Pre-ambleIn announcing the participant and entry for this cycles World Hit Festival, Head of Light Entertainment and Social Happiness at BONC, Ms Fanny Golightly, faced the gathered media at a socially distanced press event held in the Pinewoods Botanical Garden.
As is customary, the press announcement is met with great deal of public interest.
"The Beepeean Occasional News Corporation together with the Beepeean Government is delighted to announce this cycle's participant in the 52nd World Hit Festival.
The World Hit Festival is an opportunity for all nations within the multiverse to join together in an evening of song, love and togetherness, which is so needed in these difficult and challenging times.
This cycle will represent the third time Beepee has competed in this competition, improving from a disappointing last place in the first semi final in WHF50 to 5th place in WHF51.
Last cycles entrant Betty Wont stunned and delighted the Beepeean televisual viewers with her intense and vivid interpretation of "Love Me", and we here at BONC are, as always, eager to improve and impress the multiverse with our deep irreverent humor and our sensitive and thoughtful lyrics, and heartfelt love for all the competing participants. We are going for the win this year, boys!
This year.... BONC is delighted to present this years Beepeean entrant.... Mike Oxlong".ArtistMike Oxlong, is a former boyband member turned solo artist, actor and model, who has garnered a small, but loyal, following in Beepee.
Born Michael Oxenburgh-Floxenmorg-Oberlong, on 25 December 1998 in Trinket Creek, Beepee. From an early age, Mike was interested in singing, joining the Auphelian Boys Choir at age 9. By the age of 12, Mike was performing in children's singing contests and touring around Beepee.
At the age of 17, Oxlong's music career blossomed when he became part of pop duo The Sexy MOFOs with his brother Martin. The Sexy MOFOs were signed to Shoddy Music Group, and released their first video clip for the song "I'm Happy Now You're Gone", which reached number 16 in the Beepeean Charts. This was followed by two more singles in 2016, "Not Even With Yours" and "There Isn't Enough Beer In The World", which both became minor hits.
In February 2017 the duo released their debut album, "We are Sexy MOFOs". Over 300 copies were sold in and the pair toured throughout 2017.
A second album, 2018s "I Guess We're Back", failed to garner good sales or press coverage and the pair decided they would focus on their solo careers.
Oxlong was next seen on Beepeean television soap opera "The Young and the Listless", in 2019 as "Brad". Originally cast as a one episode special, portraying a gardener-turned-lust interest for series regular "Janet" (played by Amina Pickle), the part grew into a recurring character. Before finally being killed off after 26 episodes in a freak lawnmower accident.
Going by his shortened stage name, Mike Oxlong released his first, eponymous, solo album in early 2020, and it made number 74 in the Beepeean charts.
From that album, the first single, "Little Bird", has been choosen to represent Beepee at WHF52 and has made available on a variety of formats.
SongWritten by Al Batross, "Little Bird" speaks of the loss of a loved one and the longing which comes with such loss.
The author has been reluctant to provide more details as to his inspiration behind the songs emotional lyrics. However, rumours abound that the author had a torrid love affair with an Elejaminette superstar.
Pre-ShowFour weeks prior to the WHF finals, BONC and BBC Entertainment staged a live television show, hosted by Beepeean WHF and Worldvision commentator Hugh Jakeman.
The show began with Betty Wont signing her popular song from last years WHF, "Love Me".
This was followed by a sit down interview with Ms Fanny Golightly. She explained, in line with the regulations set out by the Kalosian Government and RTVK, the Beepeean delegation will consist of only Ms Fanny Golightly (HoD) and Mike Oxlong (performer).
Ms Golightly confirmed that due to the worldwide pandemic of the virus which causes CoVID, travel restrictions were in place to and from Kalosia, and whilst Beepee had been generally successful in limiting the spread of CoVID it was sensible to take precautionary approach.
Hugh Jakeman then quizzed Ms Golightly on rumours of a potential "A Song for Beepee Contest" to choose the next entrants for WorldVision and WHF. Ms Golightly confirmed the rumours that plans are afoot within BONC for such an event and further details would be provided at a later date.
Next, Hugh Jakeman sat with Mike Oxlong for a discussion about what his hopes for the contest are.
"My hope is to perform well and represent Beepee and all the nations of the multiverse with my song.
