Live Coverage of Vha Mehlodhivestoile 2020. LIVE from Alshkan, Britonisea with your host Mini Surrey North and Cole Heiman, with Theodore Faucheux online...
APRIL 4TH, 2020
There's no point in crying as tonight is a celebration, but the crew of Vha Mehlodhivestoile 2020 were definitely saddened that this was their last show together. A mixture of the essential crew, who travel to all of the five Vha Mehlodhivestoile cities per year, and local crew got on really well this year, and even though some crew never mingled with one another (for example the local crew from Quickenden never knew who did their jobs in the other four cities), it really was a family at Vha Mehlodhivestoile and for the hundreds that are a part of the making of the biggest edition of the truly international national final were sad this is the end. Across the six weeks, they've had rehearsals all week long, a family show, a jury final and of course the live shows. Tonight, we're in the border city of Alshkan that recently hosted the 49th World Hit Festival in what was a joint effort between BVC and RVC. We're back in the same arena, the Halvenhavlve Arena, where over 20,000 people are jam-packed in, ready for the show to start.
A total of 10.58 million households tuned in for the Battle Stage of VM2020 which was a new record. Almost 680,000 more households watched the Battle Stage compared to the year before as five battles happened. There were some surprises, such as Rigas Jengiz not making it to the Grand Final to be beaten by Nightomese singer Krysten Phearson. The Grand Final this year is an interesting one. Some people might think that there's a clear winner but comparing results from multiple different polls around Britonisea shows that the Britons really don't know who to vote for and it'll come down to tonight's show only. Record-breaking totals were met during the Semi-Final stage, which I am sure everyone is willing to find out at the end of the show, but people were more focused on what would happen today...Who's destiny will be fulfilled? Who will become the fifth winner of Vha Mehlodhivestoile 2020?
A ticket to the WorldVision Song Contest or the World Hit Festival isn't the only prize the winner gets. The runner-up of the competition gets the ticket an upcoming World Hit Festival, but also gains £50,000 BPS to pocket, to help their career. A prize-winner is participating again, KAYLEY, hoping that this time she'd score lucky with the bigger prize. £150,000 BPS will be given to the winner of Vha Mehlodhivestoile 2020 which will go leaps and boundaries. There's much more to play for that just a title; money, recognition, fame but most importantly, influencing the nation to listen to more of your music. All of the acts get on very well with one another, but they're all competitors and are here for one thing - the trophy of Vha Mehlodhivestoile 2020. Who is going to get it? Should we find out together?
The tune of Vha Mehlodhivestoile played on the screens at home, T-Minus 2 minutes and 58 seconds until we go live. The audience in the Halvenhavlve Arena took their seats and looked on as the Opening Act got ready on the stage. Standing audience members held each other closely, even if they didn't know one another, as the rousing, euphoric, tune of Vha Mehlodhivestoile reached its climax. Members of the audience held back the tears as they knew this would be the last time they'd hear this tune play for a year. Vha Mehlodhivestoile, for those who aren't Britonish, may not understand the importance of the National Final to Britons. The fans from the old longer format of Mehlodhifehstivalhen poured over to what was a better, bigger celebration of Britonish culture, Britonish music, Britonish quirks and much more. The national final, similarly to the National Day, was a time when the country could come together and be proud of the country they're from. That's the success of the National Final.
Alyxhia Willis - "Want You Home"
Tune : Aly Ryan- "Wear Your Love (Official Video)"
Music: Alyxhia Willis James Embankmnent, Tasha Louise, Abigail Steyn, Jayden Christopher Lyrics: Alyxhia Willis, James Embankment
Alyxhia Willis, the winner of VM2019: Alyxhia Willis returns to stage of Vha Mehlodhivestoile to perform her winning song, "Want You Home" as she prepares to hand the trophy to her successor.
