamic and immersive experience for the audience.

In the early morning light, she took a stroll into the city's heart,
A chance encounter, a boy who'd play a part,
Her eyes like embers, a smile that could ignite,
He was drawn to her, a mystery in the morning's light.

Ansurat's performance elevates with a state-of-the-art holographic display, immersing the audience in a cyberpunk dreamscape. The intricate hologram design transforms the performance area into a futuristic cityscape, complete with neon lights, skyscrapers, and pulsating cybernetic elements.

After that, their story would begin,
A journey through the city, a whispered sin,
She led him through the alleyways, a dangerous game,
A dance of desire, never quite the same.

That's After Dawn

Ansurat's performance reaches new heights, both figuratively and literally, as the group seamlessly incorporates dynamic moves that elevate them to a symbolic higher ground on the stage. With each member showcasing strength and agility, the choreography takes on a powerful dimension, mirroring the ascent to success depicted in their song "After Dawn."

The synchronization of their movements, coupled with the symbolic rise to higher ground, adds a profound layer of storytelling to the performance. As the holographic cyberpunk cityscape responds to their choreography, the entire spectacle becomes a visual and emotional journey. Ansurat's ability to convey a narrative through their moves enhances the overall impact, leaving the Worldvision audience spellbound by the artistic depth of their presentation.

They ventured further, to the hidden heights above,
To the rooftop where they'd share a secret love,
And they would play and want to have fun.

Ansurat's performance is a captivating dance spectacle, where each member showcases their individual flair and collective harmony. The stage comes alive with the group's intricate choreography, seamlessly blending contemporary dance elements with the energetic beats of "After Dawn." The choreographed movements not only highlight their technical prowess but also convey the emotions embedded in the song.

The synergy among the members is palpable as they navigate the stage with precision, engaging the audience with their dynamic and expressive dance routine. Whether in moments of synchronization or individual showcases, Ansurat's dance performance adds a layer of visual excitement to their Worldvision appearance, leaving a lasting impression on fans and viewers alike.

That's After Dawn

Ansurat's performance takes an unexpected turn as the glitch effect seamlessly transports them to another part of the holographic cyberpunk city. The stage metamorphoses, transporting the group into a new and visually stunning landscape within the digital realm. The glitch effect becomes a narrative device, symbolizing a shift in the story told through their dance and the futuristic cityscape.

That's After Dawn

As the sun sets in the cyberpunk cityscape, Ansurat's holographic display undergoes a transformative shift, simulating a walking alleyway. The neon lights flicker to life, casting dynamic shadows as the group navigates through this virtual urban environment. The choreography adapts seamlessly to the alleyway setting, creating a visually striking and atmospheric performance.

The simulated walking alleyway becomes a backdrop for Ansurat's continued dance narrative, enhancing the storytelling aspect of their Worldvision performance. The interplay of light, shadow, and movement paints a vivid picture, captivating the audience with the immersive experience of strolling through the cyberpunk city at twilight. Ansurat's ability to merge technology with artistic expression continues to shine, making their Worldvision appearance a truly memorable spectacle.

As the sun began to set, their souls entwined,
In that moment, two hearts aligned.
In the afterglow, they watched the world in hues of red,
A stolen moment, a memory that they never shed

The city below, a symphony of lights,
Two souls connected in the fading twilight.

In a mesmerizing twist, the cyberpunk cityscape in Ansurat's holographic display undergoes a surreal transformation. Buildings contort and bend, creating a visually striking and surreal environment. The group adapts their dance to this twisted cityscape, moving with fluidity and grace as they navigate the distorted urban landscape.

As the night embraced them, a new chapter had unfurled,
In the city's heart, love transformed their world.

That's After Dawn

As they are connected and they'd forever be entwined,
In the echoes of that morning, in the memories left behind.

That's After Dawn

As Ansurat's performance reaches its climax, the holographic display transports them to the rooftop of the cyberpunk city. Against the backdrop of towering skyscrapers and a breathtaking cityscape, the group executes a final sequence of moves that symbolize triumph and accomplishment. The atmosphere is charged with anticipation as they reach the pinnacle of their dance routine.

Suddenly, the virtual sky erupts into a mesmerizing display of fireworks, casting vibrant colors and illuminating the night. The combination of Ansurat's elevated choreography and the dazzling fireworks creates a cinematic and unforgettable moment on the Worldvision stage. The rooftop setting, coupled with the grandeur of the fireworks, serves as a fitting conclusion to their performance, leaving the audience in awe of the artistic spectacle they've just witnessed.

On the rooftop of the cyberpunk city, under the dazzling fireworks, Ansurat concludes their performance with a final, breathtaking dance. The choreography reflects the group's journey, blending a sense of triumph with the rhythmic celebration of their success. Against the vibrant backdrop of the virtual cityscape and the illuminating bursts of fireworks, the members of Ansurat move in harmony, captivating the Worldvision audience with their skill and grace.

In the quiet of the rooftop, as stars began to gleam,
They shared their dreams, their hopes, their deepest scheme,
Two souls entangled, in the city's embrace,
A love story written, in that secret space.
In the afterglow, they made promises untold,
As the night sky shimmered in shades of gold,
They vowed to meet again, under the morning's kiss,
Their love, an adventure, a stolen, sweet abyss.

That's After Dawn

In a spectacular twist, Ansurat's holographic display simulates the transition to a mesmerizing Rainbow Room within the cyberpunk city. The once dystopian landscape transforms into a kaleidoscope of vibrant colors, with neon hues casting a radiant glow. The group adapts their dance to this lively and enchanting setting, adding a dynamic and celebratory element to their performance.

The Rainbow Room becomes a symbolic space of unity, diversity, and artistic expression as Ansurat moves gracefully within its vivid confines. The fusion of the cyberpunk aesthetic with a rainbow of colors symbolizes the group's message of inclusivity and creativity. This unexpected and visually stunning finale leaves the Worldvision audience with a lasting impression, solidifying Ansurat's reputation as innovators in both music and visual storytelling.

The city below them, a canvas of delight,
Two hearts entwined, as day turned into night,
In the afterglow, they etched a love that would stay

In the mesmerizing Rainbow Room of the cyberpunk city, Ansurat embarks on a final dance sequence, infusing the vibrant atmosphere with their rhythmic movements. The group's choreography reflects the celebratory spirit of the Rainbow Room, with each member contributing to the kaleidoscopic display of dance and color.

That's After Dawn

As they move gracefully, the Rainbow Room becomes a canvas for Ansurat's artistic expression, conveying a message of unity and joy. The dazzling visual spectacle, combined with the infectious energy of their dance, creates a triumphant conclusion to their performance. Ansurat's ability to seamlessly blend dance, technology, and storytelling has not only entertained but also left an indelible mark on the global stage.

That's After Dawn

As Ansurat's final dance concludes in the Rainbow Room, the holographic display transitions to a serene nightly view of the cyberpunk landscape. The virtual cityscape, now bathed in the glow of artificial lights, provides a breathtaking backdrop to mark the end of their Worldvision performance. The members of Ansurat stand united, taking a bow as the applause from the audience echoes in the virtual arena.

by **Enthisea** » Tue Oct 24, 2023 7:01 am

Katnida Mosalik - Manja äguliat (Like a Star)
Tune: YOASOBI - Idol

Backstory of this Song

The singer's journey towards a more "normal" life is a process of self-discovery and healing. It's a path that they've started to tread with courage and determination. The song's backstory might involve various elements that led to this decision:

1. **Rising Fame and Pressure:** The singer experienced a meteoric rise to stardom. The fame brought with it not only adoration but also an immense amount of pressure. Constant media attention, public expectations, and the need to maintain a certain image took a toll on their mental health.

2. **Anxiety Struggles:** The singer's anxiety began as a nagging doubt and grew into a constant presence in their life. Panic attacks, sleepless nights, and a general feeling of unease became the norm. They realized that they needed a change.

3. **Seeking Professional Help:** With the support of their loved ones, the singer decided to seek professional help. They began therapy and started to openly talk about their struggles, which not only helped in managing anxiety but also in breaking the stigma surrounding mental health in the entertainment industry.

4. **Self-Reflection:** The singer spent time away from the public eye to engage in self-reflection. They realized that their true happiness lay in the simple things, in building deeper connections with people, and in regaining their sense of self.

5. **The Songwriting Process:** The song was born out of this period of self-discovery. It became a personal anthem, capturing the singer's emotions and aspirations. The lyrics became a therapeutic way to express their inner turmoil and hopes for a better, more balanced life.

6. **Connecting with Fans:** The singer decided to open up to their fans about their struggles. They found immense support from their fanbase, many of whom could relate to the challenges of anxiety and the desire for a more balanced life. This strengthened the connection between the artist and their audience.

7. **A New Beginning:** The release of the song marked a turning point in the singer's life and career. They decided to take a step back from the spotlight, focusing on their well-being and pursuing a simpler, more meaningful life. While they may not completely step out of the limelight, they make a conscious effort to prioritize their mental health and happiness over public expectations.

About the Artist
Katnida Mosalikk was born in the bustling city of Pagranastan, in October 17, 1987. From a young age, she exhibited an extraordinary talent for music. Her parents, both passionate about music, recognized her potential and encouraged her to pursue her passion. Katnida's father, a skilled guitar player, and her mother, a classically trained vocalist, provided a nurturing environment for her to develop her musical abilities.

As a child, Katnida's favorite pastime was exploring the diverse musical traditions of her country, from the vibrant folk music of Enthisea to the modern pop and rock scenes. She began to experiment with different instruments, but it was her soulful voice that truly set her apart. Her unique sound combined the rich cultural influences of her homeland with a contemporary twist.

At the age of 20, Katnida made her debut in the music industry with the release of "Suffers". The song instantly struck a chord with listeners, with its heartfelt lyrics and Katnida's mesmerizing vocals. The music video, set against the picturesque backdrop of Enthisea, added to the song's allure.

"Suffers" catapulted Katnida to stardom, earning her critical acclaim and a dedicated fan base. Her music resonated not only in Pagranastan but also reached international audiences, earning her recognition on a global scale. Over the years, she continued to release chart-topping albums and singles, showcasing her growth as an artist while staying true to her roots.

Katnida Mosalikk's music often featured themes of love, nostalgia, and the beauty of her homeland. She was known for her captivating stage presence, which combined her powerful vocals with stunning visual performances. Her success as a music artist allowed her to give back to her community, supporting local musical education programs and charities in Enthisea.

With her talent, dedication, and love for her craft, Katnida Mosalikk became a beloved and iconic figure in the world of music, leaving an indelible mark on the cultural landscape of Pagranastan Resion and beyond.

Album, Superstar

Superstar Album, Music Label: ASPAD Records, an Enthisean Records Label

Katnida Mosalikk's album "Superstar" is a highly anticipated release that showcases her musical evolution and continued success.