The song is very emotional and I want to convey the heartache and loss in an honest and vulnerable manner to really connect with the audiences at home."When asked about whether he thought he would win the contest, Mike replied
"Of course I would love to win, but I cannot expect anything and I must work hard to win over the audiences. There will be a number of strong competitors in the Festival".When asked if he was disappointed that there would be no Tour of Nations this year before the Festival, Mike answered:
Oh yes, naturally, but we must do everything we can to limit the spread of CoVID and travelling nation to nation, even to those which have no cases would increase the risk of infection and spread. We must stay at home, practice good personal hygiene and observe spatial distancing".The hour long spectacular culminated in the first release of the song to the Beepeean televisual audience. Mike performed the song solo on stage without fancy LED backgrounds or gimmicks.
Following the performance, Hugh Jakeman confirmed the delegation would be leaving the next day to travel to Kalosia, to ensure the quarantine deadlines were adhered to, and that a public lottery would be held for those wishing to attend a BONC Viewing Party.
Quarantine in KalosiaThe Beepeean Delegation arrived in Monterra a full 3 weeks before the first rehearsal.
Spending the first two weeks within their hotel rooms as required by the Kalosian Government and Radiu-Televižio Kalosia.
Viewing the glorious Kalosian capital city from their windows, Mike and Fanny both longed to walk the streets and visit the delights of the throbbing metropolis.
The rehearsal week was a whirlwind of rehearsals, interviews and preparation and Mike had a small pang that he would one day like to return to this wonderous place when life had returned to a sense of normality to explore the streets and people of Monterra and Kalosia.
No expense had been spared by BONC for the trip to Kalosia. Given the limitations placed by RTVK and the Kalosian Government. The Beepeean delegation were able to afford more comfortable accommodation with their budget. Indeed, both Fanny and Mike were able to secure suites in their preferred hotel.
Fanny Golightly, had specifically requested to be located in the hotel room adjacent to Mike. Since she first saw Mike's music videos she had been enamored by his surf blond hair and piercing blue eyes. Knowing that the current CoVID crisis would require them to be alone in close proximity for a few weeks, she had deliberately limited the delegation to just herself and Mike.
Now as the first week of quarantine drew to a close she knew it was her time to strike. She slipped on her most sheer négligée and headed to his room.
Mike had only recently got himself comfortable in the over large bed, and he huffed as he got up to answer the door, in only his tight fitting underwear.
As he opened the door, Fanny threw herself into his arms, and lunged for a passionate kiss. Mike was clearly taken aback by the forcefulness of the lunge, but he gripped Fanny as tightly as she held him.
The pair, embraced and spent an evening of intense and unfettered desire. Mike was a diligent and earnest love maker, however Fanny didnt care, and was lustful and desperate. Finally, after several rounds of passionate entanglement, the pair drifted of to sweet, sweet slumber.
The pair were awoken, by the sun blazing in through the windows to the hotel room. Fanny gathered her négligée and took a robe from the door.
'Wait!', Mike called out after her, as Fanny left his room. But Fanny did not wait, as she is a strong and independent woman who demands nothing but her own pleasure.
The pair continued their tender and tumultuous affair throughout the week leading up to rehearsals. Mike falling deeper in love with each rendezvous. Fanny falling deeper in lust.
The rehearsal week was relatively routine. The first rehearsal went well, although slowly, as the cameras required some programming to achieve the perfect angles for the intricate special effects to be overlaid through the live telecast.
The dress rehearsal went smoothly, with only a couple of minor timing issues with Mike. However he was confident that his preparations were suitable and he could perform well on the night.
The pair grew closer, the evening before the event began, Mike's nerves began to grew. The anticipation of being in front of a global audience weighed heavily on his mind. Fanny could feel his tension raise throughout the day.
As nighttime fellon the eve of the event, Fanny made her nightly trip next door to Mike's room. He answered the door, but truthfully was not interested in passionate love making. He simply wanted to rest and relax before the next day's event. But once again, Fanny took charge and relieved his tension.
After the passion subsided, the pair lay together in Mike's king size bed. He turned to Fanny and without hesitation or care he gently told her "I love you".
Fanny instantly felt a pang of regret, she had never meant to lead Mike on, she was in lust. There was no doubt Mike was a handsome man, and a giving lover. But Fanny did not want anything more than this passionate holiday romance.
Fanny determined that she should not spend this night with Mike. She quickly dressed and left for her own room, despite protestations from Mike.
In her room, she sat thinking about what Mike had said before drifting into an uncomfortable slumber. Mike in the meantime cried himself to sleep.
Parade of NationsMike walks into the centre stage lights, as the disembodied booming voice informs "Beepee".
