NationStates

Nick: Next at Overtime! Wolfrenia want's to Claim WV? Twerky Mister X and Touching Electrum? at The Overtime Commentary, Overtime Games with Standstill Guest Lady Louise Windsor, Rushed Actor Eva Techionvasch and The One and Only Collector of WV/WHF Postcards, Geoffrey! Official Reaction to "Ramseyside Jonveget Oblast"? That's Confusion with Ramsey City in Rasmussen Krai and Jonveget Settlement Area in Northern Canadian Victoria at Overtime Reacts! And Lastly, Anne is in Tampon Bay, Lactatia at Overtime Live!
(Intro Ended)
Nick: Hello to our First Ever WorldVision 69 Coverage in Overtime in RTV2!
Louise: And we Can Save our Day with Songs!
Joey: Plus, Anne Vanessa is in Tampon Bay Lactatia.
Nick: And There's More! We're Gonna React: "Ramseyside Jonveget Oblast"? Let me See if there's Confusion with Ramsey City in Rasmussen and Jonveget (Formerly Bøkmål) Settlement Area in Northern Canadian Victoria. This Time is for The Overtime Commentary!

(Start of Overtime Commentary on Wolfrenia's Entry)

Nick: This is Gonna be Existing!
Both Joey and Louise: Me Too!

*Tune Start*

James Borle: There's a hole in the soul of My Land
We fly high in the sky of grey
There's a church he go to feel our pain
We f*cked up up and I know you feel the pain
We go on and I don't understand how we became a one man band
Oh god I guess we all messed up
Welcome to my my my land
My my my Land
My my my land
My my my land
My my my land
My my my land

Nick: Huh?

James: My Land
My my my Land
My my my land
My my my land

Joey: Is this Your Land James?

James: There's a sky in the heart of my land
It reminds me of what we used to be
How we weep and dream but it don't mean a thing
We could leave but we're trapped in this mess
We go on and I don't understand how we became a one man band
Oh God I we all messed up
Welcome to my my my land

Louise: Actually Loved It.

James: My my my Land
My my my land
My my my land
My my my Land
My my my land
My my my land
We go on and I don't understand how we became a one man band
Oh God I we all messed up
Welcome to my my my
My Land
My Land
My Land
How we don't want to be here (my land)
No matter what we're doing (my land)
Now we don't want to be here, oh
In my land

Joey: Think!
Nick: Lemme Gib 11 Points and 6000 Cash if you Think.
Louise: I Am Confusion *Laughs*
Nick: Text votejameswolfrenia <space> Name <space> City <space> Points to 3934-2842-394 available for All Networks!

Joey: Next!

(End of Overtime Commentary on Wolfrenia's Entry)
(Start of Overtime Commentary on Mister X's Entry)

Will Carter: You'd better twerk!

Nick: YES WHEN WE'RE HOME! JUST ONLY FOR ANNE VANESSA!

Will: You'd better twerk! (Twerk it, girl!)
Twerk it, girl! (Give us a twerk!)
Twerk your ass
Night and day!
Twerk! (Lady Twerk!)
You'd better twerk it, girl! (Spin it round!)
Spread your legs and baby, twerk down the camera!

Nick: Oh No. You're Trying to Disrespect Louise!
Joey:

Will: (Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!

Nick: Yea.

Will: (Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!

Nick: Good Song.

Will: Baby, can't you see you're there?
Yes, you have a confident air, (ooh, ooh, ooh, yeah)
And baby, you know what to do,
You'll start twerking, as you do...! (Lady Twerk!)

Joey: Uh?

Will: Twerk! (Twerk it, girl!)
Twerk it, girl! (Give us a twerk!)
Twerk your ass
Night and day!
Twerk! (Lady Twerk!)
You'd better twerk it, girl! (Spin it round!)
Spread your legs and baby, twerk down the camera!

Nick: STOP DISRESPECTING OUR BEAUTIFUL LADY LOUISE WINDSOR PLEASE WILL!

Will: (Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!
(Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!

Nick: Phew.

Will: Your bottom's moving everywhere,
Monday, Tuesday, and Thursday, yeah (ooh, ooh, ooh, yeah)
And Wednesday, Friday, Sat'day, too,
And on Sundays I twerk for you! (Lady Twerk!)

Nick: That's Doctor's Schedule!

Lucy: Major items.
Margrita: TC look.
Morgana: medieval princess, magic queen.
Baby: in no corners.
Darcey: curvy and mature.
Shirley: looking a million T-marks!

Nick: T-Marks? You Mean Tennesseemarks? (A Fictional Money in USA)

Will: I have one thing to say:
Twerk night, twerk day,
Twerk day, twerk day,
Twerk day, twerk day, twerk day.
I have one thing to say:
Twerk night, twerk day,
Twerk day, twerk day,
Twerk day, twerk day, twerk day, woo!

Joey: I WANT 3 POINTS!

Will: Baby, can't you see you're there?
Yes, you have a confident air, (ooh, ooh, ooh, yeah)
And baby, you know what to do,
You'll start twerking, as you do...! (Lady Twerk!)

Joey: YEAH!

Will: Twerk! (Twerk it, girl!)
Twerk it, girl! (Give us a twerk!)
Twerk your ass
Night and day!
Twerk! (Lady Twerk!)
You'd better twerk it, girl! (Spin it round!)
Spread your legs and baby, twerk down the camera!

Nick: STOP DISRESPECTING LADY LOUISE WINDSOR, PRINCE WILLIAM CAN PUNCH ON YOUR HEAD!
Joey: Calm Down!

Will: (Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!
(Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!

Nick: I'm Dying!
Joey: This is Last Now!

Will: You'd better twerk!
Twerk!
Twerk!
(Lady Twerk!)
You'd better twerk!
Twerk!
Twerk!
Will (Last): I have one thing to say... you'd better twerk!
Nick: DANG! I WANT 0 POINTS!
Joey: You Mean 1 Point?
Nick: Yas.

Joey: Next! The Last One that Electrum Never Touched.

(End of Overtime Commentary on Wolfrenia's Entry)
(Start of Overtime Commentary on Electrum's Entry)

Louise: I Want My Video!
Joey: It's Supernanny stop.
Nick: It's Triggered.

Janet: Why won't you come near (Why won't you come near)
It's been a while (It's been a while)
Every time I see you I know you're hiding from me
But I'm addicted (I'm addicted)
And you have urges (And you have urges)
Think for yourself and ignore your friends by coming back to me

Louise: Love It.

Janet: Touch me in the places you used to squeeze
Touch me in the places you used to sleaze
Touch me, touch me
Touch me in the places you used to peck
Touch me in the places you used to wreck
Touch me, touch me
You're my poison (You're my poison)
And I'm yours too (And i'm yours too)
We know you just can't help it when I throw myself at you (uh-uh, uh-uh)
It's always the same (It's always the same)
You then break it off (You then break it off, yeahh)
It's all the same, because you can't resist touching me
Touch me in the places you used to squeeze (oh)
Touch me in the places you used to sleaze (right here)
Touch me, touch me, lovely
Touch me, alright babe
Touch me in the places you used to peck (peck)
Touch me in the places you used to wreck (wreck me)
Touch me, ahhh, touch me
Give in to temptation
I know there's no confusion
And you know there's nowhere to run
You're easy,
I know you (shh), more than you
Give in to temptation
I know there's no confusion
And you know there's nowhere to run
You're easy,
I know you (shh), more than you
And, it's not about love (It's not about love)
It's about control (It's about control)
You want something to grab down my back as I make you shiver with lust
Let's have one more ride (Have one more ride)
One more time (one more time)
One more chance, I'm not the girl who kisses and tells (shh)
Touch me in the places you used to squeeze (oh)
Touch me in the places you used to sleaze (right here)
Touch me, touch me, lovely
Touch me, alright babe
Touch me in the places you used to peck (peck)
Touch me in the places you used to wreck (wreck me)
Touch me, ahhh, touch me
Touch me
Touch me like you always do...

Louise: 6 Points!
Nick: Good.

Joey: That's the End of Commentary but No Commercial Break! There's More! We're Gonna React this.

(End of Overtime Commentary)
(Start of Overtime Reacts)
Man in Intro: It's Time for... OVERTIME REACTS!
(End of Intro)

Nick: We're Gonna React this. Because Fatimans can Confused well.
Louise: Play It.

(Video Plays)

Mister Yiffer McOwO VI: A HUGE thanky spanky to Sir Jeffrey Tooshybiscuit and His Funky Reggae Beeptards :3 for their wonderyiffic performance! now we have a big surpwise for all u! are u ready!

*Nick Spoils*
Nick: Sod Off.

*Several members of the audience are heard groaning*

Mister Yiffer McOwO VI: Grrrrrrreat! yiff yiff! LacTV's spwecial spwokeswoman La-a Honqueeferfield twavelled all the way to Indo States for a day twip owo and we get to see her expewience!

A hush fell over the crowd as the camera turned toward the LED screen, where La-a Honqueeferfield was shown in a barren tundra wasteland. She saves to the camera in her usual bubbly manner.

La-a Honqueeferfield: good evening y'all, im here in indo states i think? apparently they're here in a tundra but the country is much more than that! Let's sexplore!

*Joey Spoils*
Joey: Huh?

La-a Honqueeferfield approaches a poorly-constructed wooden sign that says "Ramseyside Jonveget Oblast - Population 482". But the Wooden Sign got Censored Well because Fatiman Federation Dosen't Want an Fake Welcome Signs.

La-a Honqueeferfield: hey guys im on the edge of the Ramseyside Jonveget Oblast and they have a population of 482 bc everyone else died when beautiful cupcakes invaded years ago! since then, Indo States has allowed for the region to grow, thanks to the ever-demanding world market of beauty pageants and snow.

*Nick Spoils*
Nick: Stop the Video. World Market of Beauty Pageants? It's Called Slaves. Well She Don't Do It Soon.
Joey: Yes. In Fatiman Federation, Slavery is Illegal Nationwide. The First Offense is Fining up to 5,000 Euros or 5 Months in Jail or Both. The Second Offense is Fining up to 10,000 Euros or 10 Months in Jail or Both. The Third Offense will be Prosecuted and Fined up to 50,000 Euros or Life in Jail or Both. And Last Offense is for Bypassing the Law will be Prosecuted, Fine up to 1 Million Euros and Punished by the Government or Both.
Louise: If you Found Someone Do it not in WV. Call Fatiman Operation Rescuing Slave Victims to Safe at 5392-29492-28492 or 391-234-283. This Operation was Made by World Vision (Foundation), Indoesh National Police, Fatiman Anti-Slavery Team and Fatiman Welfare and Development Department.

(Cut and Intro of Let's React!)
Man in Intro: Let's React!
(End of Intro)

Nick: It's Confusing Because it's Copied the Names of Ramseyside which Where the Huge Fields far away from City Center of Ramsey City in Rasmussen Krai. It's Also where the OLFU Students Died in TGV Field Trip from Fatima City to Paris. Jonveget is an Largest Settlement in Cazuqri, Canadian Victoria. It's Known to be Where Norwegians and Darkmanians Settle from Darkmania and Norway.
Louise: Agree with Nick
Joey: Yes. It's Parody.

Nick: It's Time for Live in Tampon Bay, Lactatia; Vanessa Anne.

Nick: Hello!
Vanessa: Hello from Tampon Bay, Million of SWAT Guarding the Whole Venue and Fatimans Welcoming this Morning of 4:00 AM! Fatimans, Rasmussenians, Indoshes and Ramseyians was Holding their Voting Cards, Pencil and Banners!
Nick: Vanessa, Why there is an Swat There?
Vanessa: There is an Current Planned Plot inside of the Venue by Terrorist-Led Group Fatiman Resistance to Kill Yulia. And They Want to Bomb the Venue and Start War with Lactatia just like Syrian Civil War.
Nick: That's Scary Here.
Vanessa: Yes. There is an Safety Poster regarding Not Allowed and Allowed in Venue, Wanted Photos and No Filming During the Contest. For Viewers, The Not Allowed in Venue is No Guns, No Food, No Hate Banners, No Banners than 16 or 5 Inches Only. And No Hats in Venue so We can Watch Clearly. The Allowed is Only Small Bags, Cellphone but Camera is Disabled and Turned Off, Popcorn and Drinks that Not Alcoholic like Root Beers or Sodas. The Wanted are: Adam Bin Rashid, Al Finshad Rashid, Gerlan Gostriv, Hansen Dans, Hanes Hutchinson and James Hudson. Report them to Venue Staff, SWAT, Police or Local Defense and Law Authorities. When you Go Here, Strctly Follow these Rules and Look out at these Terrorists that gonna be Terrorize the Worldvision 69 Enjoyment. When you have an Ticket, Give it to Cashier or Venue Staff and Voting Card will gave and your ticket will gave back. My Name is Vanessa Anne from Tampon Bay, Lactatia. This is RTV News.
Nick: Ok. Strictly Follow These Rules when you Go to Tampon Bay in Lactatia. Because Fatiman Resistance is an Docklands Resistance (An Vigilant Group and Now National Army of Docklands Republic) and Localized Version of ISIL or ISIS. So Careful.

Joey: Coming Up in Overtime! Overtime Games with Standstill Die heart Fan of Overtime Lady Louise Windsor, Miss Millennial Indo States 2018 Winner Eva Techionvasch and Collector of Worldvision/World Hit Festival Postcards Geoffrey. At Overtime!
Louise: Stay Tuned for Me!
Eva: Stay Tuned!
Geo: Stay Tuned for Postcards!
Joey: See you Later Boys!

(End of Overtime)
(Ending Intro)
Man in Intro: Overtime Would like to Thank:
Our Lady of Fatima University, Rise to the Top!
Campuses: Fatima City (Main), Windsor Ramsey City, Rasmussen Satellite, Rozlyn Micherston Elementary, Fairview Indo City and Lansingrad (Integra) Republia.
Nature Spring Drinking Water
Windsor Resort and Hotel, Ramsey City
3K Batteries, Dare to Compare
Tempo Wipes
The SM Store | For Nick's and Joey's Outfit
The Fisher Department Store Rozlyn | For Eva's Outfit
Fatiman Disco Archive Shop, Where 80s or Any Past Years Songs to Hear, Buy, Rent or Test an Music. | For Overtime's Soundtrack
Migguelito's Ice Cream, It's Delicious! From Philippines | Main Sponsor for Making Milkshakes during The Program of Overtime!
Cebu Pacific
And the Snackers, Snack Restaurant open from 2PM - 5PM at SM City Sienna, SM City Rozlyn, SM Seaside Alyard and Newly Opened Branch in SM Megacenter Ramsey.