While it was less than a year since the win of Alyxhia Willis, it was time for her to hand her Vha Mehlodhivestoile trophy to the next winner of Vha Mehlodhivestoile. Who would it be? She didn't know. Though, as per tradition, the winner from the year before - who was indeed Alyxhia - would return to the stage the next year to perform in the Opening Act of the succeeding edition. Alyxhia didn't win either the Televote or the International Jury Vote, but she managed to clench the winner from AUTUMN by only one point - 168 points to 167 points. Many fans have been wondering whether we will see a win like that at the 5th edition of Vha Mehlodhivestoile or whether the winner will have a run-away victory. She became after Mini Surrey North's 2016 VM winner, "Centre of Attraction", the 2nd most successful Briton with her song, "Want You Home", placing 1st at WorldVision with a total of 132 points. Will the winner of Vha Mehlodhivestoile 2020 score big? As the tune of VM finished, we dove into the arena as the audience cheered loudly. We were live in the Halvenhavlve Arena. It was time to say hello to Alyxhia Willis once again...
There was a period of silence before the expensive, explosive horn sounds sounded through the arena in Alshkan, with the horns being joined by a huge cheer from the audience. The triangle behind her lit up a bright white with a blue tint. There was slight low lying fog at the bottom of the stage making the stage much more ominous... As the horns played through the first part of the song, she stood in one strong pose which the women on either side of her were mimicking. She'd perform this exact routine on live TV four times last year at Vha Mehlodhivestoile and twice at the WorldVision Song Contest, making this routine number 7. She knew exactly what to do - it was second nature to her...
I have waited too long,
Boy, have you disowned me?
You got me chained - locked up.
You've thrown away the key...
At the start of the verse, there was a shot that had a mid shot of her body, with her looking directly in to the camera with a straight face. The camera slowly moved backwards to expose the triangle that was behind her along with the two other women by her side. At the higher pitch drum sound (11s and 19s), the LED flashed a white light down the centre of the of the stage. From the audience's perspective, it looked as though this white light was going down the middle of the triangle and straight down Alyxhia Willis who was standing right in the middle of the stage. At each of those sounds, Alyxhia had moved her body in a very rigid way, twisting her body in each direction - making it as dramatic as she could. The two women on either side of her followed suit. She wasn't looking at the camera as she turned.
As she sang "You've thrown away the key", she turned back to the audience with a facial expression of sorrow and hurt. She rested her hand on her hip as a camera from further away in the Havlvenhavlve zoomed in, getting faster as we reached closer to her face (23s). As she started to sing the next part of the song, the camera focused down on her fingers, that were placed by her hip, snapping. The shot kept on changing to the other women that were on the stage at each click of the finger...
I miss your laughter that fills up a room...
I miss your body, do you miss mine too?
Got me all nervous, I’m hoping you would…
Just walk right through that door
I'm not asking for more...
During the section above, red lights from the back of the stage starting lighting up and so in and amongst the smoke, you could see a redness simmering. The triangle that was behind Alyxhia changed colours at each click that the women on the stage did, changing from white to green to pink and purple but by the end of it all, the colour that the triangle landed on was red. The audience started clicking their fingers along with Alyxhia Willis and the women on the stage.
As the drums came in for the last bit of the pre-chorus at "right through that door", the shot changed to the furthest one away in the arena before quickly zooming straight towards Alyxhia Willis on the stage. Lights from the front of the stage pointing towards Alyxhia flashed on and off in an array of different colours as the wind machines were turned on maximum. Her hair flowed in the wind as the camera raced towards her, adoring her goddess-like stage appearance...
Don’t hate me for wanting you home (Want you home)
Under the duvets, on our own. (Want you home)
Without you, I can’t sleep at night
Oh yeah I want you home
Oh yeah I want you home
Oh yeah you must come home
Dream of me in your sleep, dream of me 'till you come home
Don't stop, don't stop, dream of me in your sleep.
Oh yeah I want you home!
As the chorus reached, she was swaying her body along to the song as the camera captured her from every angle. Alyxhia slightly walked forwards from her position, with the women ascending up on the platform.behind where Alyxhia was placed. The lights on the side of the platform that she was on lit up in a red and the fog started to disappear. Alyxhia looked down at the floor before looking up to meet the glare of the camera. She slightly smiled, but at the same time, she looked desperate to find whoever she needed to find. At the end of the chorus, the harsh horns were reflected in the staging as the red lights at the bottom of the stage flashing on and off in time with the music. As she sang "'till you come home" the stage turned dark with the red triangle being the only thing light was coming from. Alyxhia held her strong pose before the lights came back for the last line of the chorus.
