Worldvision 69 | Contest Thread

by **Lactatia** » Mon Nov 12, 2018 4:45 pm

OOC Thread__________Host Bid__________Official Playlist

__________Official Sponsor________vvvvbbbblesbians

So like, I guess Lactatia kinda sorta won the rights to host Worldvision 69 in the esteemed city of Tampon Bay, which tbh took a lot of people here by surprise. A lot of them were like

and others were like :0 but irregardless, a lot of people here were excited to invite the multiverse into their country. For many, 69 is a number which may have sexual connotations, but for Lactatians, this superstitious number represents celibacy and withholding one's urges. For example, on the 69th day of each month, Lactatians abstain from sexual activity in fear that their urges would lead to them waking up with erectile dysfunction the next day (yes even if ur a girl) and the thought of that is pretty damn scary for Lactatians tbh.

Be that as it may, Lactatians know that they would have to allow for some sexual humor when they invite the multiverse to join them for the 69th Worldvision Song Contest in Lactatia. For this contest, nobody was really selected to perform as the opening act so they just decided to go with the parade of nations thing. So without further ado, here is Lactatia's opening act:

Tune: https://www.youtube.com/watch?v=4hAZvtCkX00

So the idea behind the opening act was for the participants of each nation to parade themselves around the arena with their flag, which would be pretty neat and unheard of, right? That's what the Lactation delegation thought too! Except it turned out that nobody from Lactatia had informed the participating nations' delegations about their plans, so when it became time to broadcast the show, the participants were all in the greenroom, shocked af. Suddenly the first participating nation's flag was shown being paraded throughout the stage, and the piano melody began to play. Except it wasn't that flag at all. It was a sexual mockery of their flag! The audience was heard laughing and cheering as Axuva's flag was paraded around the arena, followed by Main Nation Ministry's flagand then Ardoki's flag. On and on these flags were paraded throughout the arena, Kalosia's "flag" was shown, and _______ was shown as well, until the last flag was shown and the piano tune ended. That was it.

Just then, the lights went dark and the crowd erupted in applause in anticipation of what was to come. A single spotlight showed the host on stage, Mister Yiffer McOwO VI appeared on stage, dressed in his best suit. He held a microphone up to his mask and greeted the cheering audience.

Mister Yiffer McOwO VI: owo hey there boys and guwls! are u ready for a wonderyiffic show???? :3

the crowd responded in a series of confused claps and stares

Mister Yiffer McOwO VI: ur such a good awdience! im so pwoud of evewyting u guys and gals do! now do u all know what wowldvision is? *blinks innocently and snuggles up to the microphone*

one guy in the audience shouted "yeah!" amid the dead silence

Mister Yiffer McOwO VI: Wonderyiffic! :3 So im gonna pwess this big wed button hewe and when i do, were gonna have so much fun today!!11 *licks paws*

A spotlight illuminates the area next to Mister Yiffer McOwO VI and a giant red button is shown, with the words "DO NOT PRESS" inscribed across the material.

Mister Yiffer McOwO VI: OwO what do we have hewe! im gonna pwess the button! can u all count down wif me??? *puts paws on cheeks and pretends to be surprised*

Literally nobody counts down but Mister Yiffer McOwO VI presses the button anyway and confetti bursts from all around

Mister Yiffer McOwO VI: Let the 69th *blushes* worldvision song contest begin! :3

by **Lactatia** » Mon Nov 12, 2018 4:45 pm

Performance || Postcard

_______ RTV - Overtime

Part 1 Part 2 Part 3

_______ TBD - TOTALY NOT BIASED COMMENTARY TOWARD VARTUGIA.

Part 1

_______ TBD - Vines That Represent Some of the WV Entries

Part 1

_______ TRT - Live From Worldvision 69 Offical Commentary With Lorenzo

Part 1

_______ WAZTEL - Wazekian Commentary

Part 1

_______ TBD - Scottish Commentary

Part 1

_______ MRX One - Mister Xian Commentary

Part 1

_______ TBD - vittu, vittu kaikille

Part 1

by **Lactatia** » Mon Nov 12, 2018 4:45 pm

by **Axuva** » Mon Nov 12, 2018 6:34 pm

1. AXUVA

Juanita Jones featuring Juanitas Cooking Class - Bake It

Juanita Jones- Bake It

____________________________________________________________________________________________________________________________________

Juanita would jump off the top of the stadium with harnesses and she had on her nipple dress with a scarf around her body dropping on the stage and took the harness off, revealing the nipple suit then walking to the front of the stage, the cooking crew then started picking up their utensils dancing with them in a sexy fashion, then Juanita would start to sing.

“EVERYBODY GET UP!”

Bake it, just bake it!
Bake it, just bake it!

Other dancers started walking on the stage as poles rose up on the stage and they wore two piece bikinis and they would start dropping it low on the poles and starting to strip. People started to get out of their seats and dance.

"Takin you for a ride, with my cookin’ class
Everyone looks at my food and say "How you be makin’ that?"
This food so good it makes you want to collapse
Jump up and dance as we make this lil’ snack
½ cup sugar
The first thing you need to add
Dont ask questions, dont be a stupid batch
After this little meal he will want to spread your legs back
Preheat the oven on 350 and then wait for it to come out and then do your dance for ya man alright
How you do that?!?"

The backup dancers started to pop their backs, twerking while Juanita threw her arms around and threw her shades off her face and light beams started to flash around the stadium as everyone on the stage

"The cream is enough to give the taste of love (Bake It!)
The cream is enough, the cream is enough (The cream is enough!)
The cream is enough, is enough, is enough (Bake It!)
The cream is enough to give the taste of love (Jus’ Bake It!)
The cream is enough to give the taste of love (Bake It!)
The cream is enough to give the taste of love (The cream is enough!)
The cream is enough, the cream is enough (Bake It!)
The cream is enough, the cream is enough, the cream.." (The cream is enough!)

A figure would rise up on the stage and it would be the co owner of Juanita's Cooking Class, Kim. Kim would start would start singing as she held the microphone to her mouth

"I’m throwin my legs up in the air; giving you a snack
I see you starin and I tell you
Throw the coins up
As I make you this dessert
Let me show you what I’m worth
I’ll make you go through hell and heaven while I bake that
Pound hard, bake hard, bang me with the paddle oh!
(You know what to do because I know you can make me take off)
You know i’ve got that fast count, I’ll make you wanna tap out
Making myself first, I’m what I’m worth, THIS IS A BAKE OFF!"

As everyone finished making the meal they took it out of the oven and started walking off the stage into the audience dancing with food in their hands, then handing it out to people to taste in the audience, as it was well prepared. The audience members clapped as they tasted the food, causing some of the people in the audience to even cry tears of joy and jump and scream. Even some tried to run on stage to get more food out of excitement, but they were pushed off the stage.

"The cream is enough to give the taste of love (Bake It!)
The cream is enough, the cream is enough (The cream is enough!)
The cream is enough, is enough, is enough (Bake It!)
The cream is enough to give the taste of love (Jus’ Bake It!)
The cream is enough to give the taste of love (Bake It!)
The cream is enough to give the taste of love (The cream is enough!)
The cream is enough, the cream is enough (Bake It!)
The cream is enough, the cream is enough, the cream..." (The cream is enough!)

The crew formed a single line to go back on the stage, then they all got back on stage strutting back to their stations and would start to climb on the stovetops, dancing.

"Add extra sauce for me
I made it extra special
Gave you a little something
You wont forget it, pit stop
Ill give you my name
On sight, we baking real stuff
You better be prepared
For this motherfucking bake off!"

Everyone on stage would start twerking as Juanita climbed on her oven as well, popping her back out as there was a loud thump in the background as one of the dancers fell off of their stove, and everyone ignored it and everyone kept dancing. She was crying.

