[title] Animation Dissertation
[description] As award season nears in @@NAME@@, a kerfuffle is being raised by animation buffs, who view the judges on the award panels as largely ignorant of what constitutes a good animated film. This has somehow escalated into a political matter of national importance.
[option] "I don't see what the big deal is," condescends @@DEMONYMADJECTIVE@@ film star, Emma Oskar. "Animation's all kiddie fare anyway. Do you really expect us to slog through a buncha schlock to find out the marginally best, hun? I don't see why these weirdos is so obsessed with children's cartoons."
[effect] What little X-rated animation exists in @@NAME@@ is regularly mismarketed to children.
[option] "It is precisely these sorts of stereotypes against animation that cause it to be so terrible," exclaims Walt Bluscher, famous animator. "Because so many media elites view animation as a medium purely of cheap trash to sell toys, lazy vehicles for toilet humor, or sappy garbage, few ever dare to try to do more, and the ones that do rarely see commercial success. @@LEADER@@, I request that you subsidize mature animation and launch some sort of cultural awareness campaign."
[effect] The mature reboots of Lightningleopards, Him-Guy, and Transmogrifiers have become smash hits in @@NAME@@.
[option] "The issue isn't that there is a lack of quality animation" says somewhat-prominent WhoTuber, Mother's Attic. "Right now, there's a plethora of beautifully-animated and deeply thought-provoking animation coming out of Honni; it's just that all but the most successful get ignored and ridiculed by culture at large, especially by those awards judges. I say a better solution is just decrease barriers of economic and cultural exchange with Honni. Heck, maybe just subsidize the import and translation of foreign animation."
[effect] Following a massive anime boom, many @@DEMONYMPLURAL@@ have begun to use gratuitous Honnese in their everyday speech, desu.