---

Fun Facts! Overtime is Formerly Music Review but They Received an Request from RTV2 To Change the Category from Music to WorldVision/World Hit Festival Live Coverages, Commentaries and More in 2017.

Hrzenjak & Planeta never intended for "Zona opasnosti" to win Izmepisma, much less even represent the contest. For these two new players to the Izmeduan music scene, albeit famous for being names that coasted off the coattails of their viral fame, WorldVision participation was the last thing they expected. Prior to this contest, neither name had an official single to their name; primarily only finding fame through more underground channels. Hrzenjak (the producer) was namely known for participating in high-profile collaborations but preferred to release his solo material through more private platforms. Planeta (the singer) was a purely novice performer, with Izmepisma and WorldVision representing his very first forays onto the stage.

Both men hail from Vodiznad, respectively being 24 and 26. The one thing that both also had in common was fame through becoming viral. Hrzenjak, prior to his time in music stardom, was simply a college student hoping to survive while seeing EDM production as a hobby. In the interim, Hrzenjak would host a YouTube channel in which he'd upload the occasional remix or two. What led him to become viral was a mash-up remix of two Sinisa Productions songs with his own touch on the production. Of course, while Hrzenjak primarily remained faithful to the production style of the original artist, the expert editing and handling of the songs began to make him a bit of an overnight celebrity. While Hrzenjak would of course have much to prove, he did have a fruitful start lying in wait for him after he graduated. Duly enough, as Hrzenjak began to produce more material to pitch for producers, that gave him the platform to collaborate with more higher-end producers in Izmeduan EDM.

Planeta, by contrast, caught lightning in a battle with his fame. Prior to posting a rap cover of an old WorldVision entry, didn't quite have much to his name. He had a latent interest in entering the music industry, but his style was deemed not fit for the times and there wasn't much of a market interest in him, as even smaller label outfits deemed him not quite fitting the ideal of Izmeduan rap. His claim to fame, and to eventually meeting Hrzenjak, came from a chance social media contest that Gorana Sever was hosting. The #Zaplesimo challenge was Planeta's line into stardom. Gorana had asked fans to either submit a clip of them rapping the bridge to Zaplesimo, re-enacting the dances from the original entry, do a straight-up cover, or do some sort of creative project. The prize would be a giveaway and a free meet-and-greet with Gorana. Thus, Planeta entered the contest, hoping to gain some sort of exposure with his rather unique take on Zaplesimo.

He didn't meet Gorana or get a prize, but he made quite an impact by posting his cover of Zaplesimo. His unique style of singing and rapping, in which it was clearly a pop style but engaged in a kind of rap crossover that had none of the emotionality that Izmeduan rap is usually known for. It was akin to what Gorana herself had done for parts of the song, yet Planeta's voice was begging for a producer to help take it to a new direction. His name began to be circulated around the Vodiznad news cycle as a possible artist to watch out for. However, for as fast as Planeta's name rose, his reticence to post new material as well as an initial discomfort from the exposure made the inevitable comedown approach a lot quicker. However, this didn't stop a certain producer from establishing contact.

A couple of direct messages and agreements later, Hrzenjak and Planeta forged a partnership that was born out of a mutual kinship of how their fame was born. Their status as celebrities was born in lightning in a bottle moments, and both knew that they didn't see themeslves as having a long term future in the music industry. Thus, their rationale for collaborating was to create an instant impact much like their respective videos that catapuled them into stardom. A few songs, one of them being "Zona opasnosti," arose out of this possible duo. Having carefully studied the Izmeduan musical landscape, Hrzenjak and Planeta figured they can take their chances. Hrzenjak's production took a far more heavier and bass-boosted turn, which then complemented rather well with Planeta's more 'in-your-face' vocal delivery and rapping. They knew that their style wasn't necessarily unique or even original in the wider music context, but they wanted to make a splash. Izmepisma, due to miracle timing, presented itself as the perfect platform for both artists to make their move.

If their Izmepisma participation is to believed, from surviving their semi-final, to becoming once more viral in the wild card round, and to winning the national final, they certainly have a hot domestic single on their hands. The next question then, what about the world? Hrzenjak & Planeta were treating the whole affair with a sort of cool attitude. They were willing to go where the next step needed to go, but one could almost sense that the gravity of WorldVision participation always seemed to elude Hrzenjak & Planeta. Either way, both artists desired to stick to their original goal.

Making an impact. Making a splash.

That's exactly what they hoped to accomplish in Lactatia.

---

Stage lights billowed down to the center of the stage in Ramsey Arena, heralding the start of the Izmeduan entry. The crowd cheer was loud, yet there was an uncertainty surrounding this entry as the crowd cheer quieted down. Would there be an extra raunchyness to the proceedings? Or would it work out exactly as the national final performance? The familiar strains of the song began to play as the camera now held of a shot of the stage in darkness. There was a woman's voice that echoed throughout the Ramsey Arena, saying some statements in an almost unrecognizable Izmeduan until the song proper started. The camera then cut to a view of Planeta himself, his waist swayed and one hand on his hips. The camera wasted no time in giving love to him through the form of a close up, and he began to sing.

To je vruće i teške
To je vruće i teške
To je vruće i teške
Tako vruće
Ardaram kao la kaira
Sentiraj kao fiarno

The production was sparse, but the vocals were almost quite like the processed studio version. Planeta sang with a smirk, hanging back and clearly holding back his energy. As he sang this verse, he can be seen fanning himself and drying some sweat off his face. Hrzenjak's production would begin to build bit by bit. As the verse progressed, the camera would zoom slowly further back, as Planeta would angle his face upwards, showing off his prominent chin to the viewers at home. Such an action only intensified the confidence, perhaps excessively confident, expression he held. The lights in the Ramsey Arena also began to build up as well, making the arena look just that bit brighter.

Plešemo cilu noć bebu
Bump-i-samliti mahnito
Živjeti na rubu destin
Ovdje zona opasnosti

Planeta's energy began to become more apparent at this part of the verse. He began to step back, raising one hand as Hrzenjak's production began to build. A whole array of purple and orange lights began to coalesce around the stage. As the production began to build, the lights would react in accordance to the slowly growing beats. They would first flash slowly, increasing their pace to an almost dizzying degree as the verse reached its end. The camera again engaged in another close-up of Planeta, him pointing towards the camera and crossing his arms right at the end of the verse, re-emphasizing the final line. Right at the end of the verse, the camera then shifted of a wide view of the stage, showing the stage and back screens being engulfed in a array of pink-purple and orange lights. Additionally, an abstract pattern dotted in pink-purple began to appear on the screens in the back wall and on the floor. These patterns would begin to spread out across the screens in an almost surreal pattern, and wild streaks of neon light also began to emanate from lights placed near the back. During this, the brighter light configuration revealed a rather big DJ table at the back of the stage, with Hrzenjak performing the song's production love.

Opasno
Opasno
Opasno
Ovdje ovdje ovdje zona opasnosti

The camera took a wide view as the stage effects gradually began to get crazier, transforming the stage into something akin to a nightclub. Planeta can be seen writhing and grinding his body as Hrzenjak held one hand up as his hands expertly worked the DJ equipment, with the camera occasionally switching to very intimate shots of him as his hands frisked the computer. Background vocalists would handle the errant 'Opasno,' vocals, the party atmosphere quickly developing as scantily-clad dancers, both male and female, began to walk out on the stage. The camera would then switch to a close view of Planeta as he sang the last line that would lead into the second half of the instrumental drop. He exuded swag as it looked like he was performing a certain, indecent action with his hands.

Opasno
Opasno

The production fully let loose as Planeta was now 'set free' from the confines of one of the platforms, and paraded around the tastefully designed stage as he stomped around with one arm out. He shouted 'WORLDVISION! LACTATIA' as he held one hand up, letting his body slide and write to the production as behind, dancers began to do some rather risque moves on each other. A male dancer can also be seen approaching Hrzenjak, and by the looks they were giving each other, they were ready to make out on the equipment, and certainly ready to get busy while ghostly neon lights were being all on top of their faces and bodies.

O da o da o da o da o da idemo
Partijaner
Pijan na tvaja visok miarda
Maj labav amaikelj, kupaonica je ultra
Nemoj se pangroti, da-el noć je mlada

The wild screen effects, mostly those trippy patterns, were now mostly gone as they were replaced with a virtual dancefloor on the floor. The camera took a rather interesting dutch view of Planeta as he was positioned right in front of the dancers. The dancers near him were certainly giving the camera some love. For the most of this verse, Planeta exuded an excessive swagger, not leaving you sure if Planeta was actually cool or if he was just being overly cool to compensate for something. Regardless, he was dominating much of the camera view. A motion blur effect began to be applied as he was doing a pseudo-rap on the verse, craning his body forward and bending down rather uncomfortably close to the camera by the fourth line. A surreal-looking fog of dry ice began to slowly emanate around the stage, the bright purple-pink lights causing the fog to be lit up in that respective color as well. At the end of the fifth line, the camera would switch to a wider view of the stage, giving the viewers at home some breathing room.

Jamo bez žaljenja
Gaudi ove noći okorio
Ovo je zona opasnosti
I mi smo ovdje igrati grudoiri

Planeta then began to lead the dancers in a bit of an unformal dance routine, which mostly consisted on them grinding their bodies on each other as the stage now looked like quite the pit you would find in a typical nightclub scene. Planeta would turn around to focus on the males and females ganging up on him, and he sang this part of the verse with a rather uncomfortably wide smile. As Planeta would get busy with the dancers on stage, the camera then turned to what was happening on the DJ table, and Hrzenjak could be seen making out with a male dancer, amongst a group of dancers basically making each other. Some can even be seen kissing passionately on Hrzenjak's DJ table. By the end of this verse, Hrzenjak was now making out on the DJ table by that dancer.

To je vruće i teške
Tako vruće
Ardaram kao la kaira
Sentiraj kao fiarno
Plešemo cilu noć bebu
Bump-i-samliti mahnito
Živjeti na rubu destin
Ovdje zona opasnosti

The camera view would fade back to the main stage, as the dancers were now just lazily making a nightclub scene as Planeta was kneeling down towards a camera situated on the ground. The production was pared down one more, being rather calm for the first few lines. Again, he was executing those same moves of almost excessive swagger. His arms were crossed and he was bobbing his head back and forth, and then lettting his hands free by the second half. His hands were in the air and he was making the 'no' sign with his palm flat at the fifth and sixth lines. At the end of the line, he was up and ready to take on the rest of the dancers and certainly ready to get down and dirty. He had one thumbs up and a wink when he sang 'Ovdje zona opasnosti,' his movements becoming even more wilder and freer when the dance drop hit.

Opasno
Opasno
Opasno
Ovdje ovdje ovdje zona opasnosti
Opasno
Opasno

Planeta and the dancers were going off on the dance floor. Some of the dancers can be seen doing some raunchy routines, and hell there was even a twerk train beginning to develop. As the background singers were dutifully singing 'Opasno,' Planeta can now be seen in the middle of a rather intense twerk train that would disperse at the fourth line. Either way, the dancers on the stage were going wild and crazy as if it were an actual nightclub. At the second half of the dance break, the camera would then focus on up-close and slow motion movements. There was a frame of a dancer twerking that was slowed down almost to a halt, a slow motion action of Planeta looking like he was in a Vilnius G-Spot advertisement, and a final slow motion frame at the final 'Opasno' with Hrzenjak looking fulfilled as he was flanked by two men in front of his DJ equipment.

El plesni podij je nuestra
El el el ganer nema ništa
Mi smo-el kraljevi Vodiznad
Ovdje zona opasnosti
Jamo bez žaljenja
Gaudi ove noći okorio
Ovo je zona opasnosti
I mi smo ovdje igrati grudoiri

And that last camera was a pitch perfect move, as the light configuration in the Ramsey Arena was now seedier than ever for Hrzenjak to let loose his own vocals. He matched Planeta's kind of vocal style, singing the song's lyrics with a vague pseudo-rap that saw him exuding the same kind of swagger that Planeta tried to attempt. With his hands on the DJ equipment and two guys flanking him, the smirk on Hrzenjak's face was only bigger. Hell, the way he moved was even more intense, with him certainly making moves on the two guys surrounding him and crossing his arms at the fourth line. At the second half of these lines, the camera would move closer to him and the dancers, and he would swat it away at the final line of the verse. Once that verse was done, there was a brief instrumental interlude as yellow lights would now light upon the Ramsey Arena, creating a feeling of danger from the way there were now even alarm sounds. The dancers only went wilder and the Lactatian audience cheered wildly, with the lights flickering in a rapid pace to prevent any close on-lookers from observing the shenanigans on stage. By the end of this interlude, things had calmed down enough for Planeta to dominate the view, looking as if he'd just come from a wild night.

To je vruće i teške
Tako vruće
Ardaram kao la kaira
Sentiraj kao fiarno
Plešemo cilu noć bebu
Bump-i-samliti mahnito
Živjeti na rubu destin
Ovdje zona opasnosti

This was at least the third time this same verse was repeated, but for Planeta, he couldn't have enough of the fun or the limelight. He held one arm upwards as he sang these lines, pumping up the crowd and pumping up the dancers. The lights were now darkened, the world around looking like it's stopped. The dancers and Hrzenjak were frozen in place, looking almost a mannequin challenge. Planeta can then be seen walking and snaking around the frozen in place dancers, the lights brightening at the fourth line to reveal that this was basically a glorified mannequin challenge, with some dancers in some rather... raunchy positions, and some dancers frozen in a mid-twerk. At the last line, the lights would go dark, and when Planeta finished off this verse, the Ramsey Arena burst back to life.