Mike, dressed in his performance clothes, pulls two small flags from his rear pocket, one a Beepeean flag and one Kalosian flag, both flags on small plastic sticks.
He stands with both in his left hand waving them gently back and forward and looks into the camera to show that he's loveable smiling to the camera. He gives a litle wave to the television audience before blowing a kiss down the camera.
And with that his time is over and Mike steps of stage.
ParticipationFor televisual viewers back in Beepee, the night was upon them and Hugh Jakeman again provides a warm and cozy hug to all audiences with his pithy commentary.
"You can't put a price on this kind of entertainment you know," Hugh ponders to the viewing audience,
"and like you tonight I'm watching this on my television. The present Mrs Jakeman was rather upset she didnt get her sunny holiday this year.... but I digress.
It's our turn! Mike Oxlong's our man this year, the first time we've sent a male singer, and you know and love his song "Little Bird". The lyrics, written by Al Batross, go "I think of you. little bird, little bird. I sing for you. little bird, little bird."
Speaking of birds, I ordered a chicken supper which hasn't arrived yet. You cant get he staff, I say.
Now, because of Corona, Mike's on his own tonight.. But we'll be sure to cheer him on in word and gesture as, I'm sure, will all of you having WHF parties up and down the land. Let's give it some welly...."---O---
Mike Oxlong waits, nervous, pensive, centre stage, in the darkness, alone.
The music begins and Mike lifts his microphone in anticipation. Dressed simply in tight black denim jeans and a light grey t-shirt. A smoke machine billows a faint mist around Mike's ankles. A wind machine causes a gentle breeze sticking Mike's t-shirt to his toned body, rifling his coiffed and tousled hair.
A single light illuminates him, as he begins...
Hurt no more, little bird, little bird,
Cry no more, little bird, little bird,
Peaceful, little bird, little bird,
Fly so high, to heaven now,
Don't look back at me, little bird, little bird
The camera set at a wide angle shows the 360° stage.
Mike's voice waivers at the first sentence, with a slight crack. Although experts will not this minor flaw, general viewers simply take it as an emotional beginning to the song.
As he sings "to heaven now", the camera cuts to a closer view of mike, who raises his free (non-microphone holding) hand to the sky as he gazes to the heavens, before turning back to looking directly down the camera.
I think of you, little bird, little bird,
I sing for you, little bird, little bird,
I'm missing you, every day,
Nothing can stop me.
As he sings "I think of you", Mike's free hand runs through his hair at the side of his head. An anguish and pain streaming across his face. Through the rest of the verse, the camera shot slowly pulls away from Mike. As the line "nothing can stop me", Mike throws his free hand palm up, to the camera ain't front of him as if to reach out to the lost love and the audience watching.... with that a flash of light appears to leave his hand, and (thanks to the wonders of modern televisual trickery) a small white bird (akin to a large hummingbird) appears to fly in front of Mike.
Ah-oh-oooh, Ah-oh-oooh, Ah-oh-oooh, Ah-oh-oooh
Ah-oh-oooh, Ah-oh-oooh, Ah-oh-oooh, Ah-oh-oooh
As he wails the 'ah-oh-ohs', Mike gets a little lost in his emotions, closing his eyes, feeling the emotion.
As the first verse begins the lighting changes, to a cool blue. The virtual bird flutters around Mike, who's hand appears to follow the birds movement.
I recall that look in your amber eyes,
Cold like a midnight frost,
Nothing can melt my heart like you,
Nothing can replace the hole you left.
As the line "melt my heart like you" is sung, the virtual bird swoops upwards, away from the following hand of Mike, who clutches at his top around his heart... Mike's eyes close and he leans forward as he sings the line "nothing can replace the hole you left".
The camera, moving in to focus on Mike's face so the audience at home will see the expressive angst and fear in the face of Mike, beautifully expressed longing and hurt.
The lighting subtly and gradually changes from cool blue to a more mellow almond.
Mike's blue eyes open and he stares into the camera as the next verse continues...
I recall the warm days of June,
We would fly so high, touch the moon,
No one could come between us,
Now the winter's taken you from me,
As he anguishes "no one could come between us", Mike's hand reaches towards the camera towards the audience, grasping for them as if desperate to pull the audience back to his comfort. As he finishes the verse, Mike wraps his free hand around his waist to comfort himself, knowing the audience (and his love) cannot.
The virtual bird returns to by him, as he begins the chorus...