**Released** August 21,2023

**Tracklist:**
1. "Manja äguliat" (Like a Star): This track, which originally propelled Katnida to fame, is included in the album as a tribute to her roots. It serves as a reminder of her journey from a young talent to a bona fide superstar.

2. "Breaching": "Breaching" is a soulful ballad that delves into themes of vulnerability and the strength that can be found in opening up to others. Katnida's emotive vocals shine in this heartfelt song.

3. "Dream Come True": "Dream Come True" is an uplifting and optimistic track that celebrates the pursuit of one's dreams. It's a feel-good anthem that resonates with those who have worked hard to achieve their aspirations.

4. "Never the Same": "Never the Same" suggests a sense of change and transformation. The song might explore themes of personal growth or significant life events.

5. "Life of a Musician": This song could provide insights into Katnida's own experiences and challenges as a musician. It may offer a glimpse into the ups and downs of her career.

6. "Unforgettable": "Unforgettable" may be a song about cherished memories and moments that remain etched in one's heart. It could be a touching and nostalgic track.

"Superstar" is Katnida Mosalikk's magnum opus, a musical masterpiece that combines her unique style, powerful vocals, and heartfelt songwriting. This album marks a significant milestone in her career, showcasing her growth as an artist and her ability to connect with her audience on a profound level.

The album "Superstar" is a collection of songs that span various themes and emotions, providing listeners with a rich and diverse musical experience. From the iconic debut track "Manja äguliat" (Like a Star) that introduced Katnida to the world, to the evocative and thought-provoking "Breaching," the album takes you on a journey through the highs and lows of life and love.

"Dream Come True" is an inspirational anthem that encourages listeners to pursue their dreams, while "Never the Same" delves into the transformative nature of life and the impact of significant moments. "Life of a Musician" offers an intimate look into the world of an artist, exploring the challenges, sacrifices, and triumphs that come with the territory.

"Unforgettable" closes the album on a poignant note, evoking nostalgia and a sense of lasting memories that touch the soul. Each track in "Superstar" is a carefully crafted narrative that invites listeners to connect with Katnida's experiences and emotions.

The album is a reflection of Katnida's versatility as an artist, as she effortlessly transitions between various musical styles, from powerful ballads to upbeat anthems. Her vocals are a mesmerizing instrument that carries the weight of each song's emotional depth, drawing listeners into her world.

"Superstar" is more than just an album; it's a testament to Katnida Mosalikk's enduring impact on the music industry and her ability to resonate with audiences around the world. This album cements her status as a true superstar, an artist who continues to inspire and move people with her music.

Performance

As Katnida Mosalikk awaits her turn to perform at the event, she finds herself immersed in a whirlwind of emotions, primarily feeling nervous. Here's a glimpse into her thoughts and feelings in the moments leading up to her performance:

**Backstage Nerves:**

Backstage, Katnida's heart races as she paces back and forth in her dressing room. Her palms are clammy, and her mind is a flurry of anxious thoughts. The backstage area is a hive of activity, with fellow performers, makeup artists, and stagehands bustling about. Yet, in her own world, Katnida is keenly aware of the weight of the moment.

**Self-Doubt and Anticipation:**

Doubts begin to creep into Katnida's mind. What if she forgets the lyrics? What if her voice falters? The anticipation of the performance intensifies her self-doubt. She's acutely aware of the expectations and the scrutiny that comes with being in the spotlight.

**Supportive Team:**

As the minutes tick away, Katnida's support team—her manager, makeup artist, and vocal coach—offer words of encouragement. They remind her of the countless hours of practice and the passion she has for her music. Their words of support help soothe some of her nervous energy.

**Visualization and Deep Breaths:**

To calm her nerves, Katnida takes a moment to visualize herself on the stage, bathed in lights, performing with confidence and grace. She takes deep breaths to steady her racing heart, focusing on the music and the message she wants to convey.

**A Moment of Reflection:**

In a quiet moment of reflection, Katnida thinks about her journey as a musician. She remembers the hours spent perfecting her craft, the dreams that have led her to this stage, and the love she has for the songs she creates. This reflection serves as a reminder of her purpose and the reason she's there.

**Ready for the Spotlight:**

With her heart still pounding and a rush of adrenaline, Katnida knows it's almost time. She takes one final deep breath, determined to embrace the nervous energy and transform it into a passionate and compelling performance. The seconds tick away, and the call for her name to take the stage echoes through the backstage area.

As she steps into the spotlight, she knows that this moment, with all its nerves and anticipation, is a part of what makes performing as a musician so exhilarating and rewarding. With each step closer to the stage, she is ready to share her music and her heart with the waiting audience, fully aware that the nerves will melt away once she starts singing.

As the performance begins, the stage is bathed in bright blue lights, creating a dreamy and enchanting atmosphere. The intense blue illumination sets the mood for the song, she started singing.

Eno dinukano mätoa naköü manjakä
Höirangötulitoa tanagüratjätukalä
Ta nitorokerinjanö nöhuakelanikäni
Denhakar könocilnänoa näsuntijätüa
Höitoniangoa mänjötodë

As they perform, small sparkling effects fill the stage. These could be like glitter or shimmering confetti that adds a touch of magic to the performance, emphasizing the "Like a Star" theme.

Nedenököhangabhi, Eloajahän
Anksijtenotonani ülmanhutä
Hörtunäne katilratünu
Najüratuniatarä künütiranä

Dancers, dressed in elegant and ethereal costumes, join Katnida on stage. They move gracefully and synchronously, adding a dynamic element to the performance. Their choreography reflects the song's rhythm and lyrics.

Manjatülatara, Ehütalukarät
Böhunajuracila turalena intanä
Etïnäkönaui kërattilentäsöhot,
Näkönokaruta sütteratik tanokävit

During the song's more introspective and emotional moments, the stage lights dim down, creating a sense of intimacy and vulnerability. This allows Katnida's raw emotions to shine through her performance.

Pönükänakövo tïnokavatatë
Kerinjatölota vunatijaätän
Tanöhajukän önogta völot
Näkovontolen näkahajötroranilakëra, lenkoaneta rutegetijä...

As Katnida reaches the powerful chorus, the stage undergoes a breathtaking transformation. The bright blue lights, which have been creating a starlit atmosphere, suddenly shine even brighter, casting a brilliant and radiant glow that envelops the entire stage.

The intensified blue lights mirror the crescendo in the music, symbolizing the peak of emotion in the song. It's as if the entire universe is converging to illuminate Katnida, emphasizing her star-like presence. The audience is captivated by the overwhelming luminance, and the atmosphere is charged with energy.

Manja äguliat, tanöligartura
Kärouvatakö nätalenrötarätë
Höinakura, töinakavat
Tihükarnalit evünakiratü.

Närönäti, kävölatunvöi,
Denkäno litoekspatisjäna,
Höitanai kariatavani livat,
Tanil vantakötorikänatajaät

As the chorus concludes, the atmosphere takes a dramatic turn. The bright blue lights slowly transition into a deep, passionate red hue. This change in color signifies a shift in the song's narrative and emotions. The red lights cast a warm, intense glow, symbolizing the fiery intensity of the feelings being conveyed in the lyrics.

The transition from blue to red is symbolic of the transformation from a dreamy, ethereal state to a more passionate and intense emotional experience. It's a visual representation of the song's emotional journey.

Könatünatlika tamanjatöi?
Aktärosma tïtalkönatürapa?
Natareiatenat növayärlaätika?
Kanötovalatnivä könatmajnatä?

The stage now basks in the warmth of the red lights, creating a sensuous and fiery ambiance that complements the song's lyrical themes. Katnida's performance continues with a renewed sense of passion, and the audience is drawn deeper into the emotional narrative.

The interplay of the blue and red lights not only adds visual intrigue to the performance but also enhances the overall storytelling, creating a dynamic and emotionally charged atmosphere that resonates with the audience.

Kasinatajät
Götaneitara növatök
Näitlae könir
Kavatäyanta
Nankönakörati
Tälikavötanä
Nanköränikvelä
Näynakörotävaniknö
Nanköbesma natieläjayantakö!

As Katnida's powerful vocals reach the chorus, the stage is transformed into a vibrant and dreamlike landscape. The bright blue lights, which have been illuminating the stage, evolve into a rich and mesmerizing purple glow. The purple lights create a magical and otherworldly atmosphere, evoking a sense of wonder and mystique.

Manja äguliat, tanöligartura
Kärouvatakö nätalenrötarätë
Höinakura, töinakavat
Tihükarnalit evünakiratü.

Simultaneously, delicate and ethereal pink lights intermingle with the purple, casting a soft, romantic aura. The pink and purple lights blend seamlessly, enveloping the stage in a cosmic dance of colors that reflect the emotional crescendo of the song.

To complement this captivating play of lights, dancers gracefully take the stage, their costumes adorned with reflective materials that catch and scatter the purple and pink hues, creating a mesmerizing display. Their choreography is a blend of graceful movements and expressive gestures, further enhancing the enchanting and romantic atmosphere.

Naijänavotala, unsüvatoijatoka,
Natari vosmata kalärina,
Anksaietijavnavölat tani,
Ne talovesetana, enagrarürani.

The stage is filled with an explosion of vibrant blue and purple lights that blink and flicker like distant stars. The dynamic play of these lights creates a celestial, pulsating effect that synchronizes with the rhythm and intensity of the music. The audience is drawn into this hypnotic display of colors, feeling as though they are traversing the cosmos.

As the lights reach their crescendo, they seem to dance to the rhythm of the music, creating a dazzling display that perfectly complements the emotional climax of the chorus. It's as if the entire stage is alive with energy and light, echoing the song's celestial themes.

Ina könatiru niraparsonerati
Kano vatsüloranikaretani
Kätanörvat höinankiratlin
Odvatoa näkületaminä

The smoke adds an element of mystery and intrigue to the performance, enhancing the narrative of the song. It's as if Katnida and her dancers are performing amidst a celestial cloud, creating a sense of otherworldly beauty.

Denaritani tigölantavatik
Höitäliaertan öhvanköran
Bahukan taminera ögtraertä
Höinagtar hänikanin yanok vänarinnoük

The stage lights dim down gradually, casting a veil of darkness over the surroundings. The audience is left in near-complete darkness, with only a faint, mystical glow emanating from the remaining smoky wisps.

Amidst the dimmed stage, a solitary spotlight bathes Katnida in a soft, celestial light. She stands at the center of the spotlight's glow, a luminous and ethereal figure amidst the darkness. Her presence is both striking and intimate, as if she is a star that has descended to share her soulful music with the audience.

With the background immersed in shadow, the focus shifts entirely to Katnida, allowing her to connect with her audience on a profound level. Her emotive vocals take center stage as she continues to sing the heartwarming and soul-stirring lyrics of the song.

Manödentankö veskantöranontavanai
Akana mahujäruahenatragöl
Höimantorak gajänotranira
Naninko trahanuranivär
(Oatnikar?)