Opasno
Opasno
Opasno
Ovdje ovdje ovdje zona opasnosti

This was the last call for any one of the dancers to make their wildest moves. Planeta was now lost within the dancing crowd, basically bumping and grinding with the dancers. There were people dropping it like its hot, some dancers now on Hrzenjak's table as the DJ himself was now pulling a bit of moonwalking action. It was pure, Izmeduan pandemonium on the Lactatian stage. The lights were now a crazy array of pink, purple, and yellow, the abstract patterns causing everything to appear even more surreal than usual. The camera would hover above the faux dancefloor that was main stage, with Planeta and Hrzenjak basically now lost to the chaos even if Planeta still had some parts to sing.

Opasno
Opasno
Ovdje ovdje ovdje zona opasnosti

The chaos only continued for the rest of the song, as the camera took one last view and survey of the stage, letting the viewers sink these images in for the final few seconds of the song. The camera would finish the song with a close-up, iconic images of dancers gazing at the camera with seductive and climactic looks in slow motion. Before long, the song would end with its final lyric, and that marked the end of the Izmeduan entry, with Planeta's voice echoing through the arena.

"HVALA!" Planeta then shouted, sounding like an echo as his microphone was turned off.

Both Hrzenjak and Planeta had no idea what even just happened, and they both knew they'd watch this back and go 'wtf' at themselves in the future. However, they couldn't deny that they had an insane amount of fun. Even if this resulted in a last place, Hrzenjak and Planeta knew they could make it out of WorldVision with one thing. They had a friendship for life.

Nick: Before we Start, Stan Lee was Died on November 12 2018. We Gave Respect for him from Overtime Casts. Plus, Our Team will Build Discord Server for Overtime Soon.
(Intro Starts)
Nick: Next at Overtime! Getrude Trying to Boycott WV? At The Overtime Commentary! Last Time for Die Heart Fan Lady Louise Windsor at Overtime FAQs! And? Lady Louise Windsor will Perform When In Rome - "The Promise"!! at Overtime Exclusive! Plus 1! Before she Leave, We Need to Taste her an Filipino Snacks and Food! at Taste Test!
(Intro Ends)

Nick: Welcome Officially to 3rd Day of Official Coverage of WorldVision 69 at Tampon Bay, Lactatia made by Overtime. This is the 5th Episode. And Our Still Guest is Lady Louise Windsor because She's Last Day because She want to Join an Drama, Comedy and Romantic Live Action Kid's Show "The Detective" from November 18th to December 25 of 2018. Her Leave to Indo States is December 31 Which is New Year. They will Celebrate here and At 2nd Day of January, They will Depart for UK.
Louise: So Exciting!
Joey: We're Officially Releasing our Overtime Discord at December 4 2018 if you Need Help, Contact our Founder of Overtime.
Nick: It's the First, Trying to Boycott WV69? Here it is, Boycott by Getrude Pullman. We're Commenting in our Notepads.

(Start of Intro)
Man: We're Commenting in The Overtime Commentary, Sponsored by Pot Noodle
(End of Intro)

Nick: And We're Eating Pot Noodle in our Cups!
Louise: Mmm! Tasty!
Joey: Play It!

(Start of Commentary in Electrum Diplomatic Offices' Entry)

Nick: We're Eating and Not Eating. This is Just an Precaution when Disturbing Comes.
*Louise Laughs*

Getrude: Now
I want you to know
Boycott
Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Nick: Nice Try Getrude Pullman, Get Crushed by Mark 3 Carriages.

Getrude: Look at the shameless references
Look at all the innuendo
It adds up to a boycott
Boycott boycott this Worldvision

Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision
Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Joey: Why This Song is Choosed by Getrude Pullman?
Louise: I Don't Know
*Louise Picks an Bowl and Splits Her Eated Noodle*
Louse: Ew

Getrude: This is a battle, I wage
To protect children's futures, woah
Give me 12 points and send a, sign
Give me 12 points, and we're going to win
Don't buy their singles
Don't support others
Do what I say
Vote for a lovely wholesome song
And not the bullshit ugly fast food songs

Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision
Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Nick: How do you Do That Getrude and You're not an Activist? How you Possibly do that? How do you Boycott?
Louise: I'm Near to Vomit
*Louise Runs in Toilet*
*Joey Hear Someone Puking in Toilet*
Joey: I Need to See Her, If She's Ok
Nick: Ok. This is an Emergency Situation for Louise.
*Louise Comes Back and Sat Down*
Nick: Are you Ok Louise?
Louise: Yes. I Heard the Lyrics Like "Boycott all the people who are pole dancing" and Keeps me Puke.
Joey: I Recommend Don't Eat Pot Noodle when Watching the Performance.
*Louise Checks the Expiration Date*
Louise: But my Pot Noodle not Expired!
Joey: Yes it's Not Expired Yet!
Louise: I never Watched That Always.
Nick: We're Sorry for Emergency Situation. She's Feeling Ok and We're Gonna Continue.

(End Intro of The Overtime Commentary)
We're Never Commenting at The Overtime Commentary, Sponsored by Pot Noodle
(End Intro Ended)

Louise: Before we Start the Comercial Break, Please Stay Tuned for The Detective, Starting Me, Tristopher Viscount, Milo Parker and Emilia Jones at CBBC Fatimania at 10 AM Every Saturday-Sunday and RTV Every 8 AM to 9 AM. See you There!
Joey: And Also, Overtime Development Want's to See you! This Server is Open to All and You Can Have Rules too! But No Bots sorry. Click Me!

As the music began, the camera shot was hazy and golden, with some good old lens flare and random bits of colour coming in and out of focus as the song itself began to 'come into focus'. Behind it, the image of the stage slowly revealed itself until, as the song fully burst into light, the scene in the arena was made fully clear. The three dispensible members of the band, the Normies as they were called, could be seen walking down the walkway on top of one of the LED screens. The two female members of the group, Female One and Female Two, were wearing tight skimpy costumes made entirely of masturbatea packaging, which showed off their ample assets; yes, somewhere out there straight men are watching too you know. Anyway, i digress. The man of the group, Dispensible Male, was wearing nothing but a tight pair of golden glitter budgie smugglers and a matching waistcoat, his muscles brought out by some lovely shading work by Julie in makeup and he was overall rather glittery. The cameras gave several shots of them walking doen and singing, each of them repeatedly grinding into each other and blowing kisses into the camera as they came close. The two LED screens in the background showed the word MASTURBATEA written in large gold letters with figures writhing all over them, whilst golden lights darted around the stadium.

So drink it all up now boy
That sexy cup of tea
I ain't got no time for soy
That sexy cup of tea
So guzzle it all down boy
Drink your masturbatea
100% certified
Your sexy cup of tea

As the verse began, with the Normies having reached the bottom of the walkway, the lights in the stadium, whilst maintaining their golden lustre, died down a little and the camera shot changed to show Andrew sprawled across a very luxurious leather chair, wearing a revealing shirt and some very tight trousers. At the side of him there was a table and an oldfashioned TV. As he sang, he picked up the remote and turned on the TV to show a clip of people partying at a discoteque and getting very close with each other. He suddenly jumped up off his chair and wiggled his backside towards the camera, before proceeding to run at the chair and knock it over, walking over the backrest as the chorus began.

You're sitting all alone in your house at 5am
You need a soothing beverage to remember them
Oh those nights when you would, would be so carefree
Now you're waiting for a guy, like me

As he walked onto the main stage and the chorus began, the floor below became like that of a disco, whilst in the background a swarming mass of people appeared, with Masturbeatea written out in gold on some of the people within the sprawl. Andrew prowled towards the middle of the stage where he was joined by the Normies, and they all grinded with each other and make rather erotic poses.

But if you want my number
Drink your masturbatea
And if you want to feel it
Drink your masturbatea
Your palm sure might be friendly
But it ain't masturbatea
Just guzzle, gulp and drink it
That sexy cup of tea

The camera shot changed to show Female Two pouring a white liquid out of a cup all over herself and licking it up, clearly relishing the experience.

Cup of tea, good to me
Cup of tea, good to me
Cup of tea, good to me
Cup of tea, good to me

As the next verse began, Andrew could be seen at the left hand side of the stage where he was joined by two very handsome male dancers wearing some very very tight trousers, like seriously tight, and which certainly showed off the raging boners that they sported. Not that they would want to hide it, they were certainly something to be proud of. As Andrew sang the first life both he and the man grabbed their crotcges and swayed from side to side. With the next line the two backing dancers dropped down and did a press up, before proceeding to get back up and make pelvic thrust motions, one to either side, during the third line. With the last line of this verse, the slid down either side of Andrew before turning around, with Andrew proceeding to give their backsides a nice little squeeze; nothing too much, of course, just a little tease.

I know it might seem hard now
That's not a bad sign boy
You're ready to explode now
Just let it all go boy
Let it all go boy

With the first line of the next verse, the two boys held their hands on the hips and undulated in an extremely hot manner, the lighting perfectly highlighting their rippling muscles. Not that they are just to be judged by their muscles rather than their dancing ability of course. The cameras, which had been giving a series of panning shots around the left hand side of the stage, andshowing the generic disco-style background that had replaced the writhing bodies at the end of the chorus, focused one more on Andrew who winked at the camera as the first end before giving a large thrust forward along with the two male dancers. This seemed to send the camera into a spin.

Soon you will be grooving and grinding with the best
And you'll soon be begging for a rest

This allowed for the transition into the chorus, as the camera feed showd the Normies on the right front platform stage protrusion thingy. They proceeded to do a dance routine as they sang, with the cameras panning and providing multiple angles. As they sang the first line, they proceeded to make phone gestures with their hands, as if they were on some sort of babestation-esque TV station. To further this point a series of graphics showed up including a clock with penis shaped hands which declared it Masturbatea Time, and a phone number for Masturbatea Home Orders. As they began the next line, they rubbed their hands down their bodies as they gazed seductively at the camera, and then with the following "Drink your masturbatea" they made a hand gesture such that it seemed they were giving an air-blowjob. With the third line they reached out to the audience, with Dispensible Male clearly having Masturbatea residue all over his hand, and then with the final hand they all came close together and grinded.

But if you want my number
Drink your masturbatea
And if you want to feel it
Drink your masturbatea
Your palm sure might be friendly
But it ain't masturbatea
Just guzzle, gulp and drink it
That sexy cup of tea

The two male dancers from earlier were now shown at the left hand side of the stage. Two steaming cups, one for each, were stood on the table. They of course readily picked them up and gulped them down, and proceeded to grab hold of eachother and fall onto the table. Of course, before it could get child unfriendly, the camera shot changed to show the Normies grinding their way towards the centre of the main stage, barring a technical hitch which led to the two men fully at it being shown for a brief second. RTN apologises, I suppose, not that it matters.

Cup of tea, good to me
Cup of tea, good to me
Cup of tea, good to me
Cup of tea, good to me

During this section the lights faded on and off and became red, as a giant teacup was lowered onto the stage. It was indeed the most sexy cup of tea, steaming and with the images of many men and women engraved into it.

Masturbatea
Tastes good to me
Masturbatea
Batea, batea, batea...

As the chorus began once more, the large cup of tea opened to show Andrew and a group of young men who seemed to pour out, all covered from head to toe in some sort of white substance. Glitter fell from the roof creating a sort of golden shower, whilst everyone generally just danced and grinded and had fun. It was a seen of pure hedonism, unadulterated pleasure, and yet of course everyone continued to sing perfectly. The cameras gave multiple perspectives of the madness unfolding on the stage in front of millions. How low they had sunk.

So come on, don't be so coy
Drink your masturbatea
Come, and just be my boy
Give me masturbatea
Oh we can come together
To drink masturbatea
All of mankind forever
Drinking masturbatea

Cup of tea, sexy cup of tea
Cup of tea, your masturbatea
Cup of tea, sexy cup of tea
Cup of tea, your masturbatea

The fountains of milk promised by the hosting delegation also came to life as the chorus began once again. Come on, of course we were going to use these? Mmmmmm, lovely organic man milk. New Masturbatea Extra Organic... mmmmmm yes. cough cough Anyway, yeah, the general bawdy display carried on. Now with added organic milky white milk.

But if you want my number
Drink your masturbatea
And if you want to feel it
Drink your masturbatea
Your palm sure might be friendly
But it ain't masturbatea
Just guzzle, gulp and drink it
That sexy cup of tea

Much remained as the song approached its sad but all too necessary end, except the words SEXY CUP OF TEA scrawled across the main background. This is what it had come to. How they had made the Chief Executive of RTN agree to this was beyond many. Accounts, however, knew exactly why. Questionable financial choices aside, the glorious spectacle take place began to fade from view as the song faded with it, until at last the audience were left with the same lens flare and haze as at the beginning. This is of course deliberately cyclical, showing how Masturbatea is a neverending experience and how it will always be there for you.

But if you want my number
Drink your masturbatea
And if you want to feel it
Drink your masturbatea
Your palm sure might be friendly
But it ain't masturbatea...

And with that the deed was done.

---

The stage starts with the spotlight on Dauma, center stage wearing a sailor hat, aqua and white striped short sleeve shirt and white pants and shoes. She begins to sing. The LED screen in the back is pictures of the sea gently washing up on the shore. In the distance a small sailboat is moving slowly across the horizon.

I only wanted to, have some fun
Hanging out with my friends, in the sun
When you suddenly, came into my view
From that very moment, on I knew

My friends don't know you're on my mind
They won’t understand why I want to shout it out
I want to spread out on the deck
I want to be in you on the high tide

I want to lay over your good decking
I want to lay over your good decking

I love you, luxury yacht!

(background)
I want to lay over your decking

Oh, Ohhhh

When I'm with you, waters won't be still
My friends won't understand, they're a total pill
But I only want to mark your twain
caution to the wind

(background)
I want to lay over your good decking
I want to lay over your good decking
I want to lay over your good decking
I want to lay over your good decking

I love you, luxury yacht!
Oh Oh
I want to take a ride on the high tide
Oooooh

Other sea
Ships in the night
Passing by

I love you, luxury yacht!
I want to take a ride on the high tide
I want to lay over your good decking
I want to lay over your good decking
I want to lay over your good decking
I want to lay over your good decking

I love you, luxury yacht!
Oh Oh
I want to take a ride on the high tide
Oooooh

(Outro)
Other sea
Ships in the night
Passing by

Dauma pauses for a moment before getting up and thanking the crowd. She waives and exits the stage.