For the second verse section, the lights were stripped back and so was the quickness of the changing of shots. The camera trailed it's way up Alyxhia's body and every few beats, the camera would fade to black. In the back, you could hear a few members of the audience cheering and whistling for Alyxhia as she continued to sing. Her ring glistened in the lights. As she sang "your queen and you are my king" she put her hand to her heart, with another shot zooming out from the wrong on her finger to expose Alyxhia standing on the middle of the platform and the women holding her by the shoulder on each side. The triangle had turned back to blue at the start of the second verse.
You're my protector I, I need your comforting
You made me feel like your queen and you are my king
I miss your laughter that fills up a room...
I miss your body, do you miss mine too?
Got me all nervous, I’m hoping you would…
Just walk right through that door
I'm not asking for more…
The pre-chorus for the song came fast this time. Similarly to the first time, when the clicking part came, the triangle in the back changed colours though this time, the colours were not distinct, with most of them being a blend of multiple different colours. The women were clicking their fingers in a similar fashion to how they were clicking their fingers the first time, but the camera did not close up on them clicking their fingers. Instead a camera on a wire in front of the stage zoomed past, turning on its Axis as it flew past the wonderful Alyxhia. She didn't look at the camera, rather looking out straight towards the audience.
As the drums came in, the wind machine was definitely in full effect once again with the lights flashing on Alyxhia's face along with the women who were very close behind her. the camera zoomed in from a different side of the arena, panning around as it moved closer and closer to Alyxhia. The three women were swaying along to the tune of the music as they sung the chorus once again... The triangle turned red at this point.
Don’t hate me for wanting you home (Want you home)
Under the duvets, on our own. (Want you home)
Without me, you can’t sleep at night
Oh yeah I want you home
Oh yeah I want you home
Oh yeah you must come home
However this time, the chorus finished a tiny bit earlier as we went to the bridge of the song rather early. As the mood changes, the red intensified, with it appearing that those watching on television are almost watching her through a red filter due to the intensity of the lights. Alyxhia got on the floor and as she did a Steadicam came on the stage floor and 'walked' to where Alyxhia was with the two singer-dancers who had also gotten down on the floor with her. They all seemed to be curled up in a ball, very compact to each other. Alyxhia looked at the camera as it passed her. The Steadicam moved on and off the stage pretty quickly.
She then got back up to meet the eyeline of the camera that was waiting for her. The triangle behind her was glowing loads of random different colours behind her with a plethora of different projections being shone onto her and those behind her.
Dream of me in your sleep, dream of me 'till you come home
Don't stop, don't stop, dream of me in your sleep.
Dream of me in your sleep, dream of me 'till you come home
Don't stop, don't stop, dream of me in your sleep.
I want you home!
I want you home!
Want You Home!
As she started to sing the "I want you home" sections, the camera showed a wide angle of the whole arena with people waving their Britonish flags. The LED was used properly for the first time during the performance as the return of the white line came back but this time, each time it appeared it filled up the whole length of the stage before it turned to black once again. It happened three times before the LED screen in the back had an almost chess board design with the black and white design being flashed on the screen for a split moment. As this moment happened, the camera quickly zoomed for the furthest point emphasise the increase in... everything going into the last chorus of the song.
Don’t hate me for wanting you home (Want you home)
Under the duvets, on our own. (Want you home)
Without me, you can’t sleep at night
Oh yeah I want you home
Oh yeah I want you home
Oh yeah you must come home
The camera quickly moved from one side of the stage to the other side of the stage as the backing turned to a different colour which contrasted the colour that was coming from the triangle. The LED would be intense before decreasing in intensity...before becoming intense once again very quickly. She looked out to the audience, ignoring the camera that was high up in the air. As she finished the section above, she flung her head back with the microphone still in her hand in the same position - the camera quickly zoomed in her face as she did this. She then moved her body strongly to face one side of the stage with the women behind her following suit. She changed the direction that she was looking in every two lines...
