Pantocratoria was a close, prominent, and sometimes controversial ally. Demonstrations in front of her embassy in Tarana were not exactly common but neither were they especially rare. However, for once, the gathering crowd was not angry, at least not at the Pantocratorians. People held up posters of crossed Pantocratorian and Caldan flags, commemorative images from the marriage of Princess Morgan to Prince Constantine and the Duke of Algha to Princess Theodora, along with messages like 'Sir Isaac Speaks for Me' and 'We Like Ike'. There were other signs, too, aimed at their own government, but those were for later. For the marchers, Sir Isaac Comnenus had gone almost overnight from a dangerous enabler of fascism to the lone voice of reason in the Atlantic after the Excalbians and their own government had surrendered shamelessly to South Epheronian fascism and Knootian imperialism. The crowd cheered and left flowers and cards as near the gate if they were allowed. Caldans had done this before, to celebrate births and marriages in the imperial family (especially those also involving Caldan royalty) and to mourn deaths. This was the first time, however, it had been done for a politician.
An hour had been set aside to gather in front of the embassy before the march properly began. It did not look like the sort of crowd that would normally gather to show love to Comnenus. It was sprinkled with elderly hippies and middle-aged punks, gruff looking trade unionists and clergy in full regalia. Most of the crowd, however, consisted of people of university age or a few years older. They were dressed as you might find them on any campus. Racially, they were more diverse than the Caldan Union as a whole but less so than Tarana or Narich. Men and women with megaphones moved towards what until now had seemed the back of the crowd. 'Are you ready to march?' they demanded in unison.
'Yes!' the marchers cried, slightly less in unison.
'Whose streets?' asked the leaders.
'Our streets!' the crowd shouted back.
'Whose streets?'
'Our streets!' The chant continued; its rhythm focusing the passions and energies of the marchers. It was not specific to the issues at hand but a general affirmation of the power and authority of protest. There were other chants, of course. One was quite popular.
'Hey, hey! Ho, ho!
Lola Foster's got to go!'
The leaders also used other call and response chants.
'I saw people; you say power!'
'People!'
'Power!'
'People!'
'Power!'
'Show me what community looks like!
'This is what community looks like!'
'Show me what democracy looks like!
'This is what democracy looks like!'
The leaders tried to keep everyone engaged during the march to St. Andrew's Park. They passed into the park itself between the towering Gothic Revival buildings that surrounded it. Most Caldans had heard patriotic descriptions of those looming palaces. They were Romantic or organic or particular or aspirational. There were always favourable comparisons to the cold, uninspired Neo-Classical buildings in Sargedaín. It was always pointed out that the ancient Greeks had actually painted their temples and public buildings in bright colours. Snefaldians did their civic business in polished ruins. The gaudy hodgepodge of discarded historical aesthetics that reigned in New Rome, the Medieval castle of Citadel Excalbia, the vulgar shells the Knootians used to protect them from their poisoned air, and Kasakia's dark tribal fortresses were given equally unflattering mentions. They did not feel that way to protesters marching past a security check point into the park. As spacious as St. Andrew's was, they were hemmed in by these brooding buildings which seemed very medieval to the casual eye, like cathedrals or castles. The might of the state and the grandeur of the church invoked in every arch.
A new call and response was added as the march entered the park. It started with a familiar chant.
'Show me what democracy looks like!
'This is what democracy looks like!'
Then those with the megaphones demanded, 'Show me what hypocrisy looks like!'
'That is what hypocrisy looks like!' the crowd answered, pointing at Kilburn House. This went on for several minutes. The crowd was democracy. The Ministry was hypocrisy.
The succession of speakers was long familiar to anyone who had been to protests of this kind before. Everyone's cause was intimately tied up with fighting Apartheid. Women, LGBTQ people, labour unions, the environment, and Snefaldian dissidents all had a pressing interest in the real fight against Apartheid. Then there were the leaders of the little parties, most of which disdained electoral politics and more of which could never win even a minor seat. They were parties of a few dozen people, but all of those people were activists who worked on every protest like this to make sure their party was part of the united front. Not that the average protester could tell the difference between the Socialist Action Party and the Revolutionary Socialist Collective. By the third speaker, most were milling about and not really paying attention to the stage. This part always went on for a few hours.