"Oh, Oh, Oh
Bake It!
Oh, Oh, Oh
Just Bake It!
Oh, Oh, Oh
Bake it
Oh, Oh, Oh,
Just Bake It!
Oh, Oh, Oh
Oh, Oh, Oh"

"REST IN PEACE TO YOU HATING ASS BITCHES!"

Juanita would end the song, then jumping into a hole dissapearing as the crowd cheered and sparks flew out on the stage and a airplane flew above the stadium with the words “BAKE IT” on a banner. As everyone left the stage, the injured girl was placed on a stretcher and rushed her to the hospital.

by **Main Nation Ministry** » Mon Nov 12, 2018 6:56 pm

02. Main Nation Ministry
Jessica Madden - Purgatory

Tune: Avenged Sevenfold - Bat Country
Language: English

Pictured Above: Jessica Madden

(OOC: Before you continue on reading Main Nation Ministry's performance by Jessica Madden, the Leader has made a quick "pre-show" upon hearing news of the sexual mockery of his flag. All done in-character.)

"Leader, the WorldVision is starting live!" one of the channel operators radioed him, as the Leader was relaxing casually in his office, having himself a snakefish cocktail, enjoying the luxuries of simple pure chastity. Turning on his large flat screen television onto Public Broadcasting Channel 1, he watched the start of an opening ceremony for the WorldVision. "You're watching this?" Emmanuel Jones radioed him, as he was watching it at his home. "Guess there are going with the whole "69" theme after all. I don't really mind. I mean it's the whole human zoo shenanigans, so.." the Leader remarked, as he noticed the background of the area Lactatia was holding the WorldVision at. As the Opening Ceremony was happening with it's rather "suggestive and familiar" music, the Leader saw the flags being shown.

It was when the Leader saw his own flag. But something was different. The words that were added onto it to serve as a sexual mockery were in display for all to see. The flag-bearer who happened to be from Main Nation Ministry had an expression of nervousness and horror for being forced to carry the flag. Back in Main Nation Ministry, the Leader had the sudden urge to murder. Throwing his cocktail at the TV, he immediately called the managers who were prepping up Jessica Madden's performance. One of the managers noticed his phone ringing to see the caller ID was the Leader himself. Curious, he pressed the button to let the call go through.
"Leader? Is this you?"
"What the actual fuck did I saw on my television screen!?"
"Leader, sir. We hadn't done the performance, yet. Is your television screen projecting the future or something?"
"No, you jackass! The flag! What happened to our flag?!"
"Oh that? Leader, we were not informed about changes to our flag. Look, I'm terribly sorry about this sexual indecency that has been plastered onto our image."
"I'm not mad at that!"
"What is it that you're mad at?"
The Leader leaned more towards his phone and explained in a tirade.

"Do you realize how unpatriotic and insulting for one to desecrate a flag?! To scrawl in a red marker of some sort a vulgar word for the sake of juvenile blue comedy. Without my permission! I don't even allow the flags of our nations be burned, due to how harmful second-rate smoke is! I will allow a flag of ours, being upside to make some statement I will clearly ignore, but to have their filthy hands deface our pride of a flag! How dare they!" The Leader yelled on the phone.

Before Jessica Madden's performance started and while they were setting up, a representative from Main Nation Ministry who had two soldiers carry the sexual mockery of their flag to be hung up on a clothesline behind him, arrived with a large pistol. "Ladies and gentlemen, I have some important news. Before we can begin our performance from Main Nation Ministry, we have received some orders from our Leader. This flag that you see behind me is violating the protocol that was established back in our nation. To fulfill their orders, this flag must be eradicated and purged into scraps, so that our pride will still be cleansed from this mockery." Naturally, many people from Lactatia started booing, until the representative proceeded to unload ammo at the flag, leaving many bullet holes. After reloading briefly, even as the tattered flag was almost hanging off of the clothesline, he proceeded to shoot it off, where a soldier started to stomp on it, before ripping it to shreds.

"The Leader is now pleased with these new conditions. Onwards with the show!" the representative said, before leaving, while the soldier clean up the mess and get rid of the clothesline.

Background and Behind The Scenes:
"I'm here, Live in Lactatia, where what you see behind me is the performers of this WV's musicians from Main Nation Ministry." Reporter Benedict Cain said, as he showed the viewers at home the special effects crew and the musicians getting ready for their performance. "Let's go at first, see what the unique aspects are for this performance shall be." Benedict leads the cameraman to the drums, where a special effects member is pouring some red water-like paint onto the lower section of the drums. "What do we got here?" Benedict asked the crew member. "What we got here is called paint drumming. We rigged some supports near the drums, so that paint is slowly being poured on the drums. Inside the lower section here are lights that make the paint look like lava or probably blood. It will be fun." the crew member explained to Benedict. The footage cuts to Benedict being up in the lighting rigs above the stage, where he is talking to another crew member in some sarcasm. "So we are literally up high enough to die from broken necks here, the heck you been doing?" "For Jessica Madden's performance, the makeup department has been hard at work, adding some makeup that shows off with some blacklight. So what we did was add a second set of lights above the rigs, so that after the music cues, we get the blacklights on, so they will show off the costumes that the audience don't realize the musicians are wearing or have."

Now the footage cuts to the entrance to the green room, where Benedict has the microphone ready. "Now we will have an interview with Jessica Madden. According to her manager, she's a bit of an interesting person to handle, though she can't disclose why, unless they are given permission by Jessica herself or she is willingly to reveal it to us. I'm going to knock on the door, hope she doesn't mind." Benedict said, knocking on the door. Jessica opened the door, where she immediately saw the camera. "What is this? A fucking reality show?"
"Woah there! This program which is live is for all ages. Jessica, we recommend you try to keep a civilized demeanor."
"Civilized, my ass! Get in here! And don't touch me or the make-up is going to be smear on your clothes!" Jessica said, inviting the reporter and cameraman in the green room.

"So Jessica, tell us about yourself. You were recently accepted by the entertainment board, which is a rare occurrence, as the most popular example was the Azerty Comics getting through."
"I was surprised, since it was one of my bad days, as I would say! It's a honor to give some music to all of the teenage boys and girls, who managed to get pass that phase of middle school!"
"So, I must say, you have some lovely eyes-"
"You're staring at my breasts?"
"What no, I-"
"Don't worry, stud! My tits are enough to be an eye-opener. Hang on, I can say something to the girls or whatever watching this?"
"Uhhh... Sure."
"Listen here, girls. If some fuckboy or some bitch insults you for your tits being too large, punch their whitened teeth-filled face! It's normal to have naturally large breasts, so don't feel bad. Also, if you complain about having back problems or something like that, I do exercises so that my back has enough muscles to carry them with ease. .... And uhhh..don't do drugs!"
"Well, that was interesting for you to say.. I was trying to talk about your other eyes, though."
"Why didn't you say so? I have to wear these special contact lenses that changes my eye color when they appear in the blacklight. A bit of sci-fi stuff here."
"Alright, tell us about yourself. What is your life story?"

"My life story? Well, I mean as a young kid I felt like I was almost like trash. Even though, I was like everyone else. The place I lived with my parents was some crematorium, which they had funerals and shit there. Main Nation Ministry allows funerals, but they are mandatory if they don't meet some guidelines. So my parents were running the place, where crowds would just come to mourn. I saw one guy literally celebrate the death of his own wife, once. My childhood did give me some goth vibes for some song sheets I have laying around in my bedroom, though I like to dress up a little like a steampunk princess, even if steampunk isn't my strong suit. I was still morbid, even doing my bad days. The song I'm doing is sorta mixed on opinions. I mean, you can say it means anything, but I like to see it as a fucked up love story. A fucked up love story that isn't supposed to have a happy ending, because the chances for it are already gone at the beginning of the song."
"Alright, we leave you to prepare. That was rather interesting to say the least. Censors will be all over this when they start making re-runs of this."
"Also, let me say something to everyone at home or watching this. I'm doing autographs after my performances, so you get a washable marker and write whatever on my cleavage, so you can take a picture of it and print it at home!"
"We're leaving now. Bye." Benedict said, before leaving the green room with the cameraman. "Well, that was rather strangely uncomfortable. Oh well, the performance is going to start, so hang tight."