24. ANTAHBRANTAHSTAN

---

Yuliana Vergina Citra, according to her official biography, is a fairy from the heavenly realms who was cast away into the real world, specifically, Antahbrantahstan, after breaking one of the heavenly laws. Her spirit, after banished, entered a woman's body, causing the woman to get pregnant and gave birth to Yuliana herself. Yuliana, however, never saw her birth parents because they were "cursed" as a part of the "heavenly punishment". after growing up, Yuliana decided to make an Instagram account and began modelling with makeshift clothes from anything that can be scavenged, like leaves, flowers, used aluminium foils, etc. and she immediately became a huge sensation overnight. With her fashion talent and good, almost sarcastic sense of humour, she became a very much loved public figure among the Anturian public, gaining brand endorsements and appearing in movies and TV shows.

The Anturian Royal Offices knew that WorldVision 69 will be a huge meme edition, so, they secretly erased every existing media report and search results regarding WV69 on the Anturian internet and mass media, with the official news reports stating that the edition was "cancelled" after a string of problems, yet, most Anturians didn't really care about it. With the public not knowing, RR secretly selected Yuliana to represent Antahbrantahstan, in an effort to make WV69 a "satisfying sight".

Yuliana has nearly preparation for WV69, although she wrote the song herself, she barely rehearsed, choosing to sleep and eat lavish foods instead, which can cause a problem here, in Tampon Bay. However, she sent a special request to RR for the trashiest yet absurd staging possible.

Which RR accepts.

---

A single spotlight shines on Yuliana, who is sitting on a white throne chair, crossing her legs, wearing a typical Anturian house dress with perms all over her hair which is suspiciously long, all while reading an American gossip tabloid. She then took the tabloid down to begin singing, when it is revealed that she is wearing a sheet mask on her face. After she finishes singing, she reads the tabloid again, covering her face with the tabloid.

Baby, baby now my wig has flew
And right now i need some superglue
Although i wear Fenty Beauty
My face now looks like some patty
Baby, baby now my wig has flew

Suddenly, two tuxedo-wearing men appeared and tried to force her to stand up, Yuliana, angered by this then threw her sheet mask and tabloid at the men, yet the men stayed emotionless before going off-stage, the stage finally lit up, with the LED screen showing an interior of the palace. Yuliana then dances awkwardly before sitting back on the throne.

Baby, baby now my wig has flew
And right now i need some superglue
Although i wear Fenty Beauty
My face now looks like some patty
Baby, baby now my wig has flew

Then lots of couples wearing tuxedos and gowns appeared, and then they began dancing all over the stage, Yuliana doesn't really seem to impressed and continues reading the magazine, after a while, she threw the magazine away into the back, hitting a guy in the process, she then began to search all over the chair, trying to see if there is money or something hidden between the chair. However, during the cup of tea verse, Yuliana turns her face towards the audience and shrieks, accidentally causing the chair to fall on the floor.

Now i'm right here
What should i gotta do
I am confused
What are you gonna do?
I am so bored
Just tell me
Why are you bringing a cup of tea?
I can see it, oh baby
I am always in for drama

Yuliana stands up, and immediately, she changes off her house dress into a golden sleeved dress, while the LED screen behind her now shows [url]a golden disco ball in the middle of hanging gold chains spinning[/url]. Several formal attired guys and girls from the beginning then came forward and dances along with Yuliana, where they do her famous dance, swinging hands from left to right (just like Ilan Peled does in the video). In the meanwhile the chair is removed off-stage.

Baby, baby now my wig has flew (Now my wig has flew)
And right now i need some superglue (Need some superglue)
Although i wear Fenty Beauty
My face now looks like some patty
Baby, baby now my wig has flew

Udrub!

The background then changes to show a kitchen, while on the stage, a brick oven magically appears, Yuliana would then put her hands below her clothes and began to take eggs, flour, water, sugar and milk from inside her gold dress, she then went backstage for some seconds (The camera shoots the audience as she did this) as she would take a bowl and whisk with her, she then combined all the ingredients into the bowl and stirred it rapidly. While doing that, she sings.

Ooh, it's simple
Recipe for drama
Make someone salty
And blame it on someone
And just wait for it...
Soon they'll fight
Just take pictures, snapgrams if you like

And there, now you got it from me
Just don't tell this to anyone

The LED screen and lights suddenly malfunctions for a bit, startling Yuliana, not really caring after that, she put the bowl inside the brick oven.

Beyonce?
Gaga and Adele?
They all worship me

Udrub!

Suddenly the scene changes, and now the LED screens show a locker room, and several guys could be seen changing their clothes, most of them only wearing underwears, Yuliana then calmly invites the boys to dance with her, and they accepts, dancing along with Yuliana and doing some fun stuff, all of the guys then strip their clothes and continue to dance along, the LED screen and the lights going back showing the golden disco ball.

Baby, baby now my wig has flew (Now my wig has flew)
And right now i need some superglue (Need some superglue)
Although i wear Fenty Beauty
My face now looks like some patty
Baby, baby now my wig has flew

Congratulations!

After a while several more guys then join in, dancing along with Yuliana and the guys. However, they then strip off their clothes and began to have some naughty time on stage, with Yuliana looking in displeasure, with some guy accidentally tearing off her wig with perms all over it, revealing Yuliana's natural hair.

Baby, baby now my wig has flew (Now my wig has flew)
And right now i need some superglue (Need some superglue)
Although i wear Fenty Beauty
My face now looks like some patty
Baby, baby now my wig has flew

Looks like i'm now wigless

Yuliana then remembers her "cake" in the oven, and rushes off to bring it, immediately, she grabbed some icing from behind the stage and sprayed something into the cake, while everyone is still having their naughty time.

ooohoohohhh
woooohoooo

And right now i need some superglue-ue-ue

a ooooooooooo

After she sang a ooooo, she then shows her "cake" to the audience, revealing that she wrote the word "BITCH" into it, Yuliana, still looking displeasured, throws her cake off into the guys, with the guys voraciously eating it.

25. _TÖDLICHEBUJOKU_

---

---

---

It was WorldVision 69. TÖBUK's in-house crystalseers presented a set of requirements and expectations that were predicted to lead to favor with the powers above. Knowing what was good for them, the broadcaster's board members acquiesced, and directed the WorldVision branch to search for songs fitting said requirements. It was not terribly long before one banger of a song popped up on their radar, and not long after that did Anja Krajacic and Kiraya appear on the ticket as Tödlichebujoku's entrants for WV69 in Tampon Bay. It really wasn't hard when 2 song contest legends (each in their own way) came together on a project that pretty much fulfilled the exact conditions set by the panel of crystalseers. The Tödlichebujoki reaction was intense, with the music video blasting through the crystallomatrix at an unprecedented pace, becoming an underground sensation in Izmedu as Izmeduans marveled in fear and amazement at Anja showing off this new, unprecedented aspect of herself.

Anja's journey was... well, quite a wild ride. After winning WHF35 in Junteräpten, Britonisea, she was largely fêted for her success, but there was still an underlying current coursing through the Izmeduan public's mindset that she really was still just a fake, just milking out her life's trauma and drama for international appeal and profit. In essence, her victory in WHF solved none of her problems. She still felt like an outcast, and the Izmeduan reaction underneath the praise and celebration remained the same. There was no escape from the quiet criticism, and there was no turning point that she had silently hoped for. Sure, her international appeal skyrocketed and she was able to stave off homegrown criticism by touring and meeting legions of adoring fans abroad, but in the end she was Izmeduan and her countrymen and women were not particularly impressed. But her fortunes were soon to change after touring Tödlichebujoku, where in a Rotlichtčiku no-strings nightclub, she met fellow performer Kiraya. After a passionate night, well, the two decided to tie some strings and collaborate on a shameless new single. With Kiraya's penchant for extravagant performance, and the positive Tödlichebujoki mindset toward explicit shows, the two found themselves knocking themselves out on an inane escapade of a song that brought out Anja's Izmeduan turbofolk roots that were little-known internationally. Given this shocking change of direction, Anja fervently hoped that this would put those relentless accusations of being a sellout to rest, or at the very least confuse the daylights out her haters.

Kiraya had gone back to focusing on the domestic Tödlichebujoki market after her less-than-spectacular finish in WV40. In fact, she had largely forgotten about WorldVision entirely, writing it off as a phase in her career that simply didn't go as planned. At home, she continued to be a popular singer, pumping out a number of albums and hit singles, though one particularly long stretch of flops had left her wondering if she really should go on, if she should retire and live off the profits from her earlier tours and successes. But her fans, her agents, and her friends convinced her to continue doing what she loved, and so she decided to take a break and "find herself". After her desperately-needed sabbatical, Kiraya began a renewed push and soon began finding success once more. It was at this point that she ran across Anja in Rotlichtčiku and felt like she found someone she truly admired, in more than just the physical sense. Kiraya's blatant self-expression soon rubbed off on Anja, and together the two began working on "Finger", named for a body part that had played a large role in their initial rendezvous, along with the general attitude with which they approached life after their respective crises.

So yes, TÖBUK soon caught wind of this collaboration and before the two singers knew it, they were sitting backstage soon to be back in the international spotlight. And now, now Antahbrantahstan's Yuliana Vergina Citra was finishing her song. Anja and Kiraya found themselves keeled in joyous laughter at the quirkiness of the song, and so were in a jolly good mood as they began their walk to the stage. Hands clasped with one another's, the two vowed to forget their earlier troubles and just have fun in Lactatia. It was Lactatia after all.

Blue lights glitter across the stage in a marquee fashion, just so that all that can be seen on stage are the silhouettes of 2 women posing provocatively and intimately. Soon the stage is illuminated by roving spotlights in an intensely tacky manner. Is this a rural strip club? An ironic representation of a rural strip club put on by high class professionals? You'll never know. The two women, previously facing backwards and gyrating, now turn around, revealing themselves to be Anja and Kiraya. Anja is wearing a plaid crop top and denim booty shorts while Kiraya has a black latex tube top and tight miniskirt. To start off the performance, Anja fingers Kiraya with a bit of a smirk as she sings, with Kiraya gasping, all backed by an animated scene of a Tödlichebujoki ranch decorated with pin-up posters of men and women

A crowd of nearly naked supermodels clad only in the skimpiest underwear enter the stage, kneeling, lying down, making out, and stroking all around the singers. Luckily, none of these people are backing singers, as their moans would have been distracting. Anja licks her finger and winks as the two become the center and summit of a writhing human mound. Kiraya clasps Anja closer to her, as Anja flips her hair and the two drop a smoky gaze at the camera, which then finds itself exploring the titillating tableau undulating around the singers


Just as she sings this, Anja makes a thrusting motion into Kiraya, who gasps just in time for the next stanza. The two sing together, with Kiraya dropping some breathy whispers, eyes closed in ecstasy. Meanwhile, the lyrics (i.e. "Ooooh") play on the background screens over the ranch scene, scrolling by in huge white capital letters so that the audience can sing along. Everyone gyrates their bodies to the beat, grinding and twerking and enjoying plenty of full body-on-body contact

The background screen shows a shower scene, as 18 mostly naked cowboys enter the stage from both sides and pretend to shower on their respective sides. There is a lot of soap dropping and booty slapping among them, along with a fair amount of manhandling and face-to-face action. The camera view zooms in along and among the sea of writhing, aroused skin, slowing down on potential money shots and vigorous grinding vignettes. This is what "Seksi" by Ela SAM and Ivosev could have been. It appears, overall, to be a large orgy. But you haven't seen anything yet.

Kiraya extricates herself from Anja and is slowly carried off by a bunch of the hot boys and girls near her, who struggle a bit because everyone's a touch slippery. Anja, now alone aside from the mass of horribly attractive people below and around her, recaptures the audience's attention by slow-grinding her crotch into a man's face while inserting a sultry finger into her mouth

The spotlights and attention shift from Anja to Kiraya, who is now safely aloft and closer to the audience. The stage spotlighting is now very much a cold white contrasted with electric blue stage accents. The ranch on the background screen now goes black, gets sleeker and smoother, and is lit up by neon lights, becoming a high class strip club. Kiraya is reclining elegantly as her retinue finds its way off the stage and into the audience, passing along the aisles. Audience interaction is at 100. Kiraya gazes into the camera with a smoldering intensity

She licks her finger and gestures underneath her tight skirt, and then eyes a pair of cowboys 69ing through their white jockstraps nearby. The camera view lingers on this spectacle before returning to Kiraya. Upon a close-up, her eyeshadow glitters with iridescent colors when the roving spotlights hit her just right. With a lascivious demeanor, she continues on, but shifts to a commanding done partway through the next stanza

Her retinue is then joined by an array of men and women in various fetish outfits- BDSM, latex, leather, sportswear, lace... a strange spectral mist begins to form around her region of the audience. Everything seems almost airbrushed, as if the age-old gods of love and passion are becoming corporeal in this realm once more. But perhaps this is all just a haze of perspiration and heavy breaths, of excitement and arousal, particularly as random adult audience members gain the opportunity to join in with the models

The lights begin to strobe in synchrony with the beat, accelerating with the buildup. The camera zooms in on Kiraya's face, which is absolutely unapologetic and just as forward as the lyrics. She clearly wants you to just fuck it. The camera view alternates between a close up of her face and a general view of the merrymaking in time to the quickening pace of the buildup

Lights and sparks detonate from the stage. Spotlights sweep out rapidly, being cut across by an array of blue lasers dancing through the air, and a different array of focused spotlights shining vertically and blinking on and off to the beat. A cloud of fine metallic confetti drifts down from the ceiling, as a device that appears to be a Tesla coil decked out like a disco ball descends above the audience. The sparks given off by the coil flash through the confetti as it drifts down, while the coil itself flashes in brilliant colors all around the venue whenever a spotlight hits it. A troupe of strippers storms the stage, and executes a synchronized routine, throwing off a set of tight-fitting athletic outfits to reveal gleaming metallic speedos and bikinis