The lights blink like a cosmic light show, pulsating to the beat of the music, and it's as if the entire stage is alive with energy. The audience is swept up in the electrifying display, feeling the song's emotional intensity through the visual spectacle.

The rapid blinking of the lights creates an explosive visual effect that mirrors the song's crescendo. The colors burst like fireworks in the night sky, enhancing the sense of grandeur and celebration in the final chorus.

The combination of blue, purple, and pink lights creates a kaleidoscope of colors that dances across the stage, bathing Katnida and her dancers in a vivid and ever-changing palette. The entire performance feels like a celestial celebration, and the audience is caught in the midst of this spectacular light show.

As the lights continue their exponential blinking and the music reaches its peak, the audience is left in a state of exhilaration and awe. This final chorus is a powerful and unforgettable sensory experience, where music and visuals merge to create a performance that is truly out of this world

Manja äguliat, tanöligartura
Kärouvatakö nätalenrötarätë
Höinakura, töinakavat
Tihükarnalit evünakiratü.

The dancers rejoin the performance for one more exhilarating and synchronized dance sequence. Their movements are a celebration of the music and the vibrant colors that have enveloped the stage. The choreography is energetic, conveying a sense of joy and triumph, mirroring the song's uplifting message.

The dancers' costumes continue to reflect and refract the blinking blue lights, creating a dynamic and visually stunning display. Their movements are imbued with passion and grace, infusing the performance with a sense of grandeur.

Len mantoragurai nuaitü
Salbarurta hänaturatiojaänak
Manhötrevanokani
Naihagër poyankoranoinkä, len hicarutöni

Eno banjäkö tövani
Tihükarnalit känaviatö, len angüsalit.

The Blue lights blinks faster and faster, as the song ends.

(Aihanögtruianaä, Söhvöjinü)

The blue lights extinguished, the stage is momentarily plunged into obscurity, creating a breath-catching pause that heightens the anticipation of the audience.

by **Achaean Republic** » Wed Oct 25, 2023 5:32 pm

26| Achaean Republic
Gabi Ganón - Lesbi-bar
Tune: María Peláe - La Niña

We’ve had enough of smooth, chill, emotional entries. We need a bit of fun and lust and irreverence. You know—true Achaea.

The owner of a lesbian bar, Lesbi-bar (Ha! So original!) on the outskirts of Corola. She herself is not a lesbian—she’s probably some type of fluid, as many Achaean women of a certain age—but she has had some trysts in college. Regardless, she and her (business) partner is trying to open the bar to all women, regardless of their parts and vision. What matters is that women feel welcome, away from the prying eyes of stupid men. That they can dance to their heart’s content—away from the prying eyes of men. That they are free to enjoy a drink with their friends, their partners, their friends with benefits they slept with a few days ago—without they prying eyes of men. And did we told you, no men allowed?

Well, so the TikTok gossip goes that an insufferable influencer (let’s be real, though—all TikTok influencers are insufferable to an extent) who’s not even gay (and she’s mad pretty, though) wanted to hang out with her friends away from the prying eyes of men. But it so happened that Lesbi-Bar suddenly became a trend because she foolishly showed off an image of many women making out on an empty corner of a bar with popular dance music droning around them! No consent, no questions, no concern for people’s privacy whatsoever. And the sudden popularity of the bar forced a massive entry of many people who wanted in on the action—including men. For days hereafter, social media did what any chronically online group of teenagers did online: cancel this influencer to oblivion, issue death threats to her, the bar owners, the musicians, the lovebirds, and the sworn mortal enemies in each other’s camp. The influencer was forced to apologize for the ridiculous (and completely avoidable) faux pas, for committing the sin of disrespecting queer spaces for clout. The owners doubled down on the ridiculous claims of sexual perversion and distortion and revindicated people’s right to be whoever they wanted to be. It was memed. It was mocked. It was remade and remixed. It was, as one gossip column put it, “ridiculous and unplanned—and yet so vindicating and necessary to discuss.”

Gabi Ganón was there when the night happened. She, along with her roommate Sarah Isley (and they were roomates!) used to make parodies of popular songs and social media trends. (She did an off-the-cuff parody of said influencer’s entitled indiscretions as well as many others’. But a song that both satirized and provided nuance to the plight of queer bar owners—in particular, those of the female persuasion—became a TikTok queer anthem. In an ironic and humorous tone, Lesbi-bar provides a snapshot of the namesake bar in a regular night, with a few truths (or distortions?) thrown in. From arbitrary city ordinances to pastor’s daughters behaving quite sinfully (and shamelessly, good for her!), the bar also serves as a refuge for women that quite simply needed to have a good time with other women. Nothing wrong with that.

One morning, they received a DM from AS1’s Entertainment Division…

The stage was transformed into a makeshift bar, with Pride flag streamers hanging in corners and half-shoddy tables and a wooden bar with a shelf showing all kinds of “liquor”. (We put “liquor” in quotations because it was colored water to avoid running afoul of any laws regarding the importation of liquor. Also, the delegation didn’t have enough money for the liquor prop budget.) Gabi was wearing a T-shirt that partially showed her endowments, frizzy hair, a temporary tattoo, and a rag to clean the table. There was a grungy appearance that made her look very attractive to women (and a few men), almost as if she were tired of working an entire shift at the bar. The cameras looked at a few women seated on another table, another woman (vaping) smoking and checking out her fellow colleagues. Nothing out of the ordinary—just women enjoying each other’s company and vibing and relaxing. No men around. As it should be.

Gabi began singing with a somewhat frustrated tone, almost as in the music video (filmed in the actual Lesbi-bar in Corola!) showcasing the random occurrences of a wild night at the eponymous bar. This served as both unwarranted promotion and also a fun dig at the expensive number ads of this type need to carry in order to be visible. As if women needed any help to become visible!

Lesbi-bar, una cervecita (¡Oh, sé!)
El bar tiene más visitas
Tiene más visitas el bar (¿Qué qué?)
Con dos cervecitas

Lesbi-bar, una cervecita (¡Oh, sé!)
El bar tiene más visitas
Tiene más visitas el bar (¿Qué qué?)
Con dos cervecitas

Ven pa’que te lo goces, lo goces, lo goces, lo goces
Lo pases sin rabia
Ven pa’que te lo goces, lo goces, lo goces, lo goces
Lo pases sin rabia

Gabi took out a red fan with Pride flags designed on it (it was a neo-flamenco number, after all, so she needed to represent) and put her feet in one of the wooden chairs as if she were to dance the can-can on the performers but did not have the stockings or the legendary skirts the Moulin Rouge ladies worked. In this case, she began describing how the phalluses of public administration, closures, and the vagaries of running a business in Achaea can be taxing and time-consuming, especially for queer women like her. She complained, yeah, but she also knew she was providing a lifeline. Even if that lifeline involved copious amounts of beer and shots of whisky.

Lesbi-bar es una agencia que enfrenta
Un código de orden y un falo que se espeta
En nuestros negocios
Ellos se creen que mandan en la selva
Aquí trabajan mujeres que respetan
Se sienten útiles y completas
En nuestros negocios
Y no se quejan de un parto o una regla

This next part was a critique of gender critical feminists (or, more commonly known in Internet parlance as trans-exclusionary radical feminists, TERFS) that refuse to consider trans women as real women. The real owners of Lesbi-bar could care less about one’s private parts as their point of entry if patrons respect the journeys and identities of womanhood. (Except hawkish straight men that saw the bar as a place for gawking self-satisfaction, only to be livid when they realized none of the women there, not even the straight women having a good time, would be interested in their futile asses.) She did a paseo with her fan, raising her arms for the camera to show her (shaved) pits, while the others beside her had hairy armpits for various reasons—be it for laziness or hygiene. Not like it mattered; they were still paying customers for the Lesbi-bar, and that’s it.

Ella tiene pelo en el sobaco, ¡qué bajeza!
No critiques que ella quiere ser mujer como tú, ves
Dale una cerveza un licor fuerte con hielo
Que aquí solo no entra quien no paga

This next part contained some juicy gossip! There were rumors circling around the block that the daughter of a local evangelical pastor used to be quite fond of spending time at the bar after Sunday morning services or Thursday night Bible studies. She may or may have not rolled her long, plain jean shirts into minis and tied her hair into an assorted fashion, but it was imperceptible that she drank a lot of water (she didn’t drink) but her fingers were quite…erm…let’s say skilled for those in the know (wink wink). Of course, these were rumors—no names were told, no lives were mercilessly exposed. But it was funny to poke some holes at the hypocrisy inherent in their views, especially when one of their own is on the presidency and cannot even hold a functioning government without praying its way out of another mess.

El pastor de la esquina viene a criticar
Porque todas al infierno nos quiere llevar
Y no sabe que su hija, la que canta y predica
Tiene tres amigas en el baño pa’ llevar

As the camera ran through her, she also began enumerating various stereotypical ladies that would stop at the bar, with all and their promotions going in. Barbie Girls—the lipstick lesbians—would show up alongside the trucker lesbians, hand in hand. Then the stoners looking for a beer (even though mixing both doesn’t make sense in her opinion), and then the infamous preacher’s daughter stealing a few for play. There was a playful aura, an aura of irreverence that—as the cliché goes—was quintessentially Achaean. It was cheeky, inclusive, and massively catty (who said that bartenders couldn’t be catty?) With the unkempt appearance that endeared her to know everybody’s open secrets, she sang without a worry and without a care in the bar. She knew them. She understood them. There were no other places for women like them. And it was all right.

Las Barbie, las troqueras vienen a las diez
Y a las once marihuanas con olor a Raid
¿Quién se arranca en el baño, en el baño, en el baño, las cejas sin cal?
¿Qué ella hace luchando, luchando, luchando, no se puede parar?
Busca a su hijita
La que canta y predica
Ella es una enfermita
Quiere libertad

The chorus came again. Gabi pulled the fan from her pocket and started fanning herself while giving out some paso doble steps and looking seductively at the camera. The women behind her also pulled their own fans on their left pockets and picked up the drinks in their right. Were they hot? No. Were they really hot? Maybe. (The exact word would be warm, doubly given the eternally tropical conditions in Corola City and the flood of stage lights invading them, caking their makeup, draining them with oils, and above all being a general nuisance. At least they didn’t have to contend with flies on stage. Or random health inspections.