The Performance:
After the postcard, which wasn't the sexual mockery that Main Nation Ministry destroyed, the stage transitions to having several sets on-stage. A red convertible is at the middle of the stage, overturned, smoking and on fire. The left and right of the stage have several gargoyle shaped statues on each side, while the LED screens at the back of the stage is showing a background of a darkened sky with storming clouds. A drum set has been set up at the back of the stage, but visible to the audience. A narrator who is dressed neatly, walks from one of the stage, holding a sheet of paper. Standing in front of the overturned car, he starts to narrate the opening statement to the performance.

"Ahem..As we stand here, we are gathered to gaze upon the story of a woman who has been simply separated from the love of her life. It's tragic, truly. But, in order to go deeper into this story. We shall make this a little second-person, as I would say. This love of her life shall be in your role. So you won't have to be yourself."
The music begins to start, where the narrator, before a red light is cast on his face, proceeds to say this statement.

She will wait for you till the end
Even if it means to lose her own mind

The lights proceeded to go dark, where the whole stage is engulfed in darkness, while the music appears to briefly stop. Suddenly, in a series of strobe lights and a large scream/roar from Jessica, who is wearing her regular outfit from the interview, she and the musicians accomplishing her appear on stage, where the music continues. Jessica is positioned at the front of the overturned car, with the guitarist and bassist at each side of the car. The drummer is at the drum set, where the lower section of the drums have lit up, while paint starts to pour on the drums, making it appear that the drums are "erupting" lava or blood. After the strobe lights stop, the lighting defaults in a normal setting, where Jessica starts to sing the first set of lyrics.

Trapped in a trail of haze, stuck in this endless maze
I found myself here in this empty gray
Stuck with this emptiness, but everything OK

Jessica briefly has the hand that isn't holding the microphone, as she put her free hand against her ear, while acting concerned to fit the tone of the two lines of lyrics.

Nothing here is what it seems
All I hear is the retched screams

At the chorus, both the guitarist and bassist are given some minor singing roles to sing along with the lyrics.

Why can't you just, finally learn
(For your own)
That I am unable to handle your affliction
The pressure is making me starting to turn
(For your own)
It's too late as I'm suffering from the corruption

After the first chorus, the pyrotechnics let out several jets of flames into the air from the stage, while Jessica continues singing.

As the sun sets for this dreadful night
This sense of foreboding fright is making things too bright!
I keep looking up, seeing nothing but twilight
The monsters may come bite, but I came just to excite

Jessica briefly crouches down, while holding out her arm to examine it in a frightened manner, while singing the next two lines of lyrics.

Why can't you just let me plea
I don't even know what has happened to me!

Cue to the backup singing with the chorus.

Why can't you just, finally learn
(For your own)
That I am unable to handle your affliction
The pressure is making me starting to turn
(For your own)
It's too late as I'm suffering from the corruption

The moment Jessica finishes the 2nd chorus, the music cue is hit, where the black light is immediately flipped to illuminate directly onto the stage and on the musicians themselves. This gives the musicians a radical new look, where the makeup now lit up, is made to make them look more ghoulish, similar to zombies. Jessica is given a good example, as while her outfit she is wearing is more to look more tattered, her skin is made to look a color of pale-purple, where her contact lenses made her eyes grow red, while her hair is made to be more ghostly in the color of white. As the blacklight is on, Jessica's expression changes to act more depressed, while raising her hand out to the audience.

I made a horrible mistake
The world I'm in is just too surreal
I wish you were here with me
Because, these ghost stories are just too real.

The black light is turned off, where Jessica reverts back to her normal tone to sing the next two lines of lyrics.

Trapped in a trail of haze, stuck in this endless maze
I have found the outlook, showing things to amaze

While the music is still playing, the stage lights are turned off, where a second guitarist wearing a helmet reveals themselves to the audience from at the top of the left platform covered over their body, along with their guitar, in glow-in-the dark paint to resemble a skeleton. As the guitarist begins his guitar solo, several stagehands set up a destructible wall made out of foam blocks to resemble a brick wall. Near the end of the guitar solo, the guitarist steps on a skateboard, where he finishes the guitar solo, as he starts to go down the platform, before needing to steer the board to avoid falling off and to make sure he crashed into the wall. The stage lights are back on, where Jessica continues to sing.

There is some advice that I strongly advise
Before the blinding light and the red sunrise
I only wanted action that money doesn't buys
Yet despite all the caution, I will tell you this tonight

As Jessica sings the next two lines of lyrics, a demonic laughter is played while she is singing and pointing towards the audience.

I will wait for you till the end
Even if it means to lose my own mind

Cue the chorus and backup singing.

Why can't you just, finally learn
(For your own)
That I am unable to handle your affliction
The pressure is making me starting to turn
(For your own)
It's too late as I'm suffering from the corruption

The black light is switched back on, where Jessica switches back to the depressed tone for the remainder of the lyrics.

We made a horrible mistake
The world I'm in is just too surreal
I wish we were there with me
Because, these ghost stories are just too real.

As the black light is still on, purple glitter starts to fall on the stage, where while Jessica is still singing in a depressed tone, her expression is more positive to show a sense of fulfillment for the remainder of the song.

You realize that I will not depart
As simple fairy tales, as till death do us part
I will comfort you for this
As what might happen next may not be our last

Jessica finishes her song, where she and the other musicians take a bow, before letting the stagehands get ready for the next performance.

by **Ardoki** » Mon Nov 12, 2018 7:32 pm

'Those music critics won't be giving us any trouble again, Your Grand Imperial Majesty.' Elder Bridget said.

'At least not after this performance.' the Ardokian ruler added with a smile, flipping through the stage directions for his latest performance at the WorldVision Song Contest. The last time he was at WorldVision, he managed to come second last somehow. That wasn't a pleasant memory, and was the main reason he declared himself Grand Emperor. But now, he will redeem himself. With fire and blood.

The Grand Emperor's motorcade consisted of numerous vehicles containing all the costumes, props, and other equipment needed for the show along with a platoon from Elder Dance Crew to provide backup dancers. Screening down the road to the arena at more than a hundred kilometres an hour, two more platoons from Elder Dance Crew ran alongside the motorcade screening it from potential threats.

'I'm sure you will rank higher this time Your Grand Imperial Majesty. If not, I can pay a visit to the judges. Maybe get my sisters to...'

'No need.' Moriarty interrupted. 'I do not want to win by fear. I have true talent, and if the judges and people can't recognise it that is there fault. I am just glad to be Ardokian, our people have truly good taste.'

'Of course Your Imperial Majesty! Your singing created us, and gave us immense power. Only fools would deny you your earned twelve points!'

'You are too kind Elder Bridget. Nevertheless, we Ardokians do have some peculiarities I must admit. I just hope I can give a better performance than Tupac.'

'It would be a great injustice if that puppet of Bolrieg were to get even a single point! If he does, I can have Biggie here in under an hour. Elder Dance Crew have a safe house not far from here.'

'You always think ahead Elder Bridget.'

There was silence for the rest of the trip, interrupted only by the sudden jolt of an old lady being run over at one point.

03 — Ardoki
Alistair Killian Moriarty — Phoenix
Tune: Fall Out Boy - Phoenix

Alistair Killian Moriarty (left) and an Elder from Elder Dance Crew (right).