Kiraya is revealed to have been lowered onto a chaise lounge in the middle of a central aisle in the audience. Surrounded by writhing scantily clad bodies that are now dusted with fine metallic confetti, and softly lit by an additional set of spotlight amongst the blinking madness, she sings breathily, closing her eyes and tilting her head back, enjoying the ministrations of a man between her legs

Lost in the haze of passion encircling her and infiltrating throughout the arena, both physically and mentally, she continues. A good number of the adult audience members are just shameless and lost in the joys of physical, visual, and pheremonal stimulation at this point. The lightning disco ball is now being consistently flashed upon by spotlights, resulting in a dynamic array of colorful spots of light throughout the arena. Meanwhile, a similar lust-filled haze surrounds Anja on the main stage, with the strippers performing a sensuous twerk-based dance followed up by a set of splits, and the cowboys synchronously gyrating their pelvises in a line on either side of the main action

Kiraya stands up on her chaise lounge in a powerful stance, legs spread apart, as she continues on her next stanza. A large number of sexy and lightly-but-tightly-uniformed police men and women join Anja and Kiraya and perform their own strip show while also attending to various orgy participants with their batons, fake firearms, and cuffs. Amazing what one can do with a baton. Some are spanked with them, while others experience a gentle caress in intimate areas. Other still find a much more intimate experience with a baton. Or more than one baton


One of the male officers, now wearing only a pair of black open-back boxer briefs and motorcycle boots, is being energetically grinded upon from behind, right on Kiraya's chaise lounge. She doesn't seem to mind, even though she's having her salad tossed right in front of him by a kneeling lady friend in a leather corset and thigh high boots. Of course, the various other officers have indeed found themselves in multiple compromising positions, and they are having quite an enjoyable time doing so. Still standing, and still happily confident, but somehow managing to attain a shining tiara in the carnal mayhem, Kiraya continues with a strong and powerful voice

The high-intensity light and electricity action suddenly stops as the spotlights are rerouted to shine on Kiraya's chaise lounge, attaining a much softer and less intense brightness. Kiraya herself sinks to her knees as she is sandwiched between a man in a red snapback, blue jockbriefs and white high tops, and a girl in silky red lace. She closes her eyes, losing herself even further into the moment as her companions engage themselves upon her

White ambient lighting around the arena flashes on and pulses with the drumbeats, as Kiraya finds a new position and a man dressed as a sexy satire of a missionary attends to her in the way he knows best- falling to his knees with pious hands-on prayer and a solemn investigation of her most intimate secrets. He speaks in tongues upon her veiled lips, and breathes in the most holy spirit coming forth

The party swings over to Anja, who is dancing around one of three poles that had been installed while the attention was on Kiraya. Accordingly, all the lights and camera shots now focus on the main stage, which is brightly lit with warm spotlights and is once again backed by an animation of a rambunctious ranch. The other two poles, on either side of Anja, are occupied by a pair of girls wearing nothing but leather straps. The flanking cowboys stomp their boots and grind, covered bulge on naked cheeks, in time to the music as Anja pauses mid whirl on her pole to sing, sliding down to the embrace of several luscious waiting arms and tongues

Another set of sparks launches out from the stage's edge as the disco ball returns, now without electricity. A group of minimally dressed cowgirls join the minimally dressed cowboys and they all form a big line across the back of the stage, forming a sort of highly aroused and highly affectionate chorus line. Anja herself has given up on proper pole dancing and now just dances around the pole, which has an elevated base, accompanied by a quartet of loving hands and mouths. Kiraya, still lit by a selection of strobe lights, belts out some energetic echoes

More sparks erupt from the stage edge. TÖBUK really seems to have saved up for this pyrotechnic show, and its efforts are clearly visible. The cowhand chorus line dances forwards, around the flanking stripper poles, and finally around Anja's mountain of passion. Her pole's platform begins to rise, bringing with it the ladies and lads frolicking upon and around it. Thus, Anja rises above the cowhand chorus line as it circles around her. She lets loose as Kiraya turns to face her. Even across the vast distance of limber limbs and aroused audience, the two are clearly on the same page and are l i v i n g for this song

An outer ring of strippers and supermodels have detached themselves from Anja's pleasure mountain, and dance in an elevated circle in the opposite direction of the cowhand chorus line, creating an effect quite a bit like "I Just Can't Wait To Be King" from the Lion King, but of course much more adult-friendly. As Anja finishes her last "oohhh", attention shifts to Kiraya, who is sitting on her chaise with legs spread widely and a few happy faces engaged in between. Lights strobe about her with increased intensity. With regal authority, or at least, regal self-control, she takes over

She whips her head to her right to face the camera, just as a gust of wind blows her hair back and a well-placed spotlight shines upon her daring and commanding expression

All the ambient lighting cuts out and everything is blue lasers and white strobe lights, with an array of spotlights flashing on Kiraya and Anja from various angles. The ranch scene is simply gone, replaced by an array of randomly flashing neon lights set on a black background. The Tesla-coil/disco ball descends once more amidst another cloud of metallic flakes and glitter, and brilliant blue flashes of electricity join the kaleidoscopic light show from the set of spotlights shining across and upon it

The camera pans across the two scenes of lust and unapologetic expressions of sexuality in a grand sweep, then spiraling around Anja, then Kiraya, both sporadically lit up through a haze of mist and heavy exhalations. Soon, the music comes to a sudden stop, and just as it does, all movement freezes, and all the lighting cuts out except a single vertical spotlight each on Kiraya and Anja, who are locked in positions of climactic ecstasy: heads thrown back, eyes closed, mouths agape in a silent sigh. Anja is straddling her pole while being attended to on multiple fronts (or more specifically, front and rear and underside), while Kiraya is on her knees leaning back against her chaise, serviced by more than a few dashing men and women

The background screen shows directions for accessing the many "free pants" stands throughout the venue for those who have found themselves in need of a new dry pair. As the lights return to normal and all the models and strippers find their footing, Kiraya and Anja regain their composure and wave to the heavily breathing and rather dazed crowd. "Kiitos! Hvala!!" they shout hoarsely, before bowing with the strippers and models who are in a position to do so.

"That was for you, Lana Jura Bič," rumbles Anja into the microphone, one last jab at her former tormentor. Izmeduans would be besides themselves and shook off their seats upon hearing Lana Borovac being called both "Lana the Wrinkle Whip" in Izmeduan and "Lana You're a Bitch" in English with the same three-word phrase.

Meanwhile, the mass of performers slowly trickles out from view, and Lactatia's crew tackles the monumental mess left behind. Nothing that a well-placed burst of lactation won't fix, though. Either way, Adab's Rafa Farrakh and Roman Albag and their stallions will have to be a bit careful not to slip on a residual wet patch. That could perhaps be touch awkward.

"Hello everyone, and welcome! I'm Lorenzo, and I'm here with TRT, coming to you live from Worldvision 69, from Tampon Bay, Lactatia! It's great to be back on the Worldvision stage, and damn, it's crazy to think that it has been 35 contests since we first entered. Now, we're back with Alejandra, and she's performing in 18th place so a bit latter then we usually go. This Worldvision and it's hosting choices are definitely... something. When I arrived to my hotel room I was greeted with a floral vagina arrangement of used tampons and condoms. It was beautiful, but oh my God was it unhygienic. Anyway, we are here in Ramsey Arena, where we have the best of the multiverse here to compete. Now, time for the opening act!"

---

OPENING ACT

"That... was also something. The parade of nations was cute, but that music brought up some sort of existential dread in me, I don't know why. That host creature... or person, I don't know, terrifies me. Malas vibras all around. I'm gonna burn some sage and pray to God that no one from TRT gets possessed by a sex demon or something.

*I love each and every one of you and these entries are tongue-in-cheek. Thank you for participating in Worldvision y'all <3

Denis: Polkopia Boycotts Fatiman Federation in WorldVision 69, Resulting into Terror Attacks. Alliance Agreement with Robloxia, Western Edeltia, Docklands Republic, Wossen-Bunderslands, Strč Republic and Ramseyia-East Saxony to Attack Polkopia for Second Polkopian-Fatiman War. Intimidate Evacuation in Wossen-Bunderslands due to Second Polkopian-Fatiman War Known to be "Fatiman Cold War".
(Intro Begins)
(Intro Ends)
Melanie: Fatiman Federation Declares War with Polkopia to Stop Sending Hate Speech to Fatiman Federation, If the Armistice Started during the War, The Result is Fatiman Federation will Impose Sanctions to Polkopia. Now, Fatiman Federation Sends 22 Nuclear Bombs and Detonate on Polkopia. But if Detonated, Radiation in Europe Increases and Chernobyl Nuclear Power Plant in Ukraine will Expose to Radiation into Highest Area where The Radiation is.
(Screen Fades)
(Scenes of Polkopian-Fatiman War was Played)
Jane: The Polkopian-Fatiman War, Which is an War in Europe against the Seymon Polk's Polkopia and Carlo Del Monte's Fatiman Federation. Currently, Corporal Mishev Mavrayev Announces that Polkopian-Fatiman War was Continious by the Fatiman Resistance. A Terrorist-Led Group that Known to be Localized Version of ISIS. They will not Support Fatiman Federation during the Second Polkopian-Fatiman War.
Corporal Mishev (Speaking in Russian): В настоящее время у нас есть угроза со стороны союзных государств Полкопии в странах Балтии. Итак, Альянс согласился присоединиться к нашей войне против полкопского режима Полка. Нам необходимо закончить режим и заменить федеральное правительство без военной диктатуры, Союз с Федерацией Фатимана и Фатиман станет вторым языком Полкопии.
(Translation: Currently, We Have an Threat from Allied States of Polkopia on Baltic Nations. So, The Alliance Agreed to Join our War Against Polk's Polkopian Regime. We Need to End the Regime and Replace with Federal Government without Military Dictatorship, Union with Fatiman Federation and Fatiman will be Second Language of Polkopia.)
(The ISIS-Fatiman Resistance Video was Played)
Ardo Al-Rashid (Speaking in Azeri): Bu Polkovnikdə Mücahidlərə başlamalıyıq ki, bu hərbi diktatorluq Polkopiyada bütün Fatimanı öldürüb. Və Yulia Vegovna bu Lalə və Birliyi Fatiman Federasiyası ilə öldürmək üçün tutun! Amma Carlo Hökuməti ABŞ-ın sanksiyaları ilə İttifaqı inkar etdi. Biz Serbiyanı Müharibə üçün kömək etməliyik!
(Translation: We Need to Start the Mujahideen in Polkopia to End this Military Dictatorship Killing All Fatimans in Polkopia. And Capture Yulia Vegovna to Kill this Dumb and Union with Fatiman Federation! But The Carlo's Government denied our Alliance because of USA's Sanctions. We Support Serbia to Help in the War!)
Jane: The Fatiman Federation Can't Ask Seymon to Stop Hating with Fatiman Federation but Disagreed. Soldiers in Russia-Polkopia Border had Preparing AK-47s, Marakov, RPGs, PPSHs, Machette and Snipers. The Student's Battalion was Back from 1996 which The Fatiman Civil War where UFSR and Polkopia still Allied. Honored Member Abigail Mizheyev-Guzman Was only One Hero of the Civil War as Teenage Soldier. Tanks, Katyusha Rocket Launchers, Ford Jeeps, Artillery Machines, Bofors, Aircraft and Naval Ships had Bombarded in Polkopia before. The Naval Ships are Docked at Stockholm Before the Bombard Operation. Jane Fenstilliyev, RTV News Europa.
(News Ended)
Denis: This is an Quick News, Wossen-Bunderslands made an Immediate Evacuation where Citizens Evacuated in Bomb Shelters. Locked their Doors, And Their Electricity Open because Television is the Best News Finder. Wossenian Soldiers and Lithuanian Soldiers with Tanks and Any Military Vehicle Invaded Polkopia. Estonian Coast Guard Guarding the Underwater Estonia Cruise Ship and The Claimed Area where The Island near Dovogordia was Claimed. Coming Up, Fatiman Federation Requests Freedom of Speech to WorldVision Song Contests. ISIS and Fatiman Resistance Bombed Valiknova. And More at RTV Breakfast.

(News Back after many hours later)

(Intro Beginning)
(Intro Ended)

Denis: Welcome Back to RTV Morning News, Fatiman Federation and Fatiman Broadcaster "RN1" Requests WorldVision Song Contests should Had Freedom of Speech.
(Video of WV69 Preparations in Tampon Bay was Played)
Zach: The Current Fatiman Government had Used Freedom of Speech since Long Times. It Was Established in 1867 by the Fatiman Nationalist Party with Fatiman Empire. It Was Still Used by the Students.
(Video of Fatiman Seaside was Played)
Zach: This is Fedrin Machistev. An Fatiman-Polkopian-Finnish Veteran which Participate in World War II.
Fedrin (Speaking in Finnish): Tämä on minä. Koska löysin kirjoitusvapauden kirjastokirjaston kirjastosta vuonna 1926, kun olen teini-ikäisenä. Joten luen sen. Sitten olen nyt seurauksena puhemiehen vapaudesta Neuvostoliiton Fatimaniassa. Kun olin Parcitipating II maailmansodassa, jossa Neuvostoliitto ja Yhdysvallat olivat osa liittolaisia, taistelen akselille. Tänään olen Polkopiasta ja tulen tänne pysymään täällä pidempään kuin Fatima-federaation kansalaisena. Kumpi olen Neuvostoliiton raja-alue. Kun löysin uutiset Polkopian-Fatiman-sodasta, olin kaivettu, koska minun veli oli Tank Driver Veteran. Kun sota päättyy, veli oli palannut kotimaahan. Tein nyt Suomi. Haluan palata Suomeen perheeni ja veljeni kanssa.
(This is me. Since i Discovered the Freedom of Speech Text Book in Library in 1926 when i'm In Teenage Years. So I Read it. Then i'm Now Following the Freedom of Speech in Soviet Fatimania. When i'm Parcitipating in World War II where Soviet Union and United States was part of Allies, I Fight for Axis. Today, I'm From Polkopia and Go Here to Stay here Longer as Citizen of Fatimanian Federation. Which I'm the Border Gueard of Soviet Borders. When i Found the News about Polkopian-Fatiman War, I Was Shcoked because My Brother was Tank Driver Veteran. When the War Ends, My Brother was Back in Homeland. I Did Now about Finland. I Want Comeback to Finland with my Family and Brother.)
Zach (Speaking in Finnish): Kuinka vanha olet? Koska olet syntynyt vuonna 1916.
(How Old are you? Because You're Born in 1916.)
Fedrin (Speaking in Finnish): 102 vuotta vanha. Tämä on minun perheeni, Abigail 25-vuotias. Sandra 12-vuotias. Henry 20 vuotta vanha. Tämä on vanhin lapsi, Melissa Age 41. Tämä on vaimoni 100-vuotiaana.
Zach: Wer're in Peeto, The Capital of Polkopia.
(Depeche Mode - Everything Counts Song was Played)
Zach: This is Peeto, Where the Damaged Building, Exploded Cars now Towed and Fixed by the Government. That's the Signs of Aftermath of Polkopian Faitman War. Back to Fatiman Federation
(Song Ends)
Zach: According to Fatiman Statistics System, 50% Polkopians where still Living in Fatiman Federation. When Vladimir Putin Vists Seymon Polk, The Peace Between Russia, Fatiman Federation and Polkopia was Started.
Putin (Speaking in Russian): Доброе утро, Россия принимала участие в войне польско-фатиманов с русской армией. Итак, я посещаю в Peeto 4 декабря 2018 года.
Zach: When the Peace System between Fatima and Polkopia, They're Warring just Like Fatiman Civil War of 1996.
(Video of Fatiman Civil War Played)
Zach (In 1996): The War Was Begun in Whole Fatiman Republics. That's why Teenagers joined Student's Battalion against the Fascists.
(The Video Ends)
Zach: At Now, RN1 and RTV Will Send an Freedom of Speech in WorldVision Song Contests. Zachary Estilliyev, RTV News
(Report Ends)
Denis: Upcoming at RTV Morning.