The long list of speakers was followed by the heavy beat of hip-hop as, unannounced, the Caldan Union's most famous South Epheronian, Nicki Pall, took the stage. Her generous curves were displayed by a pink leotard and matching thigh high boots and her dark hair was worn straight and long. Her hips swayed as she made her way onto the stage, already rapping her hit song 'Queen'. The crowd went wild. Even those who passionately preferred countercultural and revolutionary political music and even those who had criticised outfits exactly like that Pall wore on feminist grounds were excited such a big star was here to join them in so clear a stand. It was five more songs before Pall stopped singing and, as the crowd applauded, she started speaking. 'Thank you and thank you all for being out here! I know, from deep and long personal experience, that you can't compromise with Apartheid. This agreement that our government is now party to, this agreement shoehorned awkwardly into a conference on Zamimbia's problems, does nothing more than give the Boers, the Boer nationalists, everything they've ever wanted. Most black South Epheronians pushed into Zamimbia! More permanently made foreigners in their own country, which is how they've always been treated! That's why I'm proud to stand here with you and with a man I think you all know, Dr. August Williams, MP for Shelburne Estates!'
Dr. Williams was a tall, lean man with dark skin and strong African or Epheronian features. He wore his hair naturally in a somewhat grizzled and greying afro. In contrast to nearly all of the demonstrators, he was dressed as if for Parliament in a dark three piece suit. 'Thank you, sister,' he said to the departing Pall before he turned his intense gaze to the crowd. 'Brothers and sisters! Comrades! We are here today to stand with the people of South Epheron and all the people of the world against Boer racism and Knootian imperialism! We are here because thirteen years ago Neo-Liberal fanatics murdered a man of God, manufactured a crisis from whole cloth, and threatened all of us with nuclear Armageddon unless we signed a treaty making them our allies and partners!'
Cries of 'Boot the Knoots!' erupted from the crowd, heard for the first time at a significant demonstration since 2006. Some of them held up signs with a picture of a boot kicking a little cartoon newt. The two words were pronounced the same by most Caldans.
'Brothers and sisters,' Williams continued, 'we are here today because those same fanatics have for thirteen years been a stubborn, false ally that only takes and never gives!' The cries grew louder. Unlike some speakers, Williams didn't pause to let them chant. He just spoke louder and relied on the sound system, his own rhetorical strength and the audience's interest to bring them back. 'In New Excalbia, those same fanatics asked that we grant the slavering, blood-thirsty, bigoted fascists of South Epheron an early Christmas! Every ugly, racist fantasy come true! And Dolores Foster said yes! Ashley Gordon-Robb said yes! The only person in that room who spoke for black folks in South Epheron was Isaac Comnenus!' He sighed dramatically and raised his eyes to the sky. 'God knows, I never thought I'd say that!' The crowd laughed.
It was around this time that there was a stirring near Kilburn House. An old man with unkempt white hair receding back from his forehead stepped through police with a few words and made his way towards the crowd. His grey two-piece suit was slightly disheveled. The top button was undone and he wore no tie. Williams looked that way. 'You know, a lot of people in the Labour Party like to play the identity game. They think we care more about having someone who looks like us than someone who stands with us! Is that what we care about?' There was an enthusiastic roar from the crowd. 'Dolores Foster is safe, nice, clean, articulate. She's the nice, educated, professional coloured lady at the office who takes care of everything and doesn't stand out too much. Not brilliant! We can't have that! But competent. Makes the Staalmans and the Gordon-Robbs and the well-heeled businessmen who love this new Labour Party feel a little less racist but never uncomfortable. Well, I'd rather someone who STANDS! WITH! ME! And here comes a man who's always been a friend of the people! He's stood by us in heart, mind, and body for decades! Brothers and sisters, Chris Rutledge!'
Williams managed to time his introduction exactly for when Rutledge took the stage. 'Friends, I have just now come from resigning my post as Minister of Employment.' The crowd cheered. ''Lola Foster has betrayed the Labour Party and the working people of this country in a way not seen since the days of John Ryan.' The crowd hissed the name of the renegade Labour Prime Minister who had founded the National Party. 'I have informed her that I intend the challenge her for the leadership of the Labour Party. If I prevail, I promise it will once again be a party faithful to the working people of this country and to Atlantic values! If I prevail, the Labour Government will be one which cannot support this travesty of an agreement diplomatically!'
There was thunderous applause. Rutledge smiled. 'What we need is a political revolution in this country! What we need is to remember the socialist principles the Labour Party and the unions were founded on!' There was more thunderous applause and Rutledge stepped back from the microphone to let Frank Measha come to the microphone to sing his highly political brand of the Blues. This was closer to the kind of music the crowd was used to hearing at these events. After another set of songs, the organisers helped the crowd disperse peacefully.