Dream of me in your sleep, dream of me 'till you come home
Don't stop, don't stop, dream of me in your sleep.
Oh yeah I want you home!
Dream of me in your sleep, dream of me 'till you come home
Don't stop, don't stop, dream of me in your sleep.
Oh yeah I want you home!
Oh yeah you must come home
Because I want you home.
At the end of the song, Alyxhia held a strong pose as everything faded out. Her hair, you could see until everything faded to black, still flowing in the wind created by the wind machine. Britonish flags fell from the rigs behind her with a shot of the arena from afar being used as we saw the whole stage draped in red, white, blue and orange. The audience cheered continuously as Alyxhia Willis held the pose for fifteen seconds. Soon after she bought the microphone back to her mouth, with the audience expecting that she'd thank them. However, that wasn't the case…
There was a huge cheer as Alyxhia announced that the hosts and the acts of Vha Mehlodhivestoile would be on the stage in just a bit. Suddenly, in the middle of the arena where there was an island in the middle of the arena, Theodore Faucheux stood in the middle of the island stage wearing nothing but farm overalls, with one of the straps down by his side very similarly to this picture of a man that looks very similar to him. He wore a hat as well, like the one in the image with the cigarette. He was joined on the stage with male dancer, Jordan Younes-Smith and Georgina Forest both of whom you’ll find present in many of the performances tonight. They wore something similar to Theo, but a lot less sexual than the young male presenter. He started singing into the microphone to his face. He looked into the microphone and the two dancers danced behind him.
If we turned back a long time ago,
Twenty-nine acts, and three Semi shows
Six to the final and four sent home
For the two left, a flight to the North
So here we are in good ol'Alshkan
The top twelve and they're waiting for you
Should we all meet them and say "Hello"?
Come on producers, oh let 'em go
As he sang the line “oh let ‘em go”, Theo stood in the middle of the island with a strong pose as the dancers Jordan and Georgina turned to touch Theo on the sides that they were on, before tilting their heads as though they were infatuated by him. We moved out from the island stage that was at and moved over the main stage which had been transformed into what looked like a farmyard. Appearing from behind a haystack was the other male host, Cole Heiman wearing something a lot more traditional compared to the likes of Theo. As Cole Heiman started to sing, in front of him walked Martina Hacer with the camera focusing on her as she blew a kiss to the audience.
It's Act One, ready to "Bailando"?
Martina Hacer got you covered
Whether it's fast or even lento
She'll get you moving, she'll make you glow
The camera shot was then focused on Jun-iči and Ekkehard who were sitting next to the dancer and now butter-churner, Lukas Reece-Nicholls, who will also be present in songs coming up soon. Jordan was wearing something similar to Theo earlier, revealing quite a lot of skin. The pair were watching as Luke pressed the churned the butter in, gritting his teeth as he did it. The pair eventually looked up at the camera and mimicked the movements Lukas was doing before gritting their teeth in a hyperbolic way making many members of the audience giggle….
Act number two, it is "Exorcist"
It is Jun-iči and Ekkeheard
Both got the looks and both got the charm
But will they have any of your votes?
The beautiful Mini Surrey North stood in the middle of the upper deck of the stage wearing similar to this here as the camera took her from a lower angle. As she started singing, she put on a faux damsel in distress accent as she introduced Katie Reece-Boyst on the stage. She pointed in front of her as Katie walked past her. Katie got down with it when the camera was on her, dancing and piercing her lips during her time on camera...
Act number three, it is Katie Reece Boyst!
So who's gonna win? I'd love "Clarity"
Lucie featuring AY:KO is number four
But can they change the "Paradigm", oh they think so!
Lucie Dagenham and Ayden Koberg were the next to come onto the stage which they did and stood in the middle where Katie Reece Boyst was. Lucie and AY:KO stopped before looking at each other and then looking out to the audience. It was now time to introduce group TOULOUSE onto the stage, with it being time for Theo to be back on the screen. We saw TOULOUSE sitting on a haystack on different levels before Theo popped up from behind the stack, doing a little shoulder bop and shoulder sway as TOULOUSE danced along with him...
Fifth of the stage, it's "Secroussué"
Britonish song from the group TOULOUSE
Will they win your points? Will they succeed?