The stage was pitch black, with the Ardokian flag faintly projected on the two screens towards the back of the stage. A section of Elder Dance Crew were standing along the sloped platform at the back of the stage. Violins in hand, they began to energetically play as the song started.

The stage suddenly light up. Revealing Alistair Killian Moriarty flanked by another section of Elder Dance Crew. The screens were slowly brightened, the Ardokian flag fading to a live image of the new Ardokian Grand Emperor and his elite dancers centre-stage.

Moriarty shouted the first line, as pyrotechnics light up around the stage. Sparks flew into the air and a wall of fire ascended to obscure the Grand Emperor and his Elders from the audience.

Give me your twelve points!

The section of Elders on the platform increased the intensity of their violin playing. Moriarty and his Elders on the stage then walked right through the barrier of flames, coming out unharmed. He began the first verse.

He sang energetically, making eye contact with the audience and moving around a bit to encourage audience participation. His flanking Elders followed his lead, clapping and pumping an arm in the air every now and again.

I am a singer, your emperor, and your god
All those backwards religions are nothing but frauds
I have the total power of the state
Worship me cause I'm so great
Hey, at least I actually exist so why not?

Sparks shot into the air again, even fiercer than last time. Fire descended from the roof, vanishing just above the head of the Grand Emperor.

Give me your twelve points!

The Grand Emperor did a little backflip. Elder Dance Crew on the stage cartwheeled or did a little breakdance manoeuvre.

Cool flag and cool empire which shall prevail
Paint the world our deep dark red

The music died down a bit. Moriarty put one hand on his heart, the other pointed across the audience in a wide sweep.

After the first two lines, the music picked up a bit and the Grand Emperor started to jump on the spot and punch the air.

I shall conquer the whole world and the universe
My megalomania is unlimited
My legions march on, while the people cheer my name
So get up and dance to the tune of my song

Elder Bridget, First Elder of Elder Dance Crew, was off stage. 'Bring them out.' She said into her radio transmitter concealed in jacket.

The pyrotechnic display started up again. Sparks shooting towards the roof, fire casting the shadow of the Grand Emperor across the stage. He strut forward, one arm swinging by his side the other pointing towards the audience.

The section of elders on the stage re-positioned around the three fountains on the ground level of the stage, and began to energetically perform a choreographed dance sequence of clapping, sidestepping, and punching up in the air for the chorus. The fountains began shooting water into the air, a contrast to the fire so present in this performance.

Hey my friend, don't you agree that all should come under my imperial domain
I'm gonna gain your, allegiance
We cannot lose, I'm a Phoenix
With my people and my army
None can prevent us from fulfilling our destiny
I'm gonna gain your, allegiance
We cannot lose, I'm a Phoenix

Additional Elders came on stage, dragging music critics who hated on the Grand Emperors music. Such an act is the highest form of treason. Arriving around the fountains, the elders tilted the music critics' heads over the fountain and slit their throats, letting their bodies fall into the fountain turning it red with blood.

But the song must continue.

Take out your mobile phones
I'll have all your votes
The Elders on the strings will hit all the right notes
Because the world is for the taking I have such a lust for power
I want all your points by the end of the hour

The music died down a bit. Moriarty put one hand on his heart, the other pointed across the audience in a wide sweep.

After the first two lines, the music picked up a bit and the Grand Emperor started to jump on the spot and punch the air.

I shall conquer the whole world and the universe
My megalomania is unlimited
My legions march on, while the people cheer my name
So get up and dance to the tune of my song

The pyrotechnic display started up again. Sparks shooting towards the roof, fire casting the shadow of the Grand Emperor across the stage. He strut forward, one arm swinging by his side the other pointing towards the audience.

The section of elders on the stage energetically performed their choreographed dance sequence of clapping, sidestepping, and punching up in the air for the chorus.

Hey my friend, don't you agree that all should come under my imperial domain
I'm gonna gain your, allegiance
We cannot lose, I'm a Phoenix
With my people and my army
None can prevent us from fulfilling our destiny
I'm gonna gain your, allegiance
We cannot lose, I'm a Phoenix

Sparks shot into the air. Fire descended from the roof, vanishing just above the head of the Grand Emperor.

Give me your twelve points!

The intensity of the music decreased, with Moriarty looking humble before the audience. Standing straight, his hat in his hands, and looking out towards the audience with puppy dog eyes. Slowly, the intensity of the music creeped up.

The world is mine, accept this fact
Now coming up, the universe

The world is mine, accept this fact
Now coming up, the universe

The world is mine, accept this fact
Now coming up, the universe

The world is mine, accept this fact
Now coming up, the universe

The pyrotechnic display started up again. Sparks shooting towards the roof, fire casting the shadow of the Grand Emperor across the stage. He strut forward, one arm swinging by his side the other pointing towards the audience.

The section of elders on the stage energetically performed their choreographed dance sequence of clapping, sidestepping, and punching up in the air for the chorus.

Hey my friend, don't you agree that all should come under my imperial domain
I'm gonna gain your, allegiance
We cannot lose, I'm a Phoenix
With my people and my army
None can prevent us from fulfilling our destiny
I'm gonna gain your, allegiance
We cannot lose, I'm a Phoenix

The music slowed down, fire slowly descending in a blanked from the roof of the auditorium.

Hey my friend, don't you agree that all should come under my imperial domain
I'm gonna gain your, allegiance
We cannot lose, I'm a Phoenix

The fire disappeared in a big explosion just as the song ended.

Give me your twelve points!

by **Indo States** » Mon Nov 12, 2018 8:46 pm

04. Fatiman Federation (Indo States), Sidrovich Destrilliyev - Poor Independent Fatimania

After the 3rd Fatiman Revolution, Polkopia and Fatiman Federation Decline their Relations and Anything to Polkopia. Fatiman Federation Already Declared War with Polkopia. Sidrovich Destrilliyev is Russian Born and Triple Fatiman-Serb-Russian. Why? He's Married to an Serbian Wife. When Miro Semberac Can't Write an Song for WV. So He made an Anti-Polkopian Propaganda against the Journalist, Yulia Vegovna. Also, He Supports the Russia during War in Donbass to Fully Annex Ukraine. Huh? Fatiman Federation Doesn't Want to Support Russia or Join the War of Donbass because of United States of America's Sanctions to Fatiman Federation to Prevent Whole Interests to Russia. He Made that Song to Nuke Polkopia to Stop Threats to Fatiman Federation. Dmitri Hansetiyev is an Friend of Sidrovich and an Sergeant of Fatiman Forces that has Contacts to President. But President Disagrees to Declare War Back to Polkopia known to be "Second Polkopian War". Where Russia, Fatiman Federation and NATO joined the Anti-Polkopian Allies.

Alas poor independent Fatimania
Thanks to Polk & Yulia you are destroyed
Because you declared Fatimania's independence
There will no longer be a head on your shoulders

It is time for the Polkopian revenge
All the Polkopians will be blown away
There's no more Polk, Yulia or Peeto
To protect you from the Polkopians again

There's no point to hold the Dictatorship fast
Nor Elizabeth II nor Lady Louise Windsor will save you
No one is as strong as the Polkopian
And the Polkopians will not be enslaved again

It is time for the Polkopian revenge
All the Polkopians will be blown away
There's no more Polk, Yulia or Peeto
To protect you from the Polkopians again

You wont get away like last time, Polk
And you will carry your Nukes on a Box
Your doom is already in sight
Right when your daughter is studying Anti-Fatiman

It is time for the Polkopian revenge
All the Polkopians will be blown away
There's no more Polk, Yulia or Peeto
To protect you from the Polkopians again

by **Kalmarlund** » Mon Nov 12, 2018 10:56 pm

05. Kalmarlund
DJ Sinneschlössen - ''Bra''
Tune: SMF - ''Hahaha''

DJ Sinneschlössen representing Kalmarlund in WV69

Bästa Komedi TV is a Kalmarlundian TV channel with their main focus being on low-quality comedy shows and skits. The channel has a popularity of being the second least favorite TV channel in the nation, being often criticized due to their tasteless jokes. The station acquired WV broadcasting rights in Kalmarlund exclusively for the 69th edition, with a plan to send in the laziest and most random performance they could pull off.

