The New World Oceania wrote:From Fyre's Anatomy of Criticism:Such an outline would give a rational account of the structure of Western music from 1600 to 1900, and, in a qualified and more flexible but not essentially different form, of everything that the user of the book would be accustomed to call music... Someone might object that the system of equal temperament, in which C# and Db are the same note, is an arbitrary fiction. Another might object that a composer ought not to be tied down to so rigidly conventionalized a set of musical elements, and that the resources of expression in music ought to be as free as the air. A third might object that we are not talking about music at all: that while the Jupiter Symphony is in C major and Beethoven's Fifth is in C minor, explaining the difference between the two keys will give nobody any real notion of the difference between the two symphonies.
All these objectors could be quite safely ignored. Our handbook would not give the reader a complete musical education, nor would it give an account of music as it exists in the mind of God or the practice of angels but it would do for its purposes.
That is to say, much like the allegory of the cave, the situation is irrelevant and unlikely to ever legitimately occur and can be disregarded.
Hmm.
No, it must happen. I will