Lesbi-bar, una cervecita (¡Oh, sé!)
El bar tiene más visitas
Tiene más visitas el bar (¿Qué qué?)
Con dos cervecitas

Lesbi-bar, una cervecita (¡Oh, sé!)
El bar tiene más visitas
Tiene más visitas el bar (¿Qué qué?)
Con dos cervecitas

Ven pa’que te lo goces, lo goces, lo goces, lo goces
Lo pases sin rabia
Ven pa’que te lo goces, lo goces, lo goces, lo goces
Lo pases sin rabia

The onstage camera fixed its gaze at one of the women who suddenly stood up and started fixing her hair, rapidly pulling out her camera and taking random snapshots (the flash could be seen in the screens behind them), as if she were to make some stories or TikTok or snaps about the bar. This is the alleged (or, shall we say, accursed) woman that started the invasive bar drama, the one that she should’ve been banned all along. Until, for some reason, the camera suddenly glanced at the preacher’s daughter, dressed in long hair and dragged down with extensions and a mini-skirt, came floating down with another woman, holding hands.

Viene aquella influencer, la quiero ahorcar
Nos llenó el bar de hombres, no van a entrar
¿Qué hace aquí mi hermana si ella sabe que es casada
Con la hija del pastor dándole una nalgá?

This was a skit that veered toward the ridiculous, farcical, and even borderline criminal in Ugunnustan. It was well known that the country outlawed most LGBTQ+ rights and culture, but for some reason they decided to host one of the most gay-friendly events in the Multiverse, if only to line some pockets. Gabi could feel the pressure of her performance as it was seen, uncut and uncensored, to Ugu television. She thought of the commentary or the scorn she received as soon as she came to the country. Was she being watched by government minders? The police? What about that moment she visited that shelter on the outskirts of Ous? There was some paranoia, and that was justified. This was something Achaeans, despite all their brashness and boldness and chaotic disposition, took for granted in their land. (Maybe WorldVision should return to the nation soon…) It was hard to see that this silly contest could open more freedom and visibility. But it was always worth a try. At least, for those that were paying attention.

Ay, Jesucrista, diosa mía,
Uno se busca los fuetes de quien critica
Ay, Jesucrista, diosa mía,
Uno se busca los fuetes de quien critica
Ay, Jesucrista, diosa mía,
Uno se busca los fuetes de quien critica
Ay, Jesucrista, diosa mía,
Uno se busca los fuetes de quien critica

Once again, and maybe for the last time, the chorus. Gabi was really feeling the heat! Gabi pulled the fan from her pocket and started fanning herself while giving out some paso doble steps and looking seductively at the camera. The women behind her also pulled their own fans on their left pockets and picked up the drinks in their right. Were they hot? No. Were they hot? Maybe. What matters is that they had fun and felt free and confident in their own skin: powerful queer women, those that accepted themselves, those what were discovering themselves, those that experienced the freedom of loving themselves above anyone else—maybe even above God. Or not above God. After all, God is a woman, and women never make mistakes. That’s all that mattered.

Lesbi-bar, una cervecita (¡Oh, sé!)
El bar tiene más visitas
Tiene más visitas el bar (¿Qué qué?)
Con dos cervecitas

Lesbi-bar, una cervecita (¡Oh, sé!)
El bar tiene más visitas
Tiene más visitas el bar (¿Qué qué?)
Con dos cervecitas

Ven pa’que te lo goces, lo goces, lo goces, lo goces
Lo pases sin rabia
Ven pa’que te lo goces, lo goces, lo goces, lo goces
Lo pases sin rabia

Gabi had to bow to the audience, yes, but she was concerned. She was truly concerned. She thought someone from the Ungunnustan police force or security or intelligence services have their guns pointed at her. Just in case, she hurried away and said her regular platitudes before they tried to fire up. But was Ugunnustan a dictatorship? It was hard to tell. She didn't want to find that out. Just in case. Someone also quickly pulled out a Pride flag from her bosom. Someone else had a "fueguero" Achaean flag modified with the Pride colors. Oh, this was gonna be a headache to explain to the audience!

Lesbi-bar, one beer (I know!)
The bar has more patrons
It has more patrons the bar (Oh what?)
With two beers

Lesbi-bar, one beer (I know!)
The bar has more patrons
It has more patrons the bar (Oh what?)
With two beers

Come so you can have fun, have fun, have fun, have fun
Have fun without getting angry
Come so you can have fun, have fun, have fun, have fun
Have fun without getting angry

Lesbi-bar is an agency that must deal with
Public order laws and a phallus that wants to stick itself
In our business
They think that they own this jungle
Here respectful wome work
They feel useful ad complete
In our business
And they don’t complain of birth or a period

She has hair in her pits, how low!
Don’t criticize that she wants to be a woman like you, see
Give her a beer or a strong liquor with ice
That only those who don’t pay don’t enter

The pastor in the corner comes to complain
Because he wants to take all of us to hell
But doesn’t know that his daughter, the singer and the preacher
Has three friends in the bathroom to take over

The Barbies, the truckers come at ten o’clock
And at eleven stoners with the smell of Raid
Who goes to the bathroom, the bathroom, the bathroom, the bathroom to rip off their lashes?
What is she doing, fighting, fighting, fighting, she can’t get up?
Look out for your daughter
The singer and the preacher
She’s a horny one
And she wants freedom!

Lesbi-bar, one beer (I know!)
The bar has more patrons
It has more patrons the bar (Oh what?)
With two beers

Lesbi-bar, one beer (I know!)
The bar has more patrons
It has more patrons the bar (Oh what?)
With two beers

Come so you can have fun, have fun, have fun, have fun
Have fun without getting angry
Come so you can have fun, have fun, have fun, have fun
Have fun without getting angry

There’s that influencer, I want to strangle her
She filled the bar with men, they’re not coming in
What’s my sister doing here if she knows she’s married
With the pastor’s daughter tapping her ass?

Oh, Jesus Christ, my goddess;
One looks for the lassos that one complains about
Oh, Jesus Christ, my goddess;
One looks for the lassos that one complains about
Oh, Jesus Christ, my goddess;
One looks for the lassos that one complains about
Oh, Jesus Christ, my goddess;
One looks for the lassos that one complains about

Lesbi-bar, one beer (I know!)
The bar has more patrons
It has more patrons the bar (Oh what?)
With two beers

Lesbi-bar, one beer (I know!)
The bar has more patrons
It has more patrons the bar (Oh what?)
With two beers

Come so you can have fun, have fun, have fun, have fun
Have fun without getting angry
Come so you can have fun, have fun, have fun, have fun
Have fun without getting angry

by **Darkmania** » Thu Oct 26, 2023 12:26 pm

27 Darkmania

Tÿrdal, Sarköl ë Fïroe- "Make Noise"

Blåsemafian – Let Loose

SoundsOfTïverte earned Darkmania a 9th place with their synthpop song "Nënte Ÿr Di Ënd" (The Night is Still Young), and was also seen as a fan-favourite. There are also some rumours that it also charted in other countries but this has yet to be proven. With WorldVision viewing figures in Darkmania at an all-time high, it was a clear option; Darkmania returns for the 3rd time in a row.

Alëxandÿr Tÿrdal, Rëubens Sarköl, and Danyël Fïroe are long-time friends who formed a musical trio where they play brass instruments (the instruments where you blow into them for it to play). While they are a bit unknown in the darkmanian music scene they have been selected by DäTV to represent them on WorldVision. Due to WorldVision rules requiring lyrics, they also bring Möneka Köralem, who is more known for having won a musical television competition in 2021. She also is Danÿel's girlfriend having been a couple for just 6 months up to now.

Trumpet: Alëxandÿr Tÿrdal
Trombone: Rëubens Sarköl
Saxaphone: Danÿel Fïroe
Vocals: Monëka Köralem

As the postcard has been concluded the spider cam glides towards the stage and we not only see our three boys but also huge silhouettes of them. As they pretend to play we quickly cut to Monëka who is in the audience with some space from the fans and her. She will mainly be placed there whereas the boys are on the stage. She will enter the stage later but for now, enjoy the many fans in the background of this entry.

Make noise tonight
It’s the time of your life
You’re having a blast here
Make this an everlasting memory

After an instrumental break, one of many in this song, we still have Möneka placed at the audience and the fans are still in the backround being the ususal flamoyant with more colours than you have ever seen.

The night is still young
The beats that wanna make you move
Forget stress and be yourself now
And have yourself a time of your life

As she is about to enter the stage we see clearly in the background that someone is pulling a banner before it is taken away. We were unable to read what it reads

Make noise tonight
It’s the time of your life
You’re having a blast here
Make this an everlasting memory

Möneka has now entered the stage and is joined with the boys again.

Make noise
Let’s make some noise, you and I
Make noise
You and I, you and I

The night is still young
The beats that wanna make you move
Forget stress and be yourself now
And have yourself a time of your life

After the final note has played some pyro is lightened as all four individuals are on stage. However, we cut quickly to Möneka and Danÿel kissing each other. Several shots of clearly drunk darkmanian fans later, we cut to the next entry, whoever it is.

by **Osterhalten** » Thu Oct 26, 2023 6:56 pm

Withdrawing

by **Robloxian Robloxia** » Fri Oct 27, 2023 4:30 pm

29. Robloxian Robloxia
Draca and Noobia Alla
"Eternity"
Jisoo ft. Jiafei - FLOWER

Who is Draca? One may ask that perpetuating question. To put it simply, Draca is an international superstar with over 900 quadrillion followers on tiktok. One of her most famous tiktok videos is titled "POV: Draca smacks you with a hammer" and "POV: You're at my audition to be at my music video" both receiving centillions of views. Draca is extremely vain and egotistical, only caring about herself and her tiktok platform. She has been described as bossy, sassy, lazy, and even mean. Some consider her a psycho, and claim that she has tried to kill her "boiz" eleven times. One person even claimed that she hired Michael Myers to kill her "boiz". However because of her immense influence, these claims are factually incorrect.

Draca has been interested in WorldVision ever since Robloxian Robloxia debut back in WorldVision 102. She was the spokesperson for Robloxian Robloxia and gave the points. In WorldVision 103, she attempted to make an entry but eventually gave up because she was too stressed saying that "I am stressed because I think my bank vault may open without my consent..." In truth, her bank vault did open, but from the inside, as if someone was trying to escape from the bank vault.

In WorldVision 105 Draca decided to make a song about her "BOIZZ". Boiz is what she calls her dancers, Rainboi, Lunarboi, Goldboi, and Funboi. She always shows her "boiz" in her tiktok dance challenge. Some suspect that she is holding them hostage in her basement, but no one knows. She placed last place. In the subsequent editions, she would visit the hosting country and view the performance, however she kept a low profile to avoid her terrible loss in 105. This time, she's back. With Noobia Alla.

Draca

Red = Draca Yellow = Noobia Alla

Draca and Noobia Alla are in the opening shot with Draca wearing a flowing red dress and flower design on her hands. Noobia on the other hand is wearing a tight black dress and is wearing heavy make-up making her skin ghostly white. The both had headset-mics and Draca starts off by making small movements with her hands. The dancers, wearing black clothing, are around the girls and slowly "fall" to the floor to create and illusion of a flower opening. Draca and Noobia both touch themselves while the dancers hug each other on the floor. When Draca starts to sing "EFG" the dancers get up, and shoot out their arms while pointing them to the sky, almost as if they are trying to make a check mark with their arms. The dancers then strike poses and twirl their hands to the beat. Draca does an aesthetic body dance while Noobia is behind, moving her hands to create and illusion that Draca has four hands. There is just a spotlight on the dancers and Draca/Noobia.