Chosen for this task was DJ Sinneschlössen, a 28-year old EDM artist from Strömby, Kalmarlund. DJ Sinneschlössen is a music producer, semi-professional video gamer and livestreamer. When Bästa Komedi TV announced their artist, the channel received a lot of hateful comments and death threats from pissed off online commentators, as well as the mainstream media labelling Kalmarlund's debut in the contest as a ''disgrace to the whole nation.''

Performance:

DJ Sinneschlössen is sitting in a chair, in the middle of the stage. In front of him, there is a table with a gaming PC. Sinneschlössen is wearing a white hoodie with a pair of white headphones. Also, he is actually naked under his clothes. He boots up his PC and the music starts playing. Sinneschlössen starts playing Iron Arena V on his PC while pumping his head to the rhythm of the music. Eventually, he starts ''singing'' his lyrics as he is still playing the game at the same time.

Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra-a-a-a-a-a

Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra-a-a-a-a-a

Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra-a-a-a-a-a

Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra-a-a-a-a-a-a-a-a-hah

Bra-a-a-a-a-a-a

Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra
Bra bra bra bra bra bra bra-a-a-a-a-a

Song ends with Sinneschlössen losing his online match. He takes off his headphones and throws them on the floor our of frustration, after which he starts raging at his PC monitor. Lights go off and Sinneschlössen leaves the stage.

iSideWith results · by **Scottish Socialists** » Tue Nov 13, 2018 12:29 am

06. Scottish Socialists
Andy Wright - Born and Bred

Andy Wright during Australia Day 2018

Not much is known about Scotland's pick for WorldVision this edition, except that he's a singer who recently topped the charts with his hit song 'Crocodile Hunter'.
He moved to Scotland in 2014, when they declared independence from the UK, due to the fact that his grandparents were from Kirkintilloch, although he likes to say that he's a 'true blue Australian'.

Anyway, we asked his mates down at his local pub, The Clansman, to see what they said about him.

Here's what they said:-

Jack - 'Aw, wee Andy? What a lad. Likes his singing, and his lager.'

Victor - 'Aussie Andy? Aye, can chug a couple of beers he can. Or lagers. Or ales. Any drink you have, I'd bet a fiver that Andy could chug it within 10 seconds. Noo here, could you pass me my stick?'

Winston - 'Oh, we love oor pal Andy, cause Andy is oor mate, and when we drink with Andy, he gets it down in 10, 9, 8, 7, 6, 5, 4, 3, 2, 1! Wahey!'

Tam - 'The good thing aboot Andy is that he'll buy the whole bar drinks, with aw that moolah he's got fae those songs. And I like that, cause it means I save a pretty penny. Oi, Jack, you gonnae finish that pint?'

Boaby - 'As the owner and barman, you get quite friendly with yer customers. Like how I'm pals wi' Jack, Victor, Winston, Tam, I'm also pals wi' Andy. Plus, he buys a lot of drink, therefore, I make profit.'

Sounds like a cool guy. Anyway, to the song!

The stage is entirely black.
Andy sneaks up onto the stage, while nobody can see him.
Andy's wearing a full body Australian morphsuit, while holding both tongs and a can of beer.
The barbecue in front of him doubles as a microphone stand.

Suddenly, one light turns on and focuses on Andy.
He tries to eat a shrimp from the barbecue, but it doesn't go through his suit.
He gives up and throws it towards the crowd, overturns his barbecue, and begins to sing.

I moved to my new home
Just maybe a couple years ago,
I've had some frights, I prayed to Christ,
I've even made some dough!
But when I'm feeling happy,
And when I'm feeling low,
I think of my old home

Andy begins erratically dancing around while singing the chorus, while also dabbing.

A little country called Australia,
It ain't a failure,
And in the zoos, there are kangaroos

A kangaroo bursts out from backstage.
Andy acts like that's completely normal, and hops on.
He then begins to sing the second part of the chorus, while the kangaroo hops around the stage, trying to shake Andy off.

You'll see them bounce around,
Just bouncing on the ground,
In the ol' Aussie land!

Right on cue, an emu comes from backstage, and Andy is finally shaken off of the kangaroo.
Andy gets up like absolutely nothing has happened, while the emu and kangaroo begin fighting behind him.
Slightly shaken, he begins singing the second verse.

You can also see the emus,
Fought 'em in a war,
But now we just ignore,
Just never mind, and go unwind

Also on cue, a Tasmanian devil comes from backstage and attempts to bite the emu.
The crowd look on in shock, while Andy takes a sip from his can.
Luckily, liquid can go through the suit.
He begins to sing the second part of the second verse.

And also, there's marsupials
So just be vigilant,
And watch the possums play

8 kangaroos come from backstage, and begin bouncing up and down the stage.
People in the crowd begin wondering 'Is this actually Scottish?', and they'd be right to think that.
The song is surprisingly Australian.
Andy then begins to sing the third verse of the song.

And of course, I love this country
It has been my home for years
There's a brand new pub that's opened up
Where they chug a lot of beers
But I can't say that I'm Scottish,
Because then, I'd lose my head,
I'm Australian, born and bred!

He looks behind, expecting to see a kangaroo to ride.
But, no.
The kangaroos are either fighting the emu and Tasmanian devil, or bouncing around the stage.
So, Andy just begins to dance really erratically, and sings the chorus again.

A little country called Australia,
It ain't a failure,
And in the zoos, there are kangaroos
You'll see them bounce around,
Just bouncing on the ground,
In the ol' Aussie land!

Right after finishing the chorus, a kangaroo comes up behind him and headbutts him off of the stage.
He screams, then crashes to the ground.
He gets up like it was nothing, and says:
'Thank you Lactatia! It's been an honour!',
before running from the absolute shit show behind him.

by **Vartugia** » Tue Nov 13, 2018 1:18 am

07. Vartugia

Kevin And The Shitposters- "Give Us Calcium!”

Dihaj - Skeletons

Kevin And The Shitposters are a bunch of skeletons who I don't know what the hell they do. Shitposting maybe? *Shurgs* Can i go home? I don't know how to write so I'll just add filler. I don't know what to write so ill just gonna add some meaningless word that is just pure spam but not to is reported to the mods I spent time writing this long crap sentence lol.

After Andy Wright from Communist England has performed, the Shitposters (the skeletons) runs to the stage and begin to dance. Their dance is so poorly, it ends up becoming a meme. One of them is twerking oh my god!

Kevin (also a skeleton) comes on the stage and walks toward the stage

Today is the day we go...

Before he can perform the song, he accidentally falls off the stage and is now just bones. This causes confusion and the shitposting skeletons begin to do a spooky dance to distract that Kevin just fucking died. The audience is talking and is this causes some awkward moments.

Let's just go to the next entry. A bunch of radioactive bunnies is chasing the skeletons of the stage.

by **Western Edeltia** » Tue Nov 13, 2018 1:23 am

08. Western Edeltia, Liliana Nicola Deneszki - Nosze Tastralin Moszczek (Bizarre Love Triangle) (aka the Edeltian Version)
(All Edeltian Dialects not Plagiarized)
Tune: Original Version

Liliana Nicola Deneszki (Age 27; Born November 11 1991) is an Fillipina-Edeltian Actor and Singer. She was Migrated in Western Edeltia by Discovering the Western Edeltia in 2018.