Background
Adab's entry at WorldVision 69 inaugurated a new era in the country's musical history: it was the first - in either WorldVision, the World Hit Festival, or the Junior World Hit Festival - not to involve Kinan al-Salaman as either singer or songwriter, with al-Salaman now deciding to focus on running his burgeoning business empire, continuing his own musical career, and advising future contestants "behind the scenes." With al-Salaman finally bowing out of the WorldVision scene, the task of finding the next contestant once again reverted to the Emperor, who promptly assigned it to the Adab Broadcasting Corporation (ABC) in what analysts called an attempt to show that the government was no longer interfering with the country's WorldVision and WHF efforts.

In recognition of his long service and dedication to WorldVision and WHF, al-Salaman was appointed chairman of the ABC's WorldVision and WHF Committee, although it was made explicit in the contract (at al-Salaman's own suggestion, according to rumors) that he would not be in charge of choosing the contestant (instead, that responsibility would fall to Naram-Sin Alwalid, president of the committee), his approval of the country's subsequent entries would not be required and that he would only play a "supervisory role" as regards the entries. However, the approval of the Director-General of the ABC was compulsory. The day after al-Salaman's appointment, the ABC's longtime director-general Rahman Sargon died after serving for 23 years; he had not publicly disclosed that he was suffering from prostate cancer. His deputy Enki Akiya was immediately appointed to replace him, despite some reservations regarding his infamously mercurial temperament. Meanwhile, with too much on his plate at the moment, al-Salaman was reluctant to take on an active role in the committee, effectively delegating whatever duties he had as chairman to Alwalid.

Without al-Salaman at the helm, Adab was now finding itself in uncharted territory when it came to preparing its WorldVision entry. While al-Salaman did offer some advice to ABC and Alwalid, he otherwise refused to be involved, claiming that "the time has come for the next generation to lead us into WorldVision and WHF." The Adab Times reported that Alwalid and the committee, in searching for their representative on the WorldVision stage, had gone through a list of no less than 23 of the country's "younger, hottest, and best-selling" artists, only to reject them all for reasons varying from "lack of musicianship" and "boring, syrupy music" to "debauched lifestyle" and "rumors of terminal illness." As days and then weeks went by without any further news from the committee, the ABC grew increasingly impatient and Akiya even visited Alwalid's house, setting him a deadline to decide on the next contestant. If the deadline was not met, Akiya threatened, the entire committee would be dissolved and the ABC would directly take over their duties and responsibilities.

Alwalid, friends later claimed, was angered at what he saw as Akiya interfering in the committee's business, but decided to abide by his orders for now and continue his work. The committee had initially set their focus on younger artists, in an attempt to appeal to the large number of teens and young adults who tuned in to WorldVision, but having exhausted their choices they now turned to older, more established singers and wasted no time in making overtures to them. The identities of most of those singers have never been made public, but it is known that one rejected the WorldVision spot because of "commitments", while another had initially agreed but then backed out as a result of a "family emergency." Things then went awry when folk-pop artist Samia Rabani filed a suit against Alwalid, claiming that he and the committee had "essentially tried to bribe and blackmail me" into agreeing to go to WorldVision; Rabani alleged that Alwalid had offered her a luxury car and a villa by the shore of the Persian Gulf, and when it did not work threatened to reveal details of her many dalliances throughout high school and college (which Rabani claimed were false), which, in the words of The Adab Times, "would clash with the clean, girl-next-door image which she had cultivated for so long."

The next day, a meeting was held at Alwalid's house between Akiya and the committee, where - according to one insider - "a huge row broke out between them." As the story goes, Alwalid vehemently denied the allegations which Rabani had thrown at him, only for Akiya to launch into a twenty-minute rant on how he had hired "criminals" and "incompetents" to staff the committee. No sooner than he calmed down, they found themselves besieged by protesters who had marched to the house to demand the arrests of Akiya, Alwalid, and the entire committee. Against Alwalid's wishes - he intended to speak personally to the protesters - Akiya called the police, who then forcibly removed the protesters by means of tear gas and pepper spray. As reports came by phone and television that protesters had also attacked the ABC headquarters, Akiya fired the entire committee on the spot - save for chairman al-Salaman, who had not been involved in the recent events - and left for the ABC headquarters under heavy police guard. On the way to the headquarters, he called al-Salaman, appointing him as president of the committee and directing him to "restore order." This al-Salaman did, emerging from his ancestral villa on the Jabal al-Druze, where he had been staying over the last few days and where reporters had gathered hoping to see him, and begging protesters to go home.

The protests dissipated for a while, only to be reignited two days later after Rabani was found dead in her home. The official cause of death was heart attack resulting from a congenital heart defect - which she did have - although unsubstantiated rumors soon emerged that her death had been orchestrated by either Alwalid or Akiya. Faced with insurmountable legal costs, Rabani's heirs dropped the suit after Akiya promised to pay for the education of Rabani's children. Meanwhile, the protesters were once again marching on the ABC headquarters, with many now demanding that Adab withdraw from WorldVision 69 in memory of Rabani. To mollify the protesters, and seeing that they were nowhere close to finding a contestant, al-Salaman publicly declared that he refused to work in the committee (without consulting Akiya) from his Jabal al-Druze villa, after which he rushed down to Adab City to formally tender his resignation to Akiya - admitting that he no longer had any interest in WorldVision and the WHF - and suggested that he dissolve the committee altogether and allow the public to vote for the country's next WorldVision contestant. (As al-Salaman was the last remaining member of the committee, it was for all intents and purposes already dissolved when he announced his refusal to work.) Although angered and blindsided by al-Salaman's announcement, Akiya saw that he had a point, accepted - if somewhat reluctantly - his resignation, and agreed to his suggestions. The public would now vote - on the ABC website - for Adab's representative on the WorldVision stage.

The recent chain of events had turned the public against the ABC, and it showed in the voting results. Although some of the country's biggest artists featured prominently in the results - in fact, seventh place was taken by none other than Kinan al-Salaman, indicating that many voters, especially older ones who had seen al-Salaman represent the country for 21 consecutive editions, would like to see him back on that hallowed stage - first place was taken by the comedy actors Rafa Farrakh and Roman Albag, who urged their fans to write their names in as a joke (and as a protest against Rabani's death) and were not exactly known for their involvement in music. The ABC considered annulling the results, but in the end did not do so after Akiya consulted al-Salaman and was told that an annulment would destroy whatever bit of goodwill the ABC had managed to produce with the public voting. Farrakh and Albag gained further legitimacy as Adab's WorldVision representatives when al-Salaman and his family allowed them to shoot promotional photos and videos at their Jabal al-Druze villa.

Though al-Salaman was receptive, Akiya was less so, and his first meeting with the comedy duo at the ABC headquarters was reported to be tense. "Akiya kept asking them if they had a song in mind, if they really wanted to do this," one insider said. "And the boys were like, 'Of course. Why do you think are we here'?" Relations between Akiya and the duo did not improve when Farrakh and Albag finally showed him the song which they had written and would be performing at the event. When Akiya heard them sing for the first time, he "went absolutely ballistic" at the scathing lyrics and threatened to deprive the duo of their WorldVision spot and sue them unless they rewrote the lyrics. "No, we won't," Albag said, "and, frankly, it doesn't matter to us. If you tell us to go, then we go. But remember that the entire country is behind us. Remember Samia Rabani. Besides, after all we've gone through, the country could use a few laughs." On the advice of the ABC board, Akiya backed down.

The performance
Rafa Farrakh and Roman Albag emerged onstage to the cheers of many in the crowd - especially the Adabians - and the amusement and confusion of many more. Farrakh and Albag both wore a cowboy hat and pitch black robes, with each riding a stallion onto the stage. The LED screens behind them alternated between the city skyline and an unnamed golf course in the city. Some people were seen making their way around the course, walking and in their carts. Farrakh and Albag jumped off their horses, after which members of their entourage appeared and led the horses offstage, to be replaced by technicians who then spent some time - along with the duo - checking the cables and setting up the musical instruments. Farrakh would be playing the guitar, Albag the bass, and one of the technicians would be drumming. Vocal duties would be shared by Farrakh and Albag. The mic had been placed at the center front of the stage, and Farrakh walked up there, holding his guitar.

"This song is a protest against the mess which is our country Adab," Farrakh explained as the music began playing, as Albag, next to him, bobbed his head to the sound his own bass was making. "We dedicate this song to the heroine Samia Rabani, God rest her soul. And to the incompetent bureaucrats at the ABC who keep messing things up. Well, that's when they're not busy living off their wages and doing absolutely nothing in return."

Farrakh:
I'm so happy, 'cause today I get to golf
Live off my wages
I'm so excited, doing nothing good at all
I'm picking my club
Friday morning, relaxing, enjoying myself
Oh, someone's died
Tell all the world, cause I've shot one under par

BIRDIE, BIIRDIE
BIRDIE, BIIRRDIEEEEEEEE
BIRDIE, BIIRDIE
BIRDIE, BIIRRDIEEEEEEEE
BIRDIE, BIIRDIE
BIRDIE, BIIRRDIEEEEEEEE
BIRDIE!

The audience watched on, impressed, amused, perplexed, but most of all curious. The LED screens continued to show the golf course, though this time it was empty. Birds flew over the course, chirping, and those in the front rows could hear the faint sound of the wind blowing across the course and through the venue's sound system. Suddenly the screen changed to show the face of Samia Rabani, along with a statement right below it: "Her voice shall never be silenced, for it goes right through us, we who take up the torch and sing the song of freedom. May God open the eyes and minds of the decadent staff of the Adab Broadcasting Corporation."

Albag:
I'm so relieved, and that's fine, I feel so fine
And I'm good
They say maybe it's my fault they all protested
Not my problem
I'm so excited, now it's time to perfect my game
Now that's my stuff
I did real good, in fact it's one under par

BIRDIE, BIIRDIE
BIRDIE, BIIRRDIEEEEEEEE
BIRDIE, BIIRDIE
BIRDIE, BIIRRDIEEEEEEEE
BIRDIE, BIIRDIE
BIRDIE, BIIRRDIEEEEEEEE
BIRDIE!

The logo of the Adab Broadcasting Corporation was now superimposed across the LED screens against a background of concrete silver, with drops of blood streaming down the screens. Farrakh and Albag now sang together into the same mic, as the wide-eyed audience cheered, clapped, and struggled to take in their performance.

Farrakh and Albag:
The bloodshed and the tragedy
The misery and the lamenting
The flower and the gathering storm
Down with the ABC, oh yeah
The bloodshed and the tragedy
The misery and the lamenting
The flower and the gathering storm
Down with the ABC, oh yeaaaaaaaaahh

The Adabians in the audience continued to cheer, with some holding placards saying, among others, "Down with the ABC!" and "Justice for Samia." The LED screens now turned to show the protests which followed Samia Rabbani's death, with protesters shown marching towards the ABC headquarters and Alwalid's house and clashing with the police everywhere they went.

Farrakh and Albag:
I'm so happy, 'cause today I get to golf
Live off my wages
I'm so excited, doing nothing good at all
I'm picking my club
Friday morning, relaxing, enjoying myself
Oh, someone's died
Tell all the world, cause I've shot one under par

BIRDIE, BIIRDIE
BIRDIE, BIIRRDIEEEEEEEE
BIRDIE, BIIRDIE
BIRDIE, BIIRRDIEEEEEEEE
BIRDIE, BIIRDIE
BIRDIE, BIIRRDIEEEEEEEE
BIRDIE!