Aeaeae
aeaeae
E. F. G, One two three, you think we are dumb
So prettily, we danced with glee.
Otohejuninanikga

For the next part, Draca and Noobia stand next to each other, while the dancers form a V shaped line behind them. They flap all flap their arm gracefully like butterflies fluttering in the wind. A starry night background is shown behind them. The dancers then move forward next to Draca and Noobia and make another line. They hug close to them as Draca sing this part of the song.

Our power brings us to a stablemate
Dancing, we can see you all the way too late
Beauty is just our queendom standards
Screaming, dancing, we are cute, cute, cute

When Draca sings the pre chorus, the dancers make a bridge with their arms above both Draca and Noobia. Then, the dancers bring Draca and Noobia up while they both point to the sky in a graceful manner. The dancers then bring the two down as they prepare for the chorus. On last line of the pre-chorus, both Noobia and Draca touch their bodies and then get into a pose for the chorus.

Under the beautiful golden sun
Our beauty spread over the world
We are just the queens of eternity

Then the dancers and Draca/Noobia do the following dance. This dance is iconic and has spread like wildfire across TikTok and YouTube, thanks to Draca.

*aesthetic screaming*
We are just the queens of eternity

It's now Noobia Alla's turn to sing. She takes center stage and movers her hands up. She then turns around and acts cutely, causing many Kpop idols do a cringy aegyo (if you don't know what that is, search it up). She brings her hand to her heart and does a cute swaying motion. Many floptropican cheer for absolutely no reason.

Please bring us cash, we wanna see it all
Our cuteness has persuaded all of you
Being a queen, we can do so many thing
We can crown ourselves, it is our right.

Draca sings again. This time the background changes to DSV products and shows DSV in the background, it is quite obvious that it's a paid sponsorship.

Our power brings us to a stablemate
Dancing, we can see you all the way too late
Sayang sayang, Dato Seri Vida products
Screaming, dancing, we are cute, cute, cute

The pre chorus is sung. The dancers bring their hands close to their face and make a thirst trap for all those damn straight men, especially those who have a crush on Draca. (I advise you not to have a crush, or you'll end up signing a contract with your blood. I mean look at what she does with here boys!)

Under the beautiful golden sun
Our beauty spread over the world
We are just the queens of eternity

The iconic dance is shown again:

*aesthetic screaming*
We are just the queen of eternity

DSV is shown on the screen behind them again. The audience cheers, maybe they like the song? Or maybe they just love their DSV products. Who knows. The dancers then make quick movements to the left and right while they make a bridge with their hands.

I just wanna say bye
'Cause your a f*cking b*tch
I will now scream my heart out
DSV, Now I will be the ri-i-chest
Get out of my queen life

Iconic dance:

*aesthetic screaming* (aeae)
(aeaeae)
(eaeaea)
We are just the queens of eternity

The song ends. Draca screams "THANK YOU OUIOUIBAGUETTES, U-GAY-OR-STAN(?)!". Noobia then elbows her and tells her that they're in Ous, Ugunnustan.

by **Talvezout** » Tue Oct 31, 2023 7:07 pm

by **Hafamarimyht** » Sun Nov 12, 2023 12:38 am

30 | Hafamarimët
Lïmsömo | Samëči
Tune: Kylie Minogue - Hold On To Now
Music: Samëči, Sëteja Bïdmo
Lyrics: Samëči

Title Translation: Calmly

Samëči already had the good fortune to represent Hafamarimët twice, which is why some people thought it would be a long shot for her to win Čänlëdïl Worldvisionvun. With this edition open to international voters, though, the fans in Malta Comino Gozo propelled her to victory, boosting her to the margin of votes she needed to win over bookie favorites Vehëdïl(hud).

Despite having more experience on the WorldVision stage than any other Hafamari performer, Samëči still feels nervous. “It’s truly the biggest audience anyone can have at the same time,” she told Past Your Bedtime host Bïdnel Halnetka in a recent interview. “I could go to WorldVision a thousand times and still feel overwhelmed by just how many people I get to share that moment with. It’s incredible!”

So she finds herself in Ous, ready to take the stage in a dress made of small reflective gold stars linked in a vertical arrangement as well as horizontally from her chest to her upper thighs. As the music fades in, a spotlight rises on her and some twinkling background on the LEDs looks like stars floating gently upward in the night sky, slowly lightening from the bottom up as if the sun was rising. She walks to the front point of the stage as she sings the last line of the verse.

Čumekereh, čïnčivnë čihu lërïkaca
Ë pata tëlavata suh necata
Hučamabek

Söjpa čusajusa pïtavjë usa vnadïl pa
Ë söjpa pakdïlči čo pakavjë pa
Pnäžek, pnäžek

Smoke begins to rise from the back and pour forward across the stage, eventually flowing over the stairs at the edge of the platform. She raises her hands towards the sky slowly over the first half of the chorus, tapping her heel with the kick drum. As the beat drops, small purple and green flashes illuminated the LED screens. She turns sharply and walks in rhythm back to the center of the stage, where four figures dressed in loose black robes have risen from the floor.

Meva edačavjë vamïlï
Meva maduvavjë vamïlï
Po čemebmegajev vamek -mek -mek
Lïmsömo mejajek -jek

Čabat umeker lërïkaca
Vïdan lumabavjë pümaca
Po čemebmegajev vamek -mek -mek
Lïmsömo mejajek -jek -jek -jek -jek

The purple and green flashes slow into a gentle fade. Samëči turns back to face the audience with a slap on her hip and a slow drag of her hand up, rustling the gold stars of her dress and causing reflections to bounce through the arena. The figures in robes have made their way to different corners of the stage, two on the downstage point where Samëči had been for the previous chorus and one on each side point.

Nus böjbmaju sïhavjë, mujasadïlči
Meva saju pata načalijavata
Ko rana pa

As the music changes for the chorus, towers of sparks erupt in front of each robed figure. They throw parts of fabric aside, revealing black high-waisted pants and sequined gold crop tops. They each have makeup similar to Samëči's whether they are boys or girls - dark eyeliner with reflective white eyeshadow flowing into gold at the outer edges - and it is revealed that the two at the front point are boys and the ones on the side points are girls. They raise their arms, then bring them down sharply as the spark towers stop as the second half of the chorus begins. They acrobatically dance back to center as Samëči dance-walks back to the front of the stage, taking time to look into the camera as it focuses on a closeup of her face as the purple and green flashes begin on the LED screens again - and a few from overhead lights illuminating her face and dress.

Meva edačavjë vamïlï
Meva maduvavjë vamïlï
Po čemebmegajev vamek -mek -mek
Lïmsömo mejajek -jek

Čabat umeker lërïkaca
Vïdan lumabavjë pümaca
Po čemebmegajev vamek -mek -mek
Lïmsömo mejajek -jek -jek -jek -jek

She and the dancers return to the center and go into a dance routine - simple enough that it has been trending on TikTok and some of the audience members dance along with her. The dancers sing the following phrase as Samëči smiles, allowing a look of relaxation to wash over her as the LED screens flash silver and gold around them.

[Sa lïmsö pa
Sa lïmsö pa]

The dance ends with Samëči laying on the floor looking up into a camera above her, singing the first half of the chorus as the camera slowly rotates. The floor begins to glow gold directly underneath her, growing bigger and brighter until it explodes to fill the entire arena when the beat drops back in, accompanied once again by towers of sparks on the corners of the stage. The dancers pull her up and begin another acrobatic dance routine, although this one is more connected and almost liquid. The purple and green flashes resume as the gold wash dims.

Meva edačavjë vamïlï
Meva maduvavjë vamïlï
Po čemebmegajev vamek -mek -mek
Lïmsömo mejajek -jek

Čabat umeker lërïkaca
Vïdan lumabavjë pümaca
Po čemebmegajev vamek -mek -mek
Lïmsömo mejajek -jek -jek -jek -jek

The purple and green flashes again slow into gentle washes, punctuated now by sparkling white flashes from both the wall and the floor. Samëči dances towards the front of the stage, reaching out into the audience at times or looking into closeups as she smiles emotionally through these last lines.

Desa tavjë, desa huvjë
Desa hivjë, desa ïmvjë
Va kmunavjë, va päjdavjë
Va vïgavjë, va vmažavjë

Desa tavjë, desa huvjë
Desa hivjë, desa ïmvjë
Va kmunavjë, va päjdavjë
Va vïgavjë, va vmažavjë

The dancers arrange themselves like a chorus to the side, pull their robes back on and sing sa lïmsö pa again. When Samëči is done singing, the dancers back away from the stage, still singing, and the camera focuses alternately on Samëči and her face as the lights slowly return to the floating star-like pattern present at the beginning. She smiles introspectively, sometimes making eye contact with the camera, sometimes not. As the music fades, she breaks into the biggest smile she's shown so far tonight and shouts into the microphone "Thank you Ous! Thank you everyone!" and bows.

by **Aenglide** » Mon Nov 13, 2023 4:46 am

Country Name: Aenglide
Artist Name: Marie Sömmervars
Song Title: Find Me
Languages: English

Music: Marie Sömmervars, Padar Klopps
Lyrics: Marie Sömmervars
Tune: UNDER & Cecilia Kallin - Juni, Juli, Augusti

What a brilliant finish we had. The 109th Worldvision Song Contest came to a finish in Mariensbourg, in Carrelie. It was the Carrelian Confederation’s impressive fourth hosting of the contest - the third time Aenglide made an appearance in a Carrelian hosting - and the second time that the city of Mariensbourg rose to fame as the host. Back in the 104th Worldvision Song Contest, which was held in Mariensbourg, we saw indie rock band AnÿmeHouse and their song “Upside-Down World” place seventh out of twenty-six countries. Same city, same venue, five editions later - we saw our most recent Hööra folk group Jana Argelsen & Ulmsläärigili Javkivolka spread some light to their indigenous roots in the form of an electro-pop rock song entitled “Ccëguus rääska”, which is translated as “Secret Love” in English. With the exception of back when the Hööra peoples represented their own cultural nation back in editions 97 and 98 with Elsena Oleviäniku (who actually went on to become one of the songwriters for the song) and Oksidentäälikvëaka respectively, this was the first entry that Aenglide sent in the Hööra language, and was on a two-edition streak of sending entries in a language other than English, as Pers & Elsvikka represented Aenglide in the 108th Worldvision Song Contest with the Aenglic-language song “Gylden Fjul” which translates as “Golden Touch”.. The group of four, dressed in traditional Hööra gävti (clothing), performed around a model campfire on the Pàrc Olympien stage, and did the best they could on that very stage. In the voting process that night, the group and everyone from Aenglide watching the show live felt that the song would be too niche and out-of-the-ordinary for the voting. However, by major surprise, three juries gave the maximum 12 points to Aenglide. Placely Placington, fellow Novapax nation Darkmania who returned to the contest, and Millenhaal. Other high points worth mentioning was a set of 10 from Uthossia which we highly appreciated from them - and an 8 from StrayaRoos. At the end of the jury votes, we were in seventh, with 87 points.