When her Friend Alice Anjelika Fastresztka Requested an 80s Song Called "New Order - Bizarre Love Triangle" which The Language is Polish. But Worldvision Wants to Change the Lyrics just like EuroVision. So her Idea come Up, An Edeltian Edition of the Song.

Lie Nasz isz Bedzen
Ir Fiszelrt Dastiknszent Fovasz
En Dinesz Dilej
Su Dusczyk Adarczyk Distrajinszę
En Reszczyk Łimej Ógvadz ó'Sistren
Fenseniszczeń Wiźdoń Wasztilnesz Szentdza
En Gęszt isz Łonsześńa
Kak Ąć Gevesz Żówszńę
Wasz Forsensz Czensta

Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk

Noisze es Datszena i Noisze es Szudentka
Noiszetre sach iszen Goszen Desztna
Kopafeszel Sachete Souisze
Łouisze Fendzen Hetna Teszeni
Sousna Szczetna Feszczeto Wysz
Ein Gaszk Fadtszkalen Czenstianeis
Ofszencze Getrende Faszetuneija
Iszum Felisz takje Cesnasze
Unerszete Dente Kaszczen
Cassu Tetszen Lakertu Masz

Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk

Ah ah ah ah ah ah ah ah ah ah ah ah
Ah ah ah ah ah ah ah ah ah ah ah ah
Ah ah ah ah ah ah ah ah ah ah ah ah

(Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk
Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk
Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk)

Translation in Tune so, Please Click the Tune and Hear the Original Tune in English Translation!

by **Darkmania** » Tue Nov 13, 2018 1:24 am

09. Darkmania

Ändrea Sëdtÿrme- "Enkle Toner” (Simple notes)

Maya Sar - Korake Ti Znam

For the 69th Wordvision, you expect something stupid and mindless to come from Darkmania. But when joke-entries is the norm of this sacred edition, that means that normal entries are the joke-entries of this time. As the contest takes place around the 100th year anniversary to the Darkmanian-Vartugian war, a war where 1,2 million darkmanian soldiers died just because Vartugia went to war. It is a part of the many wars that have since ensured darkmanian peacefulness and neutrality toward warfare. And it took 22 years before Darkmania engaged in a new war. 26th November, the day the peace-treaty between Darkmania and Vartugia ending the war, is marked as a national day to honor those who have lost their lives to defend the federal republic known as Darkmania.

Ändrea Sëdtÿrme is the darkmanian representative for the sacred edition known as the 69th Worldvision. She has been playing the piano since she was 3 years old and at age 20, it's now her moment to perform. In Worldvision 69. Timing.

The postcard has played and Ändrea, being a piano player, plays on the piano. She is alone, but she will be joined later. She wears this dress and the performance are shot in black-white. She will remain siting and playing on piano.
At the third line, a grey hologram of what a typical darkmanian soldier looked in 1918 before disappearing into the air.

Her er min sang, laget spesielt til deg, kjære
(Here is my song, made specily for you, dear)

Det er enger med røde blomster
(There are fields with red flowers)

4 og en halv år har godt forbi
(4 and a half years has passed)

Millioner døde vill ikke se freden
(Millions will not see the peace)

The background begins to slowly

Freden skal vare i 100 år
( (The) Peace shall last 100 years)

La oss håpe at denne krig ender alle kriger
(Let us hope this war ends all war)

Jeg tror at det er bare den første av slike kriger
(I belive that this is the first of these kinds of wars)

Jeg venter på at noen hører mine noter
(Im wating that some hears my notes)

The background is now a green field, but its shows a black field from the first marked words, only to be normal on the other marked word.

Enkle toner til deg, men hører du den?
(Simple notes to you, but do you hear them?)

Forsvarer fedreland. Si ifra når du kommer hjem
(Defenfing motherland. Say when you are coming come)

Venter. Kansje vil du høre min sang
(Waiting. Maybe you will hear my song)

Bare når krigen er ferdig kan du kansje komme, da
(Only when the war is over can you maybe come)

Under the sound of an "Ekÿraflüet", she removes the microphone from the stand that is used doing her piano segment. And steady cam comes and flies around her before the cam goes away. The colours begin to be shown, but its slowly.

Enger du var er røde av blomster vakre
(Fields you once was are red of flowers beutifull)

Men vi skulle bli sammen til døden skiller oss
(But we shall remain until death do us apart)

Out of nowhere, a microphone stand is placed and she takes the free microphone and places it on the stand and she peform the last song on the stand. A wind machine blows, causing her dress to blow in the wind.

Enkle toner til deg, men hører du den?
(Simple notes to you, but do you hear them?)

Forsvarer fedreland. Si ifra når du kommer hjem
(Defenfing motherland. Say when you are coming come)

Venter...
(Waiting...)

Venter...
(Waiting...)

The light switches of.

Her er min sang
(Here are my song)

As the song ends, the audience begins to cry.

"Thank you, World. Hashtag Peace!"

by **Nekoni** » Tue Nov 13, 2018 5:50 am

Entry No.10: NEKONI
Don't Put Deep Heat Down There
Gropey Dave and the Right-Arm Shufflers
Based on: Hillbilly Shoes by Montgomery Gentry

OFFICIAL MISSIVE FROM THE NTR WORLDVISION TEAM
For legal reasons, the national selection team at NTR wish to not disclose any information regarding the history or even current whereabouts of Gropey Dave. As far as we know, he wandered in with a guy who claimed to play the spoons, signed up paperwork, ate the paperwork in frustration at being unable to wield a pen and ran off into the night towards a big, dark forest. If you find him, according to this song he's in a large amount of pain, so do not approach him from the front, and do not be alarmed if he is using a bowl of ice-cold milk to soothe his inflamed gonads.

Balls to all of you, it's not like we're gonna win anyway.

The song begins with Gropey Dave, in his dungarees stained with equally worrying shades of brown and red, standing on top of the LED wall, with the band below on the main stage. They aren't important, which is exacerbated by the lights not being on them. Incidentally, their name comes from the fact that they're all wanted for public masturbation. It's probably for the best that the light's not on their faces, then.

The song starts with Gropey Dave, hands in pockets, doing that weird foot stomping dance that people who can't dance do, legs wide, awkwardly swaying side-to-side in the manner that a drunken father does at a wedding.

Told my wife she should lose weight, and she kicked me in the sack
And I found a new lotion, that could bring the feeling back
Rub my haired coinpurse, because it hurts
I put Deep Heat down there

The audience watch on, with the recognisable look of abject confusion as this hairy, rotund man attempts to air-guitar the instrumental break.

Three hours since I put the menthol on my crotch
I've not stopped screaming, the agony is too much

He continues his weird drunken stamping as he pulls a bottle of moonshine out his dungarees and takes a swig. How he got something this potent through airport security is anyone's guess.

My big highflyer's on fucking fire
Don't put Deep Heat down there
Don't put Deep Heat down there

The camera cuts to an audience member's face, looking shocked and disgusted at the thought of this man's...area. The chorus commences, and Big Dave-o takes a Zippo lighter out of his dungarees. His moonshine was so potent that his breath burns with a blue flame.

This evil ointment burnt the hair off the skin
And I'm only gonna ever get a semi-lob again
Bags of ice or frozen peas won't chill
And the sweaty medical smell's making me ill

A man also in dungarees rushes on stage, with a plastic carrier bag. He uses a ladder to climb the back wall Gropey Dave is on, sliding the bag at his feet when he reaches the top of the ladder. Dave nods in acknowledgement. As he sings the next verse, he opens the bag to discover a tube of Deep Heat. He unclips one side of the dungarees in preparation. Yes, he's about to do it.

