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by Civil Citizenry » Sat Oct 29, 2011 5:24 pm

by Albertasby » Wed Nov 02, 2011 4:05 am








by The Kiaser Colonies » Thu Nov 03, 2011 2:35 pm








by Civil Citizenry » Sun Nov 06, 2011 9:21 am

by Civil Citizenry » Tue Nov 15, 2011 2:19 pm

by The Kiaser Colonies » Tue Nov 15, 2011 3:22 pm
Civil Citizenry wrote:Voting for the fourth Rushmori Capital of Culture is now closed. The results of the voting can be found below.
Swantana, Albertasby - 4
Re-open bidding - 4
Highroyds, The Kiaser Colonies - 1
For the first time, I received votes to re-open bidding. We will need to have another election. All current residents of Rushmore may vote for not more than one of the following options:Votes should be sent by TG to Civil Citizenry (this nation) by 11:59 PM EDT on Sunday, November 20. Any votes submitted after this time will not be counted. Bidding nations can vote, but not for themselves. Good luck to the bidder.
- Swantana, Albertasby;
- re-open bidding.

by Civil Citizenry » Sun Nov 20, 2011 6:17 pm

by Albertasby » Sun Nov 20, 2011 11:39 pm

by The Kiaser Colonies » Mon Nov 21, 2011 10:29 am
Albertasby wrote:I thank everyone who voted for Swantana, thank Kaiser Colonies for being tough competition and thank Civil Citzenry for running such a good process! THANK YOU!!

by Civil Citizenry » Sun Dec 18, 2011 2:42 pm

by Tlatvekia » Wed Feb 08, 2012 8:22 pm

by Arcadian Islands » Mon Jun 18, 2012 8:05 am

RUSHMORI CAPITAL OF CULTURE GUIDELINES
As an effort to establish greater cultural understanding within its constituent nations, to increase mutual awareness and community spirit, it is proposed that a Rushmori Capital of Culture be established.
If managed effectively by the bidding city, being Rushmori Capital of Culture has the potential to bring long-term cultural, social and economic benefits to the host city and nation. Even those cities that aren’t selected can benefit; careful preparation of the application can increase local awareness and give a boost to the city’s cultural life.
SELECTION PROCEDURE
Voting shall take place for Rushmori Capital of Culture every two months; a bidding period of one week will take place where participating nations may nominate and write about one (1) city within their country describing its cultural heritage, impact within and outside of its borders and generally things that make it an awesome place to be that others should flock to. At the end of this week, the President of the Rushmori Capital of Culture shall collect votes for five days. At the end of the voting period, the city with the most votes shall host the Rushmori Capital of Culture. In the event of a tie, voting will be reopened between the tied bids, and the President of the Rushmori Capital of Culture shall collect votes for a further five days. In the event that no bids are received, the title of Rushmori Capital of Culture shall stay with the incumbent however will not be recorded as an additional term of tenure.
BID REQUIREMENTS
In order to guide cities on how to present their application for nomination as Rushmori Capital of Culture, bidding cities are recommended to address the questions below as part of their application. The answers may be accompanied by additional information to support and provide further detail about the bid. The bid may include a logo, however bid logos are not required (but are helpful due to creativity). The bid may be presented in non-english languages but must be accompanied by an english language version.Additionally, bids could address such questions as “If the city in question is awarded the title of Rushmori Capital of Culture, what would be the medium- and long-term effects of the event from a social, cultural and urban point of view?” and/or, “How does the event fit into the long-term cultural development of the city and, where appropriate, of the greater Rushmori region?” and/or, “Does the city intend to develop particular cultural projects in the coming years, irrespective of the outcome of its application for the title of Rushmori Capital of Culture?”.
- Why does the city which you represent wish to take part in the competition for the title of Rushmori Capital of Culture?
- Explain the concept of the programme which would be launched if the city was nominated Rushmori Capital of Culture?
- Could this programme be summed up by a slogan or theme?
- In what way does the bid represent something new and innovative?
- Will there be an event/artistic director? What is his/her profile? What will be his/her field of action?
- Will there be sponsors involved in the event?
- What are the city's assets in terms of accessibility (regional, national and international transport)?
- What is the city's absorption capacity in terms of tourist accommodation?
These questions are NOT mandatory but are recommended and should at least give cities interested in bidding a starting point from which to work from.
RESTRICTIONS
A COUNTRY may only nominate a CITY to become the Rushmori Capital of Culture if both the COUNTRY and CITY are located in Rushmore. A COUNTRY must be on the Rushmore regional map, or qualify to be on the regional map at the next update, to nominate a CITY to become the Rushmori Capital of Culture. A CITY may not seek to become the Rushmori Capital of Culture more than once in a row. That said, a COUNTRY may nominate a different CITY for the term immediately after hosting the Rushmori Capital of Culture. There is no limit to the number of times the capital may be consecutively hosted in a single country, but it is suggested that countries take a term or two off after hosting the capital twice.
There is no limit to the number of puppet nations that may bid to host. However, the maximum number of cities that may bid for each term is one (1) per nation.
PRESIDENT OF THE RUSHMORI CAPITAL OF CULTURE
All votes and queries should be sent by TG to Arcadian Islands.
THE NEXT BIDDING WINDOW IS NOW OPEN*As the thread has been inactive for a while and to give people a bit of extra notice this time around, this bidding window is longer than usual.