But this was, of course, only half of the votes. The televotes came along. Aenglide was among the last ones to receive the televote points - and that meant Aenglide’s results were held up with high anticipation and nervous emotions running through everybody. Maybe the song would completely flop with the televoters. It was revealed that Aenglide scored an impressive 76 points in the televote, which to everyone’s surprise, allowed Aenglide to finish the contest in a well-deserved fifth place. This was great news for Aenglide managing to place at such a spot, especially when in the past few editions, Aenglide was achieving unfortunate results, like the 11th in Doorsbreekenstad with Pers & Elsvikka and their song “Gyden Fjul”, and even worse - the 16th place in the grand final in Doportedas with Lynna Fynsberg Víkja’s song “Melody”. After a few editions where Aenglish locals couldn’t even look at the TV it was that bad - Worldvision was finally gaining more hype after the contest. We’ve been climbing in results since last edition, so all of Aenglide is counting on our next few performers to be able to keep that standard of results. A lot of pressure for ÆTV then. It’s not easy for a broadcaster to be able to find an act that is able to hold on or even improve a result the following edition. However, after a reasonably lengthy process, ÆTV decided that Marie Sömmervars would represent Aenglide in the 110th edition of Worldvision.

Marie Sömmervars in 2023

Marie Sömmervars (born 28th August 2000, 23 years old) is an indie singer-songwriter from the city of Veksa in Aenglide. Music raised Marie during her childhood - especially learning the guitar. At the age of eight, she began learning how to play the guitar, in school and at home. One of her best memories was getting her very own guitar on her ninth birthday, one that she still owns today! She has kept it at her family home as a special possession nowadays, and retells her stories whenever she plays. After attending and graduating from the Aenglide Music Academy in Keterig, she’s still based in her hometown to this day, becoming somewhat of a local hero staying true to the city of her upbringing.

Marie regularly performs on local stages, usually around Veksa’s central district. She’s a prominent player who is often recognised by the Vekseren (Veksa residents), however she has played at public areas in Keterig, Akjefuldin, and even Ljænborg. She’s only written a handful of original songs, mainly about family, her childhood, and love, and has also covered many Aenglish artists, even managing to create and perform a beautifully remastered cover of Benevolent Frequencies, the song that Aenglish band The Mercantiles represented the nation with at the 97th Worldvision Song Contest. However, up to this point, she is yet to hit the big stage. When she received a call from the Aenglish delegation to Worldvision about her acceptance into the contest, she couldn’t say no! An avid fan of Worldvision, Marie watched the contest religiously growing up with her family, even inspired by international artists and their songs for her own work.

The cover for the 2023 single “Hold Me”

The song that Marie Sömmervars will be singing is “Hold Me”. Selected as Aenglide’s song for the 110th Worldvision Song Contest, it is a very uptempo song with electro-pop elements, vastly different from the usual indie one-instrument songs she’s used to. The song was produced with the help of electronic music producer Padar Klopps, who was excited to work with Marie as “she has an incredible and unique voice, capable of Worldvision”. Marie stated in a pre-Worldvision performance that the song was “going to be a change from singing and playing guitar, but I love this song and hope you all will too!”

Marie Sömmervars states that the song was about her time around the age of eighteen where she was dealing with a breakup, barely staying afloat and being unable to leave her room. Marie even composed the song during this time to express and write down the heavy emotions she felt with this. Marie remembered her love of singing and music, and it helped her carry herself through and become a new person. The song, as well as the story behind it, could prove to be relatable to some of the people, whether from Aenglide or international, and resonate to similar stories from citizens of other countries.

Marie Sömmervars had spent a few days in Ous in Ugunnustan prior to the day of Worldvision, with a busy schedule with rehearsals and interviews for most of the week. No breaks or any needed resting time, especially in such a hot and resort-filled nation like Ugunnustan. It was a fair shock for Marie, as she hadn’t really been outside the wintry climates of Aenglide, so stepping into regular 30+ celsius temperatures was sure to allow Marie to tan well. A few days passed, and Marie was feeling really confident for her performance, but she knew that she was carrying the entire country of Aenglide on her shoulders, so she felt some pressure but ultimately she already knew that she was going to do well.

Marie was welcomed onto the stage after Samëči from Hafamarimët concluded their performance and exited the stage in the absence of light in the arena. Before the grand show, it was revealed that Aenglide would be performing in the 31st spot, at the very end of the whole contest, so Marie had some time to mentally prepare before being called for the performance preparations behind the stage. Thankfully the Ugunnustan stage and show team were incredibly helpful, because Marie said she felt relaxed and calm beforehand. As Marie went to stand at the centre of the stage in the darkness, the postcard for Aenglide played behind her on the LED screen.

A few seconds of various Ugunnustan landscapes passed, and Marie was introduced to the world as soon as the music began to play. As the lights turned on in the Müsqa arenası Ous, the audience was audibly heard with a loud cheer in excitement for Marie’s song, already giving Marie a boost in confidence. She’s wearing a casual white top with denim jeans, with the LED screen showing a clear day and a field of daisies and tulips behind her. Marie picked that background, as it symbolises “when you’re lying down on a field by yourself, the flowers hold you and comfort you - that’s what the songs all about, and I think it makes a great scene.” She begins to sing the first verse.

I lay here on my own
I keep finding myself talking to the walls
Locked inside my own doors
All I’m searching for is something more
Broken-hearted by myself
I dream to be somewhere else
And be one with the lucky few
That’s just all I want to do

The first verse transitions swiftly into the first of the two choruses. During the performance, there are a few mixed shots of Marie on the stage and a few panning shots towards the audience, showing the many colours and flags being held up, showcasing the love and support that the crowd has for their representatives. A true sea of positivity that Marie recognised during her performance.

So when I’m too scared to reach into the unknown
Hold me, hold me, oh, hold me
Whenever the whole world makes me feel alone
Just hold me, hold me, oh, hold me

The first chorus ends, with an enjoyable instrumental part that generates a decent reaction from the audience. The strobe and beam lights go off and shine towards the crowd to the beat of the music during this part.

The days go by without a change
The colours slowly start to fade
But I show some faith for life to shine
Cause I know someday it will
But for now it all hurts
Can’t explain it with words
I need to find courage inside
To put myself at a high

Marie prepares to conclude the song with a grand and memorable second and final chorus after the second verse. The second verse changed from a scene of daisies, to a window collecting rain drops during the rainy night.

So when I’m too scared to reach into the unknown
Hold me, hold me, oh, hold me
Whenever the whole world makes me feel alone
Just hold me, hold me, oh, hold me

After the final chorus was beautifully sung with passion, the song closes on an instrumental upbeat ending. Before the audience knows it, the song is drawn to an end and the lights come down with it. Marie thanks the audience and those watching on the television, before she is called off of the stage by the team, who are also preparing to end the entire night with the voting process. Marie returns to Aenglide’s designated seating in the green room, where she is congratulated by the delegation who accompanied her.

by **Kalosia** » Mon Nov 13, 2023 12:39 pm

32
Kalosia
100 — XYLO
performed in English to the tune of Sprinter — Dave, Central Cee

Basilo 'XYLO' Montesku

It has been well over a year and a half since the 99th WorldVision Song Contest in Densmouth, Carrelie. In that time span, twice has the contest been hosted in Carrelie, on both occasions held in the city of Mariensbourg. On both occasions as well did Radiu-Televižio Kalosia select the same spokesperson to announce the Kalosian votes—WV99 entrant Basilo 'XYLO' Montesku, a 24 year old rapper who continues to make a name for himself in the Kalosian rap scene.

One of the influential figures in the young man's early career was Sliman 'Soltano' Ben-Gamal, who also introduced him to the connections necessary to land his participation at the 99th WorldVision. Soltano also had the honour of performance alongside him in that contest with their song 'Skale' (Ladders). That night, they landed a respectable finish and went down in recent WV history as one of the more memorable Kalosian entries, receiving chart success in competing countries to an extent that many other Kalosian WV entries did not achieve.

The song this time, '100', is much longer than Skale and performed fully in English. It has a rather tropical vibe to it, with Spanish guitars accompanying what is otherwise a typical trap track. Lyrically, the song is a something of a reflective piece, with themes of self-development and finding inner peace. In this tune, Xylo reflects on what fame has brought into his life, and how he attempts to navigate the various challenges that come with it. The track has become rather popular in Ugunnustan, the country hosting the contest, and Xylo has found himself well received in Ous.

For the big night, XYLO was drawn to perform 32nd and last, acting as a show closer. He was wearing a bomber jacket with a floral motif over a plain white tank top and jeans, and a pair of sneakers.

GLOSSARY
Pëkinu ragažu: Little boy
U vivu: Live broadcast
Verdu: Green

As the entry begins, we get to see the stage setup. There is a big circular platform on stage, with a few steps radiating from it (think like a podium or satellite stage). On this platform stands XYLO. As the opening lines of guitar play, the spidercam moves from the front of the stage to above it, keeping the camera's focus on the stage. XYLO is clearly seen standing in the middle, as the stage LEDs show floral patterns which complement (but not necessarily match) his jacket.

As the cue comes for XYLO to start, the camera switches to other shots, which include medium shots using crane cameras and close up shots with steadicams. In this initial part, XYLO attempts to establish a connection viewers at home, rapping straight into the camera. He mainly stands on the platform, but does move his body and make hand gestures as he goes. He keeps the mic on his left hand while his right hand XYLO uses to express himself.

It’s not that fame makes you ignorant
But it’s hard to not be indifferent
There’s just somethin’ about making millions
Gets me chased all around by those idiots

Drinkin’ highs but I am sick of it
Think I’m raidin’? I just wanna liberate, uh
Alright
You know that the time is now to speculate

When you’re living the life that I have
You’ll understand why the hell I’m not givin’ in
It ain’t really fab, but I got the drip
That turn to dividends

For real I’m just a pëkinu ragažu
Came from the middle of nowhere
Now my face is broadcast u vivu
Watched by the masses everywhere

Now as we enter the chorus (the only bits that are repeated in this song), XYLO follows a steadicam off the platform as he takes a few steps down the stairs and towards the front of the stage. The LED screens mainly show the same pattern, which have small animations but otherwise remain static. The lights do not change drastically either, just opting for slow movements.