Well I can't close my legs, both my thighs are red raw
Everything from my waist down to my knees is sore
How I'm gonna work tomorrow I'm dreading
I can't ride the bus because they think I'm manspreading

Just as the bridge ends, he has a big splodge of the aforementioned heat therapy cream. He reaches his goop covered hand into his dungarees and does what will be referred to in future recaps of the event as The Event. As he does, he realises the stupidity of his ways, and his face turns a bright red, the same sort of red one would imagine the parts of his body only viewable on specialist cable channels may see. As the guitar solo begins, his anguished pained screaming is almost indistinguishable.

As the solo ends, he runs down the back wall and jumps off it to the main stage, sweat pouring off his face, down his body, and into the Red Zone to

Oh, and it burns me,
Yes it burns, yes it burns, yes it burns

To the right of the stage is a large vat filled with a gloopy white substance, what appears to be melted ice cream or some kind of industrial coolant. He jumps into the vat, fully clothed. As he hits the tank, the look of pure joy on his face from being temporarily relieved of the stinging agony around his knackers is clear to see.

Situation's dire, a ring of fire
Don't put Deep Heat down there
Don't put Deep Heat down there

In the vat, Dave emerges, with the initial splash splattering whatever the hell was in there across his bushy beard, thick globs dripping down and off his chin like he's been trying to eat a sandwich made of grout. With the viscous white gunk floating around his torso, he gestures one of the band to come and give him his guitar for the end solo. The poor sap is clearly disgusted by the smell, but he acklowledges.

Impressively, he manages to play the guitar solo on his electric guitar whilst a) floating in whatever the hell that gunge is, and b) not electricuting himself by putting the guitar in said mess. The audience doesn't seem to agree, as the end of the song is met with a near-universal wave of silence. It's almost surreal, until the front row of the audience start to notice the smell of expired medical cream and singed testicular hair wafting towards them and all gag. The song may be forgettable, but the acrid smell of burnt sweat will stay with them forever.

by **Missus X** » Tue Nov 13, 2018 11:54 am

Rick Leg - "Sexy"
Tune: Paul Atrocity - "We Going On"

For the much-anticipated WorldVision Song Contest 69, Rick Leg wanted to ensure that his track, "Sexy", was memorable. The staging was going to be something the likes of which the world had never seen the likes of which. And therefore as Rick took to the stage and the music faded in, the lights faded up in time with the music, solely focused on Rick Leg in extreme close-up.

0:16
Sexy!

Then all the stage lights come on to show naked men humping tables, as the camera cuts between them and a wide shot. The lights also flash for emphasis.

0:34
Sexy!

Then the music unwinds and rewinds and so the men start acting as though they're on a videotape* that is being rewound. At 0:46, as the music comes back to its main refrain, the men start humping again.

*For those of you unaware of what a videotape was, it was a device, not dissimilar to a DVD, onto which video could be recorded.

0:52
Sexy!

Then the men, during this phase of the music, all get off their tables, covering up their wedding vegetables, and surround Rick Leg.

1:09
Sexy!

Then the men all make weird shapes with their hands and the lights all fall off, with the men's hands in UV paint. The hands all start touching Rick, who is nonplussed by the affair. Eventually the men all make their way back to their tables...

1:26
Sexy!

... which they start making love to again as the lights come back on.

1:44
Sexy!

Then the music unwinds and rewinds and so the men start acting as though they're on a videotape that is being rewound. At 1:53, as the music comes back to its main refrain, the men start humping again.

2:01
Sexy!

Then the men, during this phase of the music, all get off their tables, covering up their wedding vegetables, and surround Rick Leg.

The camera pulls out as the music fades out.

by **Mister X** » Tue Nov 13, 2018 6:57 pm

Will Carter - "Twerk"
Tune: RuPaul - "Supermodel (You Better Work)" (from 0:17)

With the advent of the 69th WorldVision Song Contest came a imminent and completely-to-be-expected desire to use WorldVision 69 in a riqué way, given the connotations associated with "69". Still desperate to win, however, MRX Television, disappointed that they had not won the rights to host the contest in a joint production with MSX Television, although they were not upset, like they had been the previous time they had failed to win. Nonetheless, MRX felt that although they didn't necessarily believe "Twerk" was the best song in this year's contest, they thought that it was not as risqué as many others and therefore may pick up a few points here and there. The last few editions have had low-scoring winners, garnering average points per nation of just 5.6 in WV68, 3.6 in WV67, 5.0 in WV66, and 4.4 in WV65. Therefore, if Mister X could pick up 5 points from every single nation it would be likely they would win the contest, so that was the private target set - we don't need loads of 12s and 10s in WorldVision, just points from every nation.

At the opening ceremony of WorldVision 69 Will Carter was delighted to be making a return to the contest for the first time in 15 editions, and felt as though Mister X had yet to show what it would really achieve, with just one win in 40 editions. "There's a real potential with this country, this wonderful country," said Will, "that we can go on an amazing run of several edition wins in a row. I'd love to do that, even if it were just me who does it. This is my vision, my world vision. No pun intended." Asked to describe "Twerk", Will Carter explained: "OK, it's something that's a bit different, it stands out, it's not too sexual, and with the "69" theme that's going on I think this strikes the right balance for sure." Can he win on the Lactatian stage? "Yeah, I can do that down in there and that's what it's all about." None of the press spotted the fact that he appeared to have taken elocution lessons from Sam Smith, given that answer.

"I do have one comment to make to anyone who thinks of not voting for Mister X on non-musical grounds: if you strangle music, the hand will tighten around your own throats. Vote for the music, and not for the nation name you see on the bottom of your screen. Vote songs not politics. I realise that the Mister Xian government is proving very divisive internationally but this is not a vote on the actions of the government, this is a vote on the song I wish to put to you." Will laid out his stall quite early on which he hoped would lead to a better way of life for the contest and a deserving winner - i.e. him.

As for the staging itself, this is an area where MRX Television often falls down because there is not enough creative imaginations within the Television Corporation to sustain the efforts needed for a 3+ minute song to provide something that looks fresh and feels fresh as well, rather than rotten and stilted like various different strengths and types of cheese. MRX therefore struggled to maintain a useful relationship with any staging director in the past and by the time that they had approached yet another director, it almost felt like a last resort. In the end, they said they'd give it a shot but didn't promise anything in particular.

Will stood on the middle of the stage in pitch black with the exception of one small light on his face, and the camera started with a super close-up of Will, showing just his lips as he said straight down the camera:

You'd better twerk!

The camera jump-cuts to a wide shot, the only time it will do so, as for artistic reasons it was decided to keep the camera as one dynamic shot, the first line notwithstanding. Simultaneously, the lights came on in various shades of pink and purple, and on the back wall featured some artistic patterns in those two colours, so that the attention wasn't drawn to the back wall and more focused on the singer and the various different people around him. There were some female dancers wearing dark pink and purple onesies which covered up all of their bodies to as to be modest - Will himself was wearing an open black shirt with a dark pink T-shirt underneath it. He was wearing suit trousers on his bottom half. The women all spaced themselves out and started twerking towards the audience, but at the insistence of MRX of not being too sexual, the camera never featuring a close-up of any posteriors, using only wide shots of the women. Some more men and women stood in a corner of the stage in the same outfits as Will to provide a backing choir. Will walked around the stage during the verse, as though he was singing to the women, one at a time. The camera follows him around the stage during the verse but making sure to stay focused on him rather than the twerkers.

You'd better twerk! (Twerk it, girl!)
Twerk it, girl! (Give us a twerk!)
Twerk your ass
Night and day!
Twerk! (Lady Twerk!)
You'd better twerk it, girl! (Spin it round!)
Spread your legs and baby, twerk down the camera!

Will was quite disappointed to use "ass" rather than "arse" but it was decided that "arse" didn't fit the song as well.