The bloodshed and the tragedy
The misery and the lamenting
The flower and the gathering storm
Down with the ABC, oh yeah
The bloodshed and the tragedy
The misery and the lamenting
The flower and the gathering storm
Down with the ABC, oh yeaaaaaaaaahh

The music suddenly stopped. Farrakh, Albag, and the drumming technician gathered at the very front of the stage for a final bow to the audience, after which they went backstage without saying another word. Some in the audience cheered, some clapped, some booed, and some jeered, but all could agree that the performance had made an impression on them. The screens once again showed the face of Samia Rabani, this time against a backdrop of a field of poppies, gradually fading into black. Once the screens had turned black and the lights had gone off, a final voiceover echoed across the venue:

Krysztofer: Nadchodzi na Flickz! Missus X robi porno na konkurs piosenki World Vision? Polkopia robi bojkot przeciw naszemu sojuszniczemu i głównemu narodowi, Federacji Fatimskiej? Nasza piosenkarka Alicja Rocks z lat 80. w WV69 na Flickzommentary! Czas na Lady Louise Windsor z brytyjskiej rodziny królewskiej, EthanGamerTV z YouTube i Dan Middleton z DanTDM na Flickz Meetup!
(Intro Ends)
Krysztofer: Now We're Commenting Missus X's Entry. So, That's Pornographic because of Naked Men Flopping in Tables, Why not Naked Females? That's why i am Not Recommending the Performance Entry due to Strict Edeltian Television Sanctions. At Polkopia, We're Gonna Known to be Fatimaniphobia or Anti-Fatiman Sentiment in Polkopia. That's why Fatiman Federation Keeps it's Freedom of Speech and Start of Anti-Polkopian Sentiment in Fatiman Federation. That's why They Want to Attack Polkopia Instead of Nuking Them. Worldivision Please, You Need an Freedom of Speech because Fatimans and Polkopians Fighting to Began an Another War. And Lastly, It's Ours. Alicja Liliana Sings "Nosze Tastralin Moszczek" which Based to New Order - Bizarre Love Triangle. She's Good than Yulia.
(Screen Fades)
Krysztofer: Coming Up! Meetup with British Royal Family Lady Louise Windsor, British Youtubers Ethan and Dan at Flickz Meetup.

CONTENT WARNING: This post contains mentions of abortion, rape, and sexual violence. User discretion is advised.

After a decent run of top 10 finishes, the folks and RTVK decided it was time to take the risk and try something new. Seeing an increasing global trend for rap music, it was announced that the broadcaster was seeking rap artists and/or affiliated musicians to try their luck at the next WorldVision Song Contest. The news spread not only within the nation but also beyond the island's shores. It was eventually heard by 25-year old American rapper Shalissa, who found out through her friends who were members of the Kalosian diaspora in the United States.

Shalissa grew up in Chicago, Illinois, where she resides to this day. She begun writing poems at the age of 12, and as the years passed by these verses of poetry turned into verses of rap. She often wrote about experiences she felt, things that the typical teen would go through. She wrote about what she saw her friends go through as well. After graduating high school, she went on to major in music production and graduated in 2015.

In the wake of the #MeToo movement, Shalissa became invested in many issues. Her activism spanned topics such as feminism and LGBT rights. And indeed in the past several months, her songs had begun to discuss these societal issues at large, and her proceeds often went to charitable causes. For the song that she wrote for this, she chose to talk about sex trafficking.

The executives at RTVK were impressed by her beats and she was invited to present her song at the 69th WorldVision Song Contest in Tampon Bay, Lactatia. In order to keep the entry true to the country being represented, the head of delegation asked Shalissa to somehow try to incorporate Kalosian elements in her entry. Shalissa complied by reaching out to local advocacy networks and inviting former victims of sex trafficking to become backing performers onstage.

The initial controversy that this entry stirred in Kalosia was quickly drowned by the fact that many of the entries competing in this edition were particularly more controversial. So when the time came for Shalissa to fly out to Tampon Bay, there was little objection (or at least no more than normal) towards the entry.

For the live performance, she wore a colourful robe. On stage, there were streetlights, and in between them a luxury car, the kind with no roof.
As the song began, the lights slowly faded on, but not all of them. All the figures on stage and the props around them could be seen as silhouettes. The LED screens were glowing red (like in the picture linked above). As the intro progressed, the lights slowly shone on the silhouttes and now we could see Shalissa. She was standing inside the car, surrounded by three backing dancers, again they were all former victims of sex trafficking. They wore a hoodie and sweatpants, cozy clothes symbolizing the comfort they now have and deserve after all the trauma they had been through. As Shalissa starts singing this part below, they all seemed like they were having a good time chilling and jiving to the music.

Out of the way when you see me
I'm rolling with 'em in the city
Out of the way when you see me
I'm rolling with 'em in the city
I'm rolling with 'em in the city
I'm rolling with 'em in the city
They are out, they are finally free
I'm rolling with 'em in the city

The dancers now got off the car but the camera focused on Shalissa.

Their promises broken for a better living
They lost everythin’ to get a new beginning
They were missing, couldn’t ask ‘em, where ya at, honey?
And couldn’t call a fuckin’ cop, got nowhere to flee

The lights in the background started flashing to the beat. The camera showed one of the dancers as her mouth gaped wide open.

Open up a mouth, they were fed some duck

Camera changes angle to another dancer's crotch area, but she is fully clothed and covers the area with her hands.

Open up a vag cause they forced ‘em to shag

Camera switches again to the third dancer who briefly lifts her hoodie, revealing ripped clothes, and then turns out, her butt facing the camera. As victims of sexual violence, it takes a lot of bravery for them to go this far into the recovery process and be able to perform these dance moves — choreographed, of course, with consent.

The fabric torn apart cause they wanted to see skin
Open up an ass, and they broke it up like glass

Camera goes back to Shalissa.

They shouted for their lives, but ain’t any help arrive
And everyday abort a baby cause they gotta hide
Them men ain’t responsible, they just leave you
The poor girl ain’t at fault, she was misused

One of the dancers runs towards the car, passing by another dancer and grabbing her hand, bringing her along.

From a brothel to the next one, this is how it is
Act like they some sex toys, we gotta stop them boys
Cause we can’t just leave it be, time is past due
Gotta cuff all the moneymakers, give ‘em bars too

The three dancers make it to the car and get back on in time for the next part, where they do the same thing they were doing in the previous chorus. With the lights and all in full swing, it's a party in Lactatia.

Out of the way when you see me
I'm rolling with 'em in the city
Out of the way when you see me
I'm rolling with 'em in the city
I'm rolling with 'em in the city
I'm rolling with 'em in the city
They are out, they are finally free
I'm rolling with 'em in the city

In the short instrumental break, the lights stop flashing and they exit the car again. In this next part, they perform rather abstract choreography that captures the feelings of despair they had felt. The camera goes around showing each of the three dancers as well as Shalissa on the car.

Glitter, glam, they were played
Couldn’t step out into day
How could ya survive this grim life
Where ya gotta drink up everyday?

Lights begin flashing again, bringing the stage back to life.

Fuck their boss, don’t let him run off
What vile man could trade a life off?
Illegal business, gives me sickness
Cause they violatin’ her just to see skin

If lucky they will escape
Couldn’t handle being raped
The devil’s lust feeds only dark souls
Whose minds are up their assholes

Shalissa extends her hand to one of the dancers, who extends her own hand towards Shalissa. The close up shot was a very symbolic visual, and sent waves of emotion towards the millions of viewers watching from across the world. It sent a message of hope, that justice can be served, and that those wrongfully oppressed can be helped. Eventually the two hands reach and Shalissa pulls, helping the dancer onto the car while the other two dancers get back on at the same time.

Come and take my hand, girl, come now
You’re free, I’ll give you shelter
Don’t worry, you got protection
We gotta serve justice in action

They all get back in the car in time for the final chorus, where they do what they were doing in the previous choruses. They look like they're having so much fun, and the atmosphere is livelier than ever.

Out of the way when you see me
I'm rolling with 'em in the city
Out of the way when you see me
I'm rolling with 'em in the city
I'm rolling with 'em in the city
I'm rolling with 'em in the city
They are out, they are finally free
I'm rolling with 'em in the city

As the song calms down, so do the lights, which stop flashing. The four now get off the car and walk towards the front of the stage.

I'm rolling with 'em in the city

They now arrive at the front of the stage. Halfway through this final line, the four raise their fists in solidarity.

I'm rolling with 'em in the city

As the song ended, the four were met with great cheers in the arena. The four took a bow, and then Shalissa exclaimed, "Don't hesitate to fight for justice. Thank you world!" and then the four left the stage as it was now time for the host nation, Lactatia, to perform.

Tune: LazyTown Cast - You Are A Pirate
Language: English

Doris (all)Day(longonthiscock) was one of Lactatia's most popular adult film stars, often showcasing her versatility in a number of roleplay scenarios. She was a pirate in one, a fairy in another. Regardless, she has a lot of talent and was chosen to sing a song with her production crew for another porno, roleplaying as a Worldvision contender for her latest scene.

She was on stage now, rubbing her chest to a nearby camera, when a little milk spilled out! She dipped her finger in the small puddle and licked it. It was good. Then, members of her production crew suddenly appeared around her and started singing.

Your titties a huge and dripping on my mate
It's time to lactate!

Doris got up, jumped, and extended her arms and legs out as far as they could go. She started singing with her crew.



She wags her finger at the camera and winks.



Doris pulls a pump from off-screen and attaches it. She jumps. Hooray! Then she performs fellatio on some censored organs from off-screen. Then she starts pumping milk. She flashes her rear to the camera and performs more oral sex. Hooray!



Another pornstar from several of Doris's films appears on-screen. She, unfortunately, suffers from dwarfism but performs an impressive dance routine while she sings.



Doris rubs her breasts on the camera closed to her.



The crew gets up and performs the same dance routine as the other pornstar before. Tbh it's the same routine as the pink-haired bitch from the clip.



The camera cuts to Doris who appeared at another point of stage and started moaning after inserting a phallicly-shaped object somewhere. She lactated also. A lot.



The dwarf pornstar appeared again.



Everyone starts having sex



Everyone pauses and looks at the camera mid-intercourse and start singing. They lactate on each other. Yes, even the guys. And they make milk-angels.



Everyone cheers. It's awesome. Hooray!

29 Postman Sayoc
Melody: Postman Pat Theme

A white van drives onto the stage, its side and rear windows covered in flyers and posters, many depicting a world leader well-known for his firebrand right-wing politics, others bearing slogans including "Make NationStates Great Again" and "Lock Max Up". Behind the wheel is 'Postman Sayoc' himself, a middle aged man with a bald head and hardly any neck and an angry expression on his face. Following the van on foot are a man in an FBI uniform, and another man and woman both in suits and holding microphones bearing logos of major news organisations. It is these two reporters who sing the lines of the song in unison as the van is driven about the stage and arena.

As the next lines are sung, Sayoc lowers his van window and throws small parcels into the audience, which each make a loud ticking noise but do not explode.

The FBI officer runs up to the van and drags Sayoc from it, forcing him face-down onto the stage floor and handcuffing him.

As the final lines are sung, hundreds of letters rain down from the roof of the arena, each one with a burning fuse sticking out of it. When the letters reach a just-about-safe distance above the audiences heads, firecrackers inside each one explode like popcorn.

For the first time in nine editions, Aloquirbe returns to the WorldVision Song Contest with the intention to better their 14th place at the 60th contest with Tizzy Richochet and her song "Turn it Up"

Due to Britonisea's sudden withdrawal from the WorldVision Song Contest, there was no broadcaster representing neither Britonisea nor Aloquirbe at the WorldVision Song Contest. As a nation, Aloquirbe loves contests such as the WorldVision and World Hit Festival, especially with their recent World Hit Festival showing that they too have good taste - coming 4th. The opportunity had come up for the nation of just around 6 million when BITC said they weren't going to participate at the 69th edition. ANTba jumped at the opportunity. Aloquirbe is finally getting their place on one of the greatest stages in the World. Once that was all confirmed, they needed to pick who was going to represent Aloquirbe in what was expected to be a volatile edition. ANTba had to make decisions.

With tens of people signing up to become to next Aloquirbic representative, they all seemed to have the same ring to it. Compared to Aloquirbe's recent entries, the ones that were sent this time around seemed a bit more...naughty...for some odd reason. ANTba took no notice of this, however, and immediately began to cut some entries down. After picking the final 3, ANTba decided to do a small internal national final to decide who would go ahead and represent Aloquirbe.

They ended up choosing Tizzy Richochet, which by the way is her real name. Tizzy is a young woman, 20, who is finally coming out of her comfort zone after years of feeling down about herself. After finally getting a boyfriend in University - only for her to be cheated on - Tizzy has finally come to her senses and realised that she is beautiful and can get any man she wants. Her prey is the fittest guy at University - Jackson Pallard - who has only recently started to take notice of Tizzy. With her bad-bitch swagger, Tizzy sings about the things she wants to do to Jackson, while also revealing a past event that no one previously knew about.

She has not only dedicated her song to Jackson, but also to all the lonely bitches out there who just want a bit of a quickie but can't get any, really. Aloquirbe's music industry has blown up since Tizzy started to drum up interest, with the song reaching #1 in the Aloquirbic charts and #12 in the Britonish charts (encompassing Britonisea and Aloquirbe). She can't wait to get on the stage in Tampon Bay and turn it up!

---

All the fans in Lactatia were a pretty loud bunch, but that didn't phase Tizzy whatsoever. She fixed her hair and walked on to the stage wearing the highest of heels, a leather tight fitting bathing suit which was laced and mostly see-through, but not too PG. Her hair looked brushed out and saucy. Other girls (2) that were dressed similar to her also came on the stage. At the back of the stage were three men who looked to be doing some sort of physical gym-work kind of thing (I wouldn't know) at the back. These men all looked different - gotta cater to the masses and that. All the men were shirtless, of course - it gets a bit hot in a gym - and looked like they were sweating their balls off. Anyway, the audience was ready for Tizzy.

As soon as the audience died down, Tizzy threw her hands in to the air and clapped everytime she sang the first few words. The camera was zoomed on her hand gestures, quickly cutting from one girl to the next as the song progressed.



Tizzy sassily did a hair flick which pushed the camera quickly backwards. Colours such as red and purple filled the stage as all of the girls got down on the floor. The men at the back were doing their press-ups or whatever men do in unison and also along with the beat of the song. Tizzy got down on the floor and went in to doggy style. She fiercely moved her back up and downwards everytime she sang "Turn it UP. The other girls followed suit.



The girls then all started to move forwards while they were on the floor. The camera changed every time that weird piano fairground type sound played in the background - focusing on the sexy, sultry women and the gorgeous, toned men as the women sang and the men compared muscle-sizes. The girls looked at the camera while Tizzy was singing. The lights were flickering on and off like they usually do...