Through the solitude, where I’ve been
My thoughts keep me company as I walk
With me through thick and thin
I am what I think but I’m not all talk

Won’t turn back
Why would I turn back when I’m almost there?
100 meters, ha
Forget the fame and the fortune

100 meters
I don’t care, yeah, I just want peace, nah
S.O.S
Now I have rescued me

Gotta tune it all out, tune all the bitchin’ out, gotta
All the haters, let them stay weak
Alright
I’ll never let them be pleased

XYLO takes a few steps down the stage stairs and takes a seat on them, the way you'd see someone chilling on a flight of stairs. He keeps going, and the cameras have to hover around him. In this part he talks about finding your light and reconnecting with those who have supported you throughout the years.

There you’ll see the guiding light
Known by generations of man
Don’t you think it’s a lovely sight?
Follow it like you’re the only fan

Don’t be mad cause the truth may vary
Let go and remember your loved ones
Remember your youth
Your day ones, who taught you to show ‘em the big guns

They move on but they got your back
As you go through rain and snow
After all these years you’ll get with a lass
With her, you watch as it grows

Bigger, the love that you chose
We gotta conquer the mind, you with me?
To take back the future you must understand
Come forth, it lies in your hands

XYLO gets up and starts heading towards the back of the stage, only to walk around the circular platform. He basically follows a steadicam as he spits out these bars, reflecting on all the people that have done him wrong throughout his still-fledgling career. Although he has come so far, the path has never been perfect, and even though we are already in November he still holds doubts that this year could end on a high note as he would have wanted.

They may think it make no sense
Well I think they’re just a bunch of degenerates
Why so ignorant? Well no offence
Maybe they’re illiterate

I’ll just get over it
Shit ain’t worth a little bit
They ain’t me
And they ain’t my affiliates

I leave
Still come across big mouths, they can make only noise
They a little bitch, speaking in gibberish
Twisting my words, they callin’ it praxis

What if this year ends anticlimactic?
The way that we have been trapped in shadows
We’re living on time that is borrowed
Ha, alright

At this point he's made his way back to the circular stage and the lights have dimmed a little. This gives for a quite dramatic look as the music calms down a bit. We get close up shots of XYLO as he keeps going. Here he talks about any feuds he may have, and what allows him to feel at ease (knowing that he has money in the bank and spending alone time to process his personal thoughts).

I would draw some red at minimum
But I’m better, I got manners, ha
Even in the moment
Still gotta take action

I don’t want my beef to get any more traction
No steak, that is out of question
Cause I’ll get framed for aggression
It ain’t free, my way of expression

Just logged in to my bank and
The screen’s sayin’ “Welcome Xylo” (Welcome Xylo)
You know that I got that intelligence
Where money flows to, I know

But one day I’ll find me
In my meditations I arise, feel enlightened
Accept it and you will see
That in my aspirations I’m no more frightened

Now as we return to the chorus, the lights turn back on again and XYLO takes a few steps forward as he raps straight at the audience. We also get a few different shots from various angles.

Through the solitude, where I’ve been
My thoughts keep me company as I walk
With me through thick and thin
I am what I think but I’m not all talk

Won’t turn back
Why would I turn back when I’m almost there?
100 meters
Forget the fame and the fortune

100 meters
I don’t care, yeah, I just want peace
S.O.S
Now I have rescued me

Gotta tune it all out, tune all the bitchin’ out, gotta
All the haters, let them stay weak
Alright
I’ll never let them be pleased

At this point, XYLO steps down off the stage and starts interacting with audience members, giving them high fives and first bumps. The audience do seem enthusiastic still, even after having to endure 31 entries and an opening act before this one.

Higher than a pot o’ gold
Up in my pent, I watch over the rest
Monterra is a beauty
Her people live free, bro, we’re one of the best

How much you makin’? Do you invest?
Get a kick from seeing verdu
Life’s a lesson, take the test
I’m doin’ more and talkin’ less

You love winning them rap battles
It got no bite but you be my guest
They try to jump on me
And then act cool like a friend, they messed up cause

I live by my word and die by my word, tough luck
They all fake to me, it’s fucked
Keep your hands off me
That shit you seek ain’t concern you

As the song is about to come back to an end, XYLO walks back up the stage and to the center of the platform, where he finishes off the final few lines. He tries to wrap up lyrically by turning attention back to himself and his inner peace, but not before calling out someone whose identity is not clear, be it a rival or someone he used to consider a friend.

Worst is when you’re in denial
That can’t be true if it came from you
Cause the papers show, the people know
That you’re a shit liar too

But you would never get it
You can’t finesse it, what can you even do?
Yeah (alright)
Started at the bottom, now you’re even worse

Weird, I’m turning attention back
Putting my focus on the demon inside
I know that I gotta pray
That I’ll let go of shit and find peace of mind

The song comes to an end. The audience cheers, appreciating something a bit different from the other entries we have seen tonight. "Thank you Ous! It's been real, love ya lots!" XYLO exclaims, giving air kisses to the audience as he makes his stage exit, giving room for the hosts to walk back on.

by **Ugunnustan** » Mon Nov 13, 2023 4:59 pm

The stage is cleared following XYLO’s performance, as the three hosts begin to stroll into the centre of the stage, which is met by a massive cheer, The three have all changed clothes, Irada in a long formal purple dress, with sequins dotted around. Jaina in a short white dress with ruffles at the cut and a oversized leather belt, and Qodor in a Crisp black suit with a deep red tie, and he hairs thrown messily back behind his ears, The camera zooms into them, Although presumably a tad early, as Irada is staring at XYLO as him and the crew leave the stage.

Irada-He’s so dreamy…

Qodor- Erm Irada.. The cameras are on.

Irada- Sh- Jaina Quickly moves to shush Irada

Irada- What I can’t swear at worldvision? It's past nine o’clock isn’t it?

Jaina- There are children here, Qodor cover your ears sweetie.

Qodor- Oi!

Irada is meant to read the first line following this short bit of banter, however is too immobilised by giggling and Qodor’s misfortune, and so Jaina steps in.

Jaina-I have to do everything around here.. Now: 27 acts have performed, and Whew! I don’t think I’ll ever recover!

Qodor- Truely. I don’t think I can handle this much excitement in one night.

Irada-(Still giggling) Then why the hell did you sign up to host Worldvision?

Qodor- Well obviously for the mone- Many great people I get the opportunity to meet while hosting!

The other two roll their eyes, Obviously Qodor hadn't signed up just for the money: he was honestly a sweet and thoughtfull guy, or at least thats what he tells everyone. Nonetheless its nicer for them to think that Qodor joined Worldvision as a host because he genuinely enjoyed their company, not just because tolerating their company would get him the bag.

Jaina- Voting will start very shortly! God I’m so excited for Ugunnustan to win.

Irada- Are you not a tad biassed on that Jaina?

Qodor- I think we can’t trust her opinions, ever since she came out as hating high heels.

Jaina- Qodor don’t start this again, I haven't had peace all of the evening.

Qodor- I wont stop Until you admit you liked it, at least a little bit.

Irada- Luckily for you guys, while those two bicker like children, you have someone who is invested in doing their job.

Now: On the screen behind me should be the scoreboard. Now i’m sure all of you have your favourites so in a few minutes we are going to open the voting lines and get you all to pick your favourite, Not including your own country: JAINA.

Irada Shoots an accusatory glance at Jaina, to which Jaina feins offence, before return to her bickering with Qodor in the background

Jaina- But before all that, we have something very exciting to share with you, We are about to flip the script and switch it up! This is the worldvision switch song:

Qodor- You may be wondering what the hell is a switch song and why are we making you listen to-

Jaina-(Cutting in) Sorry but that was such a good transition and you had to come barging in like an OATH and ruin it? How dare you.

Irada- If i hear you two bickering one more time, I’m gonna send you both to the naughty corner. But Qodor has a point. What the hell is a switch song?

Jaina-Fine I guess I’ll explain it.

Qodor- I think you ought to.

Jaina- We took some of the top artists from all across the world (of music) into a studio, and told them to write us a verse on the beat we gave.

Irada- It was quite a good beat.

Qodor- Bias.

Jaina- We then separated all of them, and didn’t allow them to see each other's verses until after they had all finished writing, to truly spice some things up!

Qodor- I think that's against their rights

Irada- There isn't a right to verse writing, and also they all signed on it so…

Jaina-( Talking over them) All of that brings us to tonight, where we have 4 amazing artists ready to perform for all of you, So are you ready to hear it!?

Tune

Aris Mooe, the first winner from MCG, will open the common song that celebrates a "World of Music". A truely powerful and inspirational voice, Aris has consistently created/ released high quality songs, which was shown as: when mentioned previously she won Worldvision. She will open the switch song, a song intended to celebrate musical traditions from across the multiverse, Including countries such as Suurna, Tödlichebujoku, and Placely Placington!

Driving really fast round these country bends
I feel alive, I don't wanna pretend
Wind is in my hair, the sun on my skin
I'm chasing freedom, let the journey begin

The road twists and turns, but I won't slow down
I'm on a mission, gotta cover some ground
My heart beats faster with every mile
This is my escape, my passion, my style

The world disappears, it's just me and the road
I don't need a destination
I'm in the zone
There is no worries, and no stress,
Just the thrill of the ride

Cungo Kulo is the Drag persona of Rasa Clhavinha, a straight girl from Estegoa. (Straight people are the minority in Tödlichebujoku) Cungo is a seasoned Drag king, having embarked on multiple shows and tours, aswell as placing second in Vümmeltáhti, The main drag show in Tödlichebujoku! Impressive! His dedicated core audience of fans have been known to commit crimes on his behalf, and even get stuck in washing machines, which is what this song is about.

Help I'm stuck in a hole
And you know
I go crazy when you leave me at home
I'm trapped inside your fantasy
Help me free
Headfirst in this cleaning machine
So come on save me,
It's been so long,
I've made a song tonight
'Cause it's a growing issue
Guess you won't be shocked to see this sight
Come let me go
Stepbro I'm stuck in a hole

Júlíanna Ilíasardóttir, a rising star In the small Island nation of Suurna: she represents the first time Suurna has ever shown its face at an international music competition. The 27 year old is a great representative. She mostly writes fast, bass heavy music, and is a judge on : Stjörnusöngvarar : Suurna (Star Singer :Suurna).

Ég vil dansa þangað til ég get ekki andað

(I wanna dance until I can't breathe)

drekka á tungu minni fær mig til að sakna þín

(Drink on my tounge makes me miss you)

Kannski verð ég sá sjálfsöruggur í kvöld

(Maybe I'll be the confident one tonight)

En í bili verð ég á dansgólfinu

(But for Now I'll stay at the dancefloor)

Nóttin er að verða þung núna, Hvenær kysstu mig?

(Night is getting heavy now, When will you kiss me?)

Nóttin er að verða þung núna, Hvenær sérðu mig?

(Night is getting heavy now, When will you see me?)