Hurt no more, little bird, little bird,
Cry no more, little bird, little bird,
Peaceful, little bird, little bird,
Fly so high, to heaven now,
Don't look back at me, little bird, little bird
I think of you, little bird, little bird,
I sing for you, little bird, little bird,
I'm missing you, every day,
Nothing can stop me.
The bird flits and flutters around Mike as he sings to the bird. As he sings "I'm missing you every day", the camera cuts to a close up of his face and televisual audiences will see Mike's eyes well up. As he finishes the chorus the camera cuts to a full body shot and the virtual bird flies off screen.
As the next verses begin, Mike returns to looking down the camera.
Most days without you drag on and on,
Thinking of the way that we once were, happy
The warmth of your breath on me,
Your heart beating fast on a summer breeze.
There is a haunting beauty in the lyrics and in the ashen face of Mike, whose lyrics connect so poignantly and powerfully. Mike himself, appears to be shaken with the sudden realisation of his lyrics as he continues.
Without you the cold fills my days,
No one's welcome in this empty nest,
There's no air that can lift me up,
The leaves have fallen from the trees.
The camera is now fixed to clearly see Mike's face. A single tear drops heavily from Mike's eye onto his cheek. Mike's voice cracks slightly again, as he sings "the leaves have fallen from the trees" as the emotion begins to over take him. He steadies himself as the chorus, visually planting his feet slightly apart as he tries to regain his composure...
The virtual bird returns to join Mike...
Hurt no more, little bird, little bird,
Cry no more, little bird, little bird,
Peaceful, little bird, little bird,
Fly so high, to heaven now,
Don't look back at me, little bird, little bird
I think of you, little bird, little bird,
I sing for you, little bird, little bird,
I'm missing you, every day,
Nothing can stop me.
As Mike sings "Fly so high", he holds his hand out to the side and televisual viewers will see the bird fly over and sit on Mike's outstretched hand. As the second part of the chorus is sung, mike moves his hand towards to the front an dthe border retains it's position on his hand. As he sings "I'm missing you, every day" the bird flutters and again and flies off, Mike's eyes and hand follows after the bird longingly.
The lighting goes darker once again, as the bridge begins..
Oooh-ah-heyy
I miss you near
Miss you near
Miss you near me
Oooh-ah-heyy
I miss you.
As he sings the bridge, Mike drops to his knees, anguished and tormented, as he sings the final line of the bridge, the floods of tears begin to flow from Mike's eyes.
The lighting darkens further so only his face was lit, as the final chorus is sung.
Hurt no more, little bird, little bird,
Cry no more, little bird, little bird,
Peaceful, little bird, little bird,
Fly so high, to heaven now,
Don't look back at me.
Tears continue to fall, as Mike finishes the song. As the song finishes, the lights dim to dark.
Mike puts his face in his hands and let's out a little sob, he contains himself and gets to his feet before the lights raise again.
He bows politely and says thank you before leaving the stage.
---O---
For Beepeean viewers, commentator Hugh Jakeman returns to pleasure the orifaces... there's a slight sniff and pause as Hugh centres himself.
"Well, there's not a dry eye in the house after that performance. He performed that very well... I'm sure I can say we're all very proud of that...
Careful now, we dont want the rest of the world might think we take this kind of thing seriously. They think we're just here for the free biscuits.
In more positive news, my chicken supper has arrived and I'll be washing it down with a crisp sav blanc. Cheers.... now what's next?"
BONC Viewing PartyIn an first for Beepee, and taking advantage of the idea from the Kalosian hosts, the Beepeean Occasional News Corporation is hosting a Viewing Party in the Waratah Theater, Norfolk Pinewoods.
The theatre itself has three main halls, and the main hall, with 2,700 seats, is the chosen venue. Anita Margarita, who rose to multiverse prominence after a star turn providing the Beepeean results at last cycles WHF, will compere the event.
2,700 lucky Beepeeps were chosen to attend from over 100,000 notices of interest.
On the night of the contest, fans arrived with great anticipation. Many dressed as their favourite WHF entrants.... including Beepeean entrants Eileen Dover and Betty Wont, but also from the wider multiverse. Many fans dressed as their favourites including Britonsea's WHF 48 winner, Gigi Vadeboncoeur, but widely and particularly popular was Indo States WHF 41 entrants Lassier Dans Fatimana. Many brought flags and handmade banners to cheer on their favourite entrants.
During the contest the crowd cheered loudly each and every act, a Beepeean tradition of applauding excellence regardless of statehood.
Throughout the broadcast Beepeean televisual viewers would be able to hit the 'interactive red button' on their remotes or log in on the BONC website and view the audience watching the show.