Or will you make them all get angry?
We kept on the same still as we did before, but this time, Krysten Phearson popped up from behind the haystack as well, now standing in front of Theo. With the pair now dancing with each other, moving from side to side in the opposite direction, though when Theo said “the top three”, Krysten looked shocked and gave him an up-and-down look.
Number six, she's "Not Giving In", no
Knocked out a-Rigas, this is your show.
You made the final, now here's the tea
Will you make it near to the top three?
We then move to Mini Surrey North who was standing with dancer, Sebastien Lumley-Sydenham at a makeshift bar alongside dancer Pauliana Shrewburry with the camera focusing on Mini who was the only one turned to face it. The camera moved to the side of the bar as Petre Lemetre came in shot, Mini turned around to receive the drink from Petre. Coming from the other side of the bar was Justs Prazeres, who handed Mini a packet of crisps. Mini smiled before turning back around. A camera picked her up with Justs and Petre on either side of her, as she finished off her sentence… she ran forwards out shot.
Now the second half, opened by Petre Lemetre
He wants to take us "Higher", oh boy, I say yes!
He's followed by Justs Prazeres, what a treat
His "Poison" got him poised to snatch the vict'ry
It was time for Cole to take the wheel once again as he introduced Kelsey Banques to the stage. Cole Heiman was standing next to a “horse” and as the camera panned up we saw Kelsey Banques mounted on the top of the “horse” who waved as though she was royalty. There was a shot of the whole stage as bright colours came from the stage. It was quite the scene from afar.
Stand back she is "Indestructible"
Kelsey is number nine on the show
The Britons love her, and I do too
But will she "Fall" to somebody new?
On the other side of the horse was Tobias who was on the floor by the hoof of the “horse” cleaning it off. Tobias looked up at the camera before smiling but after a while, he did an action to the camera as he wanted it to go away so he could continue cleaning the horses hoof.
And that could my boy Tobias!
Act ten and he's feeling much "Stronger"
You're all the lambs, he's the slaughterer
Watch out for him, don't vote another
During the break section here, all of the acts that we have seen including all of the dancers made their way to the main section of the stage. The dancers and hosts took centre stage as the nine dancers and hosts started line dancing together. The lights went crazy behind them as you could see the background being only blue with beams of lights coming from the back non-stop. You could hear the ten acts of Vha Mehlodhivestoile that were already announced shouting “Hey! Hey! Hey! Hey!” as they watched the nine line dancing in a Semi-circle around them…
They all made way for KAYLEY as she comes walking on to the stage in the middle of the semi-circle. She danced with Petre Lemetre who was in the middle of the semi-circle before KAYLEY blew a kiss to the camera. Theo made his way to the middle and continued singing...
Act eleven, I am not done yet!
It's KAYLEY with her song "Beautiful"
Will she win this time? Oh, will she shine?
Or, again, will she get the 50?1
1 In reference to the 50k you win for being runner up, which she has already won.
There was then a wide angle shot of the whole arena as we saw two members of Shards of Diamonds running from either side of the sections that came out to the audience with the other member running down the middle. They all met in the middle of where they all linked arms, line dancing with one another. The other acts of Vha Mehlodhivestoile started shouting “Hey! Hey! Hey!” once again as there was another dance break.
Last but not least it's Shards of Diamonds
Girl group bigger than The Serpentents!
They got the moolah, (at) least in their show
Well, "Full of Surprises" is their song
So here we are in good ol'Alshkan
The top twelve and they're waiting for you
Who’s gonna win and be successful?
That’s up to you, it’s your time to vote!
Cole Heiman sang the song as the lights in the arena went down, with a large spotlight of all of the acts behind the hosts. The dancers split, with the three female dancers moving to one end of the semi-circle and the males on the right handside of the circle. After a while the song finished which caused a huge cheer in the arena. That most certainly was the most explosive opening to a Vha Mehlodhivestoile Grand Final ever witnessed. The hosts took a deep breath in as they all linked arms in the middle. Together they said;
WELCOME TO THE GRAND FINAL OF VHA MEHLODHIVESTOILE 2020!!"