Ég þarfnast þín alveg eins og ég þarf mat

(I need you just like I need food)

Svo Vinsamlegast ekki láta mig svelta

(So please dont let me starve)

AAA UUU IIIII AEIOU EEEEEEE - OIIIIO EEE IUUUU IAUAOI OIAUUIA EEEEIIIIIIIIOAAA AOI AIAAAEEE UOIAUAUIIII OO UUUUUU AAAIEEEE UUUUUUUIIUIUIUIUIUI OOOOO AE EAE EA OOO AIAIUAAAA OOOOOAAAAA IUUUUUUAAAAA OIU AEEEEE AUAUAUOOOO - IIIIII AAAAEEEEEEEIIIIIIIIOOOOOOOOOUUUUUUUUU OIAUUIA

AAAA UUU IIIII AEIOU EEEEEEE - OIIIIO
EEE IUUUU IAUAOI OIAUUIA
EUAUOE AUIOUAAEEE UOIAUAI
AUAEEE UUUU AOIOAIO AOIIAAAI
IOIAOIAOAIO AOAIAII OAOAIOA AIOIAIOAI
OOAI UUUAAA AOI AIA
OOO AIAIUAAAA OOOOOAAAAA IUUUUUUAAAAA OIU AEEEEE
AUAUAUOOOO - IIIIII AAAAEEEEEEEIIIIIIIIOOOOOOOOOUUUUUUUUU

This is truly the culmination of what this event stands for, the world of music, a diverse bunch from all across the multiverse, proudly showing their cultures. It brings a tear to the eye. While all of our artists hail from very different background, they all share one thing, Music, and there is a whole world where that came from.

Do you wanna go? (Wanna go?)
AEEIII-OUUU (AEEIII-OUUU)
Stepbro join me in this hole
Komdu heim með mér ( Með mér )(Come home with me) (With me)
Ástin mín (Ástin mín) (My love) (My love)
Engine on, lets drive with the sun on our skin
Cleaning machine but we are in a dirty situation
IOIAIAIIAIA-AEEEEUUIOUIA
Í kvöld sé ég mig við hlið þér (Tonight I see myself at your side)
So tell me
Do you wanna go?

by **Britonisea** » Tue Nov 14, 2023 4:39 pm

Louis Bedouin
Online Personality

THIS IS DOPORTEDAS CALLING...
BRITONISEA

"Hey there, WorldVision! This is Doportedas - the capital of Britonisea - calling! I am here to present the jury votes from our nation. It's great to be back - we've missed the contest so much! Let's not drag this out too much - on the screen are you 10 to 1 points...

10 - ADAB
8 - MOTHER CUPCAKKE
7 - MALTA COMINO GOZO
6 - ACHAEAN REPUBLIC
5 - TODLICHEBUJOKU
4 - ENTHISEA
3 - FURBALLAND
2 - SAMUDERA DARRUSALAM
1 - WAISNOR
11th - Aenglide
12th - Ugunnustan
13th - Crustyland
14th - Hafamarimet
15th - Alezia

"Now, the douze points. Our 12 points go to...KALOSIA! What a track!"

by **Beepee** » Wed Nov 15, 2023 3:38 am

Hugo Wyld
TV Presenter

THIS IS BONC NORFOLK PINEWOODS CALLING...
BEEPEE

"Good evening Ous! Good evening World! It's great to be back with you after a little mishap over the past couple of editions. And now without further ado here are the votes of the Beepeean jury...

1 point to Alezian Union
2 points to Adab
3 points to Waisnor
4 points to Achaean Republic
5 points to Tödlichebujoku
6 points to, you our wonderful hosts, Ugunnustan
7 points to South Batoko

And Finally....

Thank you and goodnight.

by **Crustyland** » Wed Nov 15, 2023 4:07 am

"Gok kvelld Ous! This is Framp calling! Thank you for such a good show tonight! Well done! Now, here are the first points from Crustyland!

Marlene Lundström

7 Waisnor
6 Beepee
5 Malta Comino Gozo
4 South Batoko
3 Achaean Republic
2 Terra Zealandia
1 Lochario

I won't keep you waiting!

8 points go to Samudera Darussalam!
10 points go Conburn!

And Crustyland gives 12 points this evening to FURBALLLAND! Congratulations!

by **Terra-Zealandia** » Wed Nov 15, 2023 5:29 am

04/27 - Terra Zealandia

Arana Davieson, TV Presenter
Charlton North, Terra Zealandia

Kia ora e te whānau! Nga mihi nui mō te Whakataetae Waiata o te Ao, Ukūnutana! Yes, thank you for everything! A great night for the whole crowd, something for all, from the rangatahi to our kaumātua. Anyways, here are the kāute.

1 Karēri / Carrelie
2 Whaea Kapukeke / Mother Cupcakke
3 Pareihi Pareihingitonu / Placely Placington
4 Ukūnutana / Ugunnustan
5 Aengirīta / Aenglide
6 Totarihepuhōku / Tödlichebujoku
7 Hamutera Taruharama / Samudera Darussalam

8 Atapu / Adab

10 Hawhamārimete / Hafamarimët

And our tekau ma rua points go to...

by **Aenglide** » Wed Nov 15, 2023 5:49 am

05/27 - Aenglide

Ritta-Marie Viaaken, TV Presenter
Knalheim, Aenglide

Hello Ous! I'm Ritta-Marie Viaaken here to present Aenglide's jury points. You've been spectacular hosts for this one-hundred-and-tenth edition, oh my we've come such a long way. Enough rambling about, let me announce these points now.

1 Conburn
2 Beepee
3 Spiritual Republic of Caryton
4 Malta Comino Gozo
5 Terra Zealandia
6 Carrelie
7 Achaean Republic

8 Alezian Union!!!

10 Mother Cupcakke!!!

And our wonderful twelve points are awarded to...

by **Placely Placington** » Wed Nov 15, 2023 5:52 am

06/27 - Placely Placington

Because Oo A E Ee, the lead singer of E Oe, was used during the switch song and I don't have any idea on who could be his replacement, just have this plain and boring thing. I'm also using the same list thing as last time.

Kalosia
Britonisea
Ugunnustan
Hafamarimët
Beepee
Terra Zealandia
Spiritual Republic of Caryton
Alezian Union
(ONLY HERE BECAUSE I CAN'T SKIP TO 10)
Lochario
(ONLY HERE BECAUSE I CAN'T SKIP TO 12)
Mother CupcakKe

by **Samudera Darussalam** » Wed Nov 15, 2023 6:08 am

07/27 - Samudera Darussalam

Nadia Pariangan
BPS

“From Palembang, selamat malam to people around the world who are listening and especially for our dear host Ous, Ugunnustan! This is Nadia Pariangan calling, and I would like to express my gratitude personally as well as a representative of Samuderan viewers here for the good show tonight. I wouldn’t want to keep you waiting, of course, but as a preliminary warning the results might be not as expected given the…arduous process done on the part of the Samuderan jury. Without further ado, the first seven points are given to the following...”

1. Ugunnustan
2. Britonisea
3. Kalosia
4. Aenglide
5. Tödlichebujoku
6. Adab
7. Alezia Union

“Meanwhile, the next points are granted to….”

“That's all. Thank you, and good night.”

by **Malta Comino Gozo** » Wed Nov 15, 2023 6:16 am

08/27

Samual Zarb Host of WV105

Hey! What's up, Ous? It's Valletta calling, and I'm super pumped to announce the points from Malta Comino Gozo. You guys have been killing it, and I gotta say, it's been a blast so far. So, without further delay, let's check out the first set of points, which are already on the screen.

7 Todlichebujoku
6 Britonisea
5 Hafamarimet
4 Adab
3 Aenglide
2 Alezian Union
1 Crustyland

Then... We have 8 points for

10 points are going to...

Finally, the 12 points from Malta Comino Gozo tonight are going too... Are you ready?

Congratulations!

Thanks and good luck!

by **Furballland** » Wed Nov 15, 2023 6:32 am

9/27

Welcome back to the Furballlandian Juryvoting one again, we are back from an edition worth of haitus, and anyways, we are back now in Worldvision!

And we are pleasured to meet you again, anyways, we are prepared to have our juryvoting results

- Robloxian Robloxia: 1 point
- Adab: 2 points
- StrayaRoos: 3 points
- Waisnor: 4 points
- Achaean Republic: 5 points
- Caryton: 6 points
- Aenglide: 7 points
- Carrelie: 8 points
- Malta Comino Gozo: 10 points

Thank you, and goodbye!

-Tamara Ludszavėmka

by **Enthisea** » Wed Nov 15, 2023 8:41 am

10/27

Laktuka Asjota: Hello world, and specifically to you Ous! And especially you Ugunnustan! We are back for more paticipation and to ensure that this community will thrive.

This is Enthisea calling, and we will start the juryvoting right now!

- Adab: 1 point
- Conburn: 2 points
- Malta Comino Gozo: 3 points
- Furballland: 4 points
- Ugunnustan: 5 points
- Beepee: 6 points
- Terra Zealandia: 7 points
- Samudera Darussalam: 8 points
- Mother CupcakKe: 10 points

Finally, our 12 points goes to....

We wish you a great night, Thank You to all, and Good Night Ous!

by **Waisnor** » Wed Nov 15, 2023 9:49 am

WAISNOR IS CALLING

"Hello everybody, Maria Shunto is on the phone, and I love that I've been picked to announce the votes of Waisnor! It's very nice to once again be a part of WorldVision, if only for not so long) Ok, here are the points:"

1 point - CRUSTYLAND
2 points - FURBALLLAND
3 points - SOUTH BATOKO
4 points - ALEZIAN UNION
5 points - MALTA COMINO GOZO
6 points - SAMUDERA DARUSSALAM
7 points - ADAB

by **Mother CupcakKe** » Wed Nov 15, 2023 12:34 pm

12/27

Stacey Slurp ~ World-renowned singer/songwriter, who is also a judge in talent show 'CupcakKe's Got Slays!'

"Oh my goodness! A massive hello and THANK YOU to everyone here watching or listening to WorldVision tonight. Mother CupcakKe is honoured to be here in Ous for their debut and we are so excited for the results to release, the delegates of all nations have worked so hard and should be proud of themselves. I wish I could say that you all got 12, because you all absolutely deserve it, but alas this is not possible.

Without further ado, allow me to announce the recipients of Mother CupcakKe's jury point packages of: one to seven; and the Monstrous 3: eight, ten and twelve."

one point ~ Alezian Union
two points ~ Waisnor
three points ~ Ugunnustan
four points ~ Adab
five points ~ Britonisea
six points ~ Tödlichebujoku
seven points ~ Aenglide

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Worldvision Song Contest 110 | IC | Ous

22 | Britonisea | Elise & The Band - The Void

TRT & ATRT Present: Worldvision 110

01 Britonisea

02 Beepee

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