by Cotdelapoms » Mon Jul 16, 2012 7:08 pm






by Arcadian Islands » Sat Jul 28, 2012 2:08 am

by Arcadian Islands » Sun Aug 05, 2012 8:50 am

by Arcadian Islands » Sat Oct 06, 2012 9:07 pm
by Corinthina » Tue Oct 09, 2012 6:27 pm














by Ossidiacqua » Mon Oct 15, 2012 8:07 pm



Anfiteatro della Machina - One of the oldest surviving buildings in the city, this amphitheatre overlooking the confluence towards the district of Venezia is host to many state-sponsored plays and traditional cultural displays. There is a play most nights of the year, with several resident theatre companies rotating and fighting for the premium nights, and taking in a showing is a must-do.
Biblioteca Centrale - Although the original central library of the nation was burned to the ground in the great fire of Theodora, many of the ancient texts held within it were rescued by brave individuals, some of whom surrendered their lives in the name of history and literature. Most of what we know today about Oasirica is held today in the restricted sections of the Biblioteca Centrale, guarded by the Literary Monks of the Magisterium. Many historical exhbitions are held in the halls, and are well worth a visit.
Grande Cattedrale di Sant'Elia - Built in honour of the eponymous Sant'Elia, this grand structure is incredibly ornate, and is the largest religious building in the entire nation. The frescos and woodcarving inside simply have to be seen to be believed.
Cittàvecchia - The old town of Penthesilea District is the original seat of the city we now know as Sant'Elia. With spiralling streets, rickety constructions that appear to defy gravity, and labyrinthine alleyways, this area of the city has a certain character of its won that it is encouraged that visitors experience.
Il Colosseo - The stadium of the national team, this giant construction coated with stained glass and lit by oil lamps also has something for the non-football fan. However, most visitors come for the football, with more and more tickets for the final match of the Acquan football season, the final of the Trofeo del Magisterio, being snapped up by foreign visitors keen to soak up its famous atmosphere.
Città Condensatori - Whilst not an attraction for the people of the city, these vast banks of condensers that draw drinking water for the city from the river through extensive mechanical processes can be of huge interest to the foreign visitor. Prone to breaking, displaying centuries of educated guesswork in the construction, and relied upon by the city for its water, these ranked condensers have long given steady employment to those in the city - with one football club formed from their workers union now playing international football. Coincidentally, also the region's foremost supplier of obsidian flakes.
Djocoranga Distretto - The original home of many of the Djocorangan immigrants who were immune to La Plaga, this region in the north of the city continues to retain a certain Djocorangan feel to it, and it is rightly revered by those who visit as a sort of pilgrimage in honour of those who rebuilt this city, and the nation beyond.
Festival Acustico - Along with Il Colosseo, the Festival Acustico was one of the first buildings undertaken after after the eradication of La Plaga. Built on the site of a traditional meeting point for musicians, the impressive construction is dedicated to the performance of traditional acoustic Acquan music, as well as including many of the greatest restaurants in the city around its lower tiers.
Grande Ponte - A three-way construction between Olinda, Penthesilea, and Confluenza districts, the Grande Ponte is a Y-shaped bridge that is a complex junction, suspended over the water, as well as being two tier, with road above metropolitan rail - though that isn't that visible on the picture.
Palazzo del Magisterio - The seat of the Acquan policy-makers, this grand complex of palaces and halls contains a great many secret passages, and even has things like football stadia tucked away inside it. It is rarely open to the tourists, so if you get a chance, seize it.