The girls all jumped upwards when singing "pass over the ketamine", before standing strongly in a line together before doing other dances with each other. The camera zoomed in from afar on the girls and the fans were turned on half power to gently blow their hair back and whatever flowy they were wearing. A red light was turned on for the men at the back, pointing upwards...all you could see were these tall muscle men doing workouts lit up in red. Though, they weren't the centre of attraction right now.



As this section came up once again, the girls all turned around to expose their buttocks strapped up in lace and all that crap. As soon as Tizzy shouted, "DOWN", all of the girls did a slit drop. When Tizzy shouted "ROUND", they all turned around to face the audience, they got up at "GO" and walked furiously towards the edge of the stage. Tizzy only walked half way before turning back towards the three men at the back.



Sitting legs apart on the weights bench, Tizzy made herself comfortable. A Steadicam came to her sitting on the bench as she looked straight in to the camera, using her hands to get her point across. The men all stood around Tizzy, flexing their muscles and begging silently for Tizzy's attention but she just wasn't having any of it. At the back, the red and purple colours were still flashing up along with the lights on her.



As she got up from the bench, another camera zoomed and there was one panel already on the stage which she quickly walked up towards. The only two girls, who disappeared, suddenly came back on the stage, dragging their own panels on the stage. Mid-way through the chorus, the girls all held on to one side of the panel and rode down the side of the panel as though it was a pole. The cameras focused on their bodies as they went down. The lights were flicking quickly on between red and purple.



At the end of the chorus, the three tall buff men came from behind and dragged the girls behind the panels. The house lights turned up, illuminating the panels on the stage. The audience screamed at this point. Light shone from the side the six people were on, making a shadow display for the audience to see on each panel. Steamg from the top of each panel and in order for the audience to see this, there was a bright white light shone on top of the panels. There was a man behind each panel and a woman and they started to do some movements including kissing, caressing, and slapping - movements that if you saw, you would call steamy.



After all of that, the three girls broke the panels only to reveal that there wasn't any men behind the panels. Suprise! The girls were wearing a totally different costume, much more interesting than the ones before....it was in gold! The girls all strut to the front of the stage during the first of the last two choruses. By the time second chorus came, the girls started to grind in position, looking sexually into the camera with the fans being turned on to max. The guys also came back on the stage and moved did some weird shit on the floor.



The last action was a Loreen-Eurovision-2012 finish, with the women jumping on the men, but in Aloquirbe 69, the women fell along with the men and landed right on each of their man's groind. You could hear the "UHHHH" of each of the men and the curling of toes as though they had climaxed as the women fell on their groins. The audience cheered.

"Thank you bitcheeeesssss!"

31. Saviera
Fire and Furry, by Izmedzuli Snijega
To The Tune Of Solo By Clean Bandit ft Demi Lovato

Julia Snow was a Savieran Woman Who Loved to Travel the World. One Day, She Visited Izmedu. She Loved it So Much that She Legally Changed Her Name to an Izmeduan-Inspired Name, and Now She is Known as Izmedzuli Snijega. Snijega Means Snow, Just Like Her Original Last Name.

But Now in Her Middle Ages She was Going Through Another Identity Crisis. She Decided She Identified as Kin with Animals. She Discovered that She was a Furry. But She Didn't Know Which Animal was Her Fursona. So She Wrote This Song.

Eventually, the Fire and Furry Melted the Snow in Her Thoughts and She Figured Out What Animal She is. But She Will Reveal it at the End of This Performance. Can't Wait.

So Now the Middle Aged Woman, Still Looking Fab as Always, is Wearing a Catsuit. Like an Actual Catsuit, Not a Cat Fursuit Ok. The Song Starts.

The other day I was at party
When someone asked for my identity
Who am I?

I really need to self-discover
Because I’m not defined by my lover
Cause I’m not you

So I set off
For a journey of my own
Outside my comfort zone
This time I’m all alone

Cause surely I’m
The only one who knows me best
I’m an animal
But I don’t ro~o~oar

In the Chorus, the Sound Effects Come Out and it Uses Actual Animal Sounds.

I wanna [WOOF WOOF WOOF] but I’m not a doggy
[QUACK QUACK QUACK] but I’m not a ducky
[COCK COCK COCK] but I’m not your chick, eyy
What do I do?

I wanna [WOOF WOOF WOOF] but I’m not a doggy
[QUACK QUACK QUACK] but I’m not a ducky
[COCK COCK COCK] but I’m not your chick, eyy
This fire and furry

Fire and furry

Fire and furry

Now Some People Wearing Fursuits of Different Animals Come Out. They Start Dancing Freely.

Every day I try out something
Every single time it’s different
Always new

Try to find my inner calling
But I really wanna know what I’m
What’s the truth?

So I go on
On this journey of my own
Outside my comfort zone
And I am all alone

Cause surely I’m
The only one who knows me best
I’m an animal
But I don’t ro~o~oar

Now Everyone on Stage has Coordinated Dance Moves. It Actually Looks Kinda Cool.

I wanna [WOOF WOOF WOOF] but I’m not a doggy
[QUACK QUACK QUACK] but I’m not a ducky
[COCK COCK COCK] but I’m not your chick, eyy
What do I do?

I wanna [WOOF WOOF WOOF] but I’m not a doggy
[QUACK QUACK QUACK] but I’m not a ducky
[COCK COCK COCK] but I’m not your chick, eyy
This fire and furry

Fire and furry

Fire and furry

A Box is Rolled Out Onto Stage by the People in Fursuits. The Front has a White Film Over it and There is a Light from Behind so You Can See a Silhouette of Whoever is Inside. Izmedzuli Enters It Temporarily, and You Can See Her Silhouette Strip Off Her Clothes, and Then She Puts on a Fursuit. What Kind of Fursuit, We Don't Know Yet.

And Then After She Finishes Dressing, She Rips the Film Open (Like in Slovenia 2009) and She Walks Out, Revealing Her New Fursona Identity.

I am a cougar!

Now Her Furry Friends Join Her as they All Sing Along Together.

I wanna [WOOF WOOF WOOF] but I’m not a doggy
[QUACK QUACK QUACK] but I’m not a ducky
[COCK COCK COCK] but I’m not your chick, eyy
But now I know

I wanna [WOOF WOOF WOOF] but I’m not a doggy
[QUACK QUACK QUACK] but I’m not a ducky
[COCK COCK COCK] but I’m not your chick, eyy
So I am a cougar!

I am a cougar

I am a cougar

So I am a cougar

The Song Ends and Everyone Cheers. Izmedzuli is Glad that Everyone is Accepting of Her New Identity. This is Now Who She Really is. She Says to the Audience: Thank you Lactatia!!!!! God Bless Saviera!!!!!

32 | 1zmedu
Shine by Prudencija Nikolic
Music | Prudencija Nikolic
Lyrics | Prudencija Nikolic
Tune - Darja Švajger - Prisluhni Mi

1zmedu’s reputation within WV and WHF is a very bad one. 1zmedu’s main broadcaster, RT1, is debt ridden and is currently suffering a huge employment issue, with very few workers left. Needless to say, the RT1 is going through a very rough time. Not to mention an awful WorldVision and World Hit Festival record. 17th in the previous edition is a fairly bad result and the song was described as “shit.” So, here we are.

Prudencija Nikolic is 46-year old Izmeduan singer who, to say the least, is a very unlucky woman. She has debuted in World Hit Festival and Worldvision, neither contests came with very good results for the woman. She first represented Izmedu in World Hit Festival 24. Her entry was unfinished with no rp and came second last. She then went on to represent Llalta in WorldVision 68 where, yet again she had unfinished rp. She represented Llalta alongside Quartissimo, a famous Llaltese violin quartet. However, she was a lot more successful, coming 16/26. However, she wants to avenge her unfinished rps with her very first finished rp (hopefully).

---

After the 1zmeduan postcard finishes, the arena turns black. The last mutters from the suicide quieten down and there is silence. Is this Mercredini 2.0? I hear you cry. No. The soft music starts and the camera takes a wide shot of the stage, a single spotlight illuminating Prudencija who stands in the centre of the stage. She wears a simple white sleeved dress that falls elegantly to the floor. Her long dark brown her is let loose, as it dangles around her breasts. Her warm chestnut eyes look passionately into the camera as the first couple of bars of music begin to play. At last, Prudencija begins to sing the soft melody, shutting her eyes gently. The camera slowly swirls around her once, before taking a close up from the front, flags of Britonisea and Polkopia waving majestically from the audience. On the third line, she opens her bright eyes, and raises her hand over her head as if to point at the sky. By this point you’ll realise the arena is pitch black other than the spotlight on Prudncija.

They say that stars, a boat travelling through night
Carrying dreams, left amongst childhood past
The weeping of the skies
Yearning for the dreams we once had dreamed

She holds her hand to her heart and shakes her head slowly, a joyful look on her face with a tinge of sadness etched across her face. She closes her eyes and continues to sing the sweet ballad, a smile forming on her face as she sings. Soft wrinkles create shadows that dance across her face. Eventually the camera pans across the stage, absorbing each emotion on the stage. On the last line she opens her arms out, welcoming the audience.

Glimmering like souls, stars painting stories of once
Stories of heroes slaying beasts
Stories that we once had believed
And when we feel astray
Relive the memories of the past

Five more bright white spotlights flash to the drum beats and fall on Prudencija as the chorus begins. Her eyes light up with joy as she sings the sweet lines with note perfect accuracy. There is a subtle powerfulness to it. She looks into the camera as it turns towards her and her eyes glimmer in the light. A smile forms across her face once more as she sings, and she closes her eyes as if she was really into the song. The flags of nation from Kalosia to Izmedu Every so often bob into the view of the camera, waving majestically to the song. Prudencija The reaches out to the camera, her palm open. Swiftly, she raises them dramatically.

Come fly with me, across the starlit abyss
Fought the creatures, that laid beneath your musty bed
Scaled the jade trees, and touched the heavens above
Dreamt the dreams that, only children can design

The LED screen on the back forms into stars, twinkling and glimmering. Other lights shift into the stars as well. The spotlights flash to the beat as she sings the verse. A tear forms at her eye and glimmers in the light. Her smile grows wider, reliving each happy memory onstage. During this section of the song, she begins singing a little more powerful, as if trying to inspire the audience. Her eyes flicker to all the audience members, addressing them each as she sings. During the part, she steps forward towards the front of the stage slowly, lasting throughout the entirety of the section. Not only that, but the camera swirls around her, the audience in view for a moment, waving the glowing wristbands to the rhythm. Prudencija on the finally line shuts her eyes tightly and belts out, each emotion flooding out and into the arena.

Though the beasts of life may haunt you
Crawling from the lightless abyss
Don’t be afraid, just hold my hand
Spread your wings don’t doubt the truth
Icarus, prepare to fly!

As the white bright lights dramatically flash to build up the final chorus, there is a roar from the audience. Prudencija tips off her dress to reveal a beautiful purple dress with stains of Indigo and black dotted around like space. Tiny white jewels fleck the the dress like stars. It still has sleeves, but it is a deep v-neck top, showing a little cleavage but not that much. The LED screen morphs into wings behind Prudencija, to make the effect she has wings. They flap elegantly, as pure as snow. Prudencija bends down as she belts out the final chorus, eyes tightly shut. She stands up and sings as the main section comes along. Her eyes are wet with tears, many streaming down her face as she ventures into her memories via the song. The lights glimmer brightly, shining down on Prudencija an the arena is still dark, with flecks of light splattered around. A smile forms on her slightly wrinkled face. She is obviously living for the moment. She stretches her arm out to show her emotions as the song begins to slow down.

Come fly with me, across the starlit abyss
Fought the creatures, that laid beneath your musty bed
Scaled the jade trees, and touched the heavens above
Dreamt the dreams that, only children can design
Dream the dreams that, we once believed in and shine

As she sings the final line softly, the lights fade out one by one. The LED wings crumbled to star dust, shimmering onscreen. Eventually only one spotlight remains lighting up Prudencija. The song ends and is met with a cheer. Tears stream down we face as she bows. “Hvala vam! Thank you all!” She waddles off crying.

[spoiler=]" "

" "[/spoiler]

Mark: Wow, there has been some amazing performances so far! I, for one, took a liking to Ardoki's song.
Buddha: BORK
Mark: What's that, Buddha? You liked it too?
Buddha: *spins around*
Mark: Oh, Buddha, you always know what to do to show your opinions.
Buddha: *sniffs chair*
Mark: Anyway, we're going to show our reactions to each song.
Buddha: *rolls over*
Mark: That's right, Buddha, time to roll the clips!

Indo States wrote:The Fatiman Army Landed in Grellenbyosha-ga to Attack Homosexual Soldiers and End Grellenbyooša-gese Rights Group. That's Including 22 Waitresses but no. 20 Million Soldiers Deployed in Grellenbyosha-ga and Ambush all the Citizens and Grellenbyosha-ga will Turned into Puppet State.

It was an admirable attempt.

However, the Fatiman army lacked the technology to access Grellenbyooša-ga, so they ended up milling about in the ocean, somewhere in the south Pacific.

A minor news update noted the unusual happenings to Grellenbyooša-gese WorldVision viewers, who were confused as to why it was relevant at all.

Grellenbyosha-ga wrote:

Indo States wrote:The Fatiman Army Landed in Grellenbyosha-ga to Attack Homosexual Soldiers and End Grellenbyooša-gese Rights Group. That's Including 22 Waitresses but no. 20 Million Soldiers Deployed in Grellenbyosha-ga and Ambush all the Citizens and Grellenbyosha-ga will Turned into Puppet State.

It was an admirable attempt.

However, the Fatiman army lacked the technology to access Grellenbyooša-ga, so they ended up milling about in the ocean, somewhere in the south Pacific.

A minor news update noted the unusual happenings to Grellenbyooša-gese WorldVision viewers, who were confused as to why it was relevant at all.

Done by the Fatiman Peace Organization

1. No Carrying Operations Inside Western Edeltia or Fatiman Federation
2. Sanctions will Apply to Grellenbyooša-ga.
3. Fatiman Federation & Grellenbyooša-ga will Not Go to War until 493 Years