Despina Paludi - The marshlands in the east of the city are protected by the Grand High Cardinal himself, and he likes to go for walks around the wetlands when the chance arises. Without his protection, the wetlands would surely have been developed upon like those further south already.
Museo del Tempo di Pausa - The Museum of the Pause Time is the premium depository of Pause Time information in the multiverse, as the name might imply. A visit to its purpose built halls and galleries is a must for any visitor who wants to understand the ways in which this complex city works today. A great undertaker of research.
Bauci Osservatorio - Once the house of great telescopes that would scour the night sky, the observatory now lies empty, the telescopes long lost. However, the great complex of buildings that sits atop the mount at Baucis is as good a place as any to enjoy fine views across almost all of Sant'Elia.
Ottovoci Teatro Dell'Opera - Named after the voices of the eight singers and performers that founded the institute, the Ottovoci has single-handedly kept the art of opera alive in the nation throughout the Pause Time, and although it is thought no new works of historical significance will be found in the Biblioteca's reading shelves, the performances are as true to historical accuracy as can be gathered, and therefore offer a great snapshot into the life of Old Oasirica.
Piazza del Palio - The Piazza del Palio in Venezia district started out as just a simple piazza amongst hundred in the city, but it became host to a traditional race between the horses owned by the houses of the city's districts. The nobility have been replaced by teams whose job it is to represent their districts, and these days the race, or 'Palio', is held twice a year on the equinoxes at noon. Racing is highly competitive, with riders racing bareback around the piazza and on laps of the surrounding streets. A huge gambling culture exists around it, fuelled by civic pride in each individual's district, and it is not uncommon for blood to be spilled either on the track or in the stands. A hugely exciting watch if you can find a ticket.
Parco Nationale di Cittadella - The second of the two national parks in the capital city, Parco Nationale di Cittadella is a hilly and wooded area in and around the Zaira Selva district, and is home to the original Distretto Djocoranga. It is a popular destination for short breaks for those in the city centres, more popular than the beaches and the Paludi thanks to its pleasant shaded hillocks and crests.
Ponte dei Morti - The Bridge of Death is a bridge in the north of the city over the Elia River. The original reason for its morbid name was lost with the Pause Time, but like any legend, it has grown and changed over time. The current story goes that the entire population of the unusually inhabited bridge over the river was struck down in the sleep by the cold hand of death, only for the exact same thing to happen two weeks later, supposedly the work of mechanical cultists who believed the bridge-dwellers were keeping secrets from the hands of the Magisterium. Quite how killing them all was supposed to spill the secrets isn't clear, however. These days, the bridge is a highly sought after address.
Università degli Studi di Oasirica - The first university in the nation, the old university of Oasirica was born from the efforts of some of the foreign visitors way before the Pause Time. Although it is not known today exactly where those visitors came from, the nicknames for the region, university, and local football team have stuck - Internazionale.
Valle del Principe - The Valley of the Princes is the dominant geographical feature of the city on the eastern side of the rivers, and is a deep gorge that sinks to below sea level, flanked by two hills on either side that rise fromteh ciy fabric only to plunge suddenly in its cliff-faces. Legend has it that it was Sant'Elia himself who, angered by the opulence and arrogance of his fellow princes, struck the hill on which they favoured chasing the local women with his silver spear, creating the huge gorge present today.
by Kitsunia-Deesse » Sun Oct 21, 2012 12:50 pm




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