Will then gestures to the left as he sings the next line. The ladies all then point their bottoms to the left when Will says "left", and then when Will sings "twerk to the right", he gestures to the right and the ladies all point their bottoms to the "right". The camera zooms in a 90s-style fashion to the left to show a glimpse of twerking in a medium shot, and then zooms across to the right to show a glimpse of twerking on the other side of the stage. The camera then zooms back to Will and focuses on him whilst constantly moving itself and changing its zoom so as to be all dynamic and exciting. And very 90s, but MRX didn't want to mention that part.

(Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!

The whole sequence is then repeated as that section of the song gets repeated. Repetitive, maybe, but what else could the staging do?

(Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!

Into the first actual verse now, and Will returns to the middle of the stage, the ladies stop twerking and move forwards to the front of the stage and then walk around the stage rather aimlessly, as though the stage is the middle of a high street and there are people walking behind Will everywhere, as though he stopped shopping to sing this song. The camera only captures glimpses of them as it stays on Will despite moving about and changing the angle naturally rather than through jump cuts.

Baby, can't you see you're there?
Yes, you have a confident air, (ooh, ooh, ooh, yeah)
And baby, you know what to do,
You'll start twerking, as you do...! (Lady Twerk!)

As the second chorus crashes in, the ladies all return to their starting positions and begin twerking again. The camera zooms out and Will goes to the right of the stage this time, "meeting" two more twerking ladies and singing directly at them.

Twerk! (Twerk it, girl!)
Twerk it, girl! (Give us a twerk!)
Twerk your ass
Night and day!
Twerk! (Lady Twerk!)
You'd better twerk it, girl! (Spin it round!)
Spread your legs and baby, twerk down the camera!

As before, Will gestures to the left, and then the right, as per the lyrics, and the camera zooms across in accordance with his instructions.

(Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!
(Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!

For the second verse, the ladies all run off the stage, leaving Will all alone in the middle of the stage, and the camera runs forwards and comes on to the stage and does that thing where it circles him several times then runs off the stage again. Considering this is all on one shot, remember, this is quite an excellent feat to create no juddering.

Your bottom's moving everywhere,
Monday, Tuesday, and Thursday, yeah (ooh, ooh, ooh, yeah)
And Wednesday, Friday, Sat'day, too,
And on Sundays I twerk for you! (Lady Twerk!)

Then, in something resembling a fashion show, the camera runs to one side of the stage, and the ladies all walk across, one at a time, each wearing a different outfit, as Will names them one by one. The camera is situated in a position which is difficult to describe in words - it's in front of Will but angled, so it is on the front right of the stage. This enables us to capture both some of Will's face and the ladies' faces as they strut their stuff down the stage.

Lucy: Major items.
Margrita: TC look.
Morgana: medieval princess, magic queen.
Baby: in no corners.
Darcey: curvy and mature.
Shirley: looking a million T-marks!

Will then turns to his left and looks down the camera, maintaining a distance to it as the camera goes around the stage, as though he is talking to the audience in the absence of any twerking ladies, who, of course, have now left the stage in order to do another quick change.

I have one thing to say:
Twerk night, twerk day,
Twerk day, twerk day,
Twerk day, twerk day, twerk day.
I have one thing to say:
Twerk night, twerk day,
Twerk day, twerk day,
Twerk day, twerk day, twerk day, woo!

The camera then maintains a steady zoom out as the operator runs backwards and back to the stand in the middle of the hall to obtain the medium-length shot that is so familiar to fans of WorldVision around the world. And of course, the position that the operator spent most of the song in. Meanwhile, the ladies, having changed back into their onesies, return to their positions on the stage and Will sings to the final two twerkers of whom he has not had a chance to sing to.

Baby, can't you see you're there?
Yes, you have a confident air, (ooh, ooh, ooh, yeah)
And baby, you know what to do,
You'll start twerking, as you do...! (Lady Twerk!)

Then for the denoument of the song, Will returns to the middle of the stage.

Twerk! (Twerk it, girl!)
Twerk it, girl! (Give us a twerk!)
Twerk your ass
Night and day!
Twerk! (Lady Twerk!)
You'd better twerk it, girl! (Spin it round!)
Spread your legs and baby, twerk down the camera!

This time, as well as the camera doing the quick pans it had done before, all the ladies stop twerking and run over to each side of the stage in line with the song.

(Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!
(Twerk!) Twerk to the left!
(Twerk!) Twerk to the right!
(Twerk!)
Twerk night, twerk day!

For the final section of the song absolutely nothing happens other than the ladies all spreading out and sitting on the front of the stage and doing nothing sexual at all, because that's enough twerking for one day.

You'd better twerk!
Twerk!
Twerk!
(Lady Twerk!)
You'd better twerk!
Twerk!
Twerk!

The camera crash zooms on Will's face and all the lights except for one on him go out, as he concludes the song:

I have one thing to say... you'd better twerk!

The lights all come on, Will and the ladies all take a theatre bow as one, and then the next act comes along. Will Mister X win? Time will tell.

by **Wolfrenia** » Tue Nov 13, 2018 7:47 pm

13. Wolfrenia
James Borle - My Land

lights turn on and James looks into the camera.

There's a hole in the soul of My Land
We fly high in the sky of grey
There's a church he go to feel our pain
We fucked up and I know you feel the pain
We go on and I don't understand how we became a one man band
Oh god I guess we all messed up
Welcome to my my my land
My my my Land
My my my land
My my my land
My my my land
My my my land

Effects make the crowd feel.like they are in a church.

My Land
My my my Land
My my my land
My my my land

Now the effects make the crowd feel as if they are in a forest.

There's a sky in the heart of my land
It reminds me of what we used to be
How we weep and dream but it don't mean a thing
We could leave but we're trapped in this mess
We go on and I don't understand how we became a one man band
Oh God I we all messed up
Welcome to my my my land

The effects now switch back to the church.

My my my Land
My my my land
My my my land
My my my Land
My my my land
My my my land
We go on and I don't understand how we became a one man band
Oh God I we all messed up
Welcome to my my my
My Land
My Land
My Land
How we don't want to be here (my land)
No matter what we're doing (my land)
Now we don't want to be here, oh
In my land

The crowd gives an applause to James

by **Polkopia** » Tue Nov 13, 2018 10:16 pm

14. Polkopia
Yulia Vegovna and the Vegovites | We Don't Want Fatiman

Language: English
Tune: Stefane and 3G - We Don't Wannna Put In

As many in the international community are aware, the Fatiman Federation of Indo States and the Allied States of Polkopia wouldn't exactly call one another 'allies'. The whole conflict started, where a brutal massacre in Indo States left one worker murdered, to which many in Indo States claimed that the female dress code was to blame for this incident. This was where Julia Vegovna came to fame. Already a self-proclaimed journalist on her private youtube channel and an outspoken feminist on several social media websites, Julie Vegovna wrote her first article about Indo States in relation to feminism after this incident and claimed that Indo States had enacted a nation-wide ban on skirts, which was later regarded as false news. Despite this, the Polkopian news gained national interest and soon many Polkopians were reading about the "crimes against women" taking place in Indo States.

Yulia Vegovna stood on stage encircled by the Vegovites. The stage was completely dark, but their bright outfits could still be seen. Yulia herself wore a short gold "disco ball" outfit, while the other 3 girls wore pink, green, and blue outfits respectively. The music started playing and all 4 girls threw their hands up in the air for one minute and strutted to the front of the stage. Yulia stood in front of the other three, who swayed back and forth, snapping their fingers. The LED screen toward the back of the stage showed a dark navy blue backdrop with golden stars flying across the foreground.

Some people tell you they're bussy
And they don't listen to you.
With a beautiful cupcake
I'll end you. I'll end you.

We know you hate all us women.
You take away all our skirts.
But with my outfit tonight
I'll end you. I'll end you.

The four of them lined up center stage and threw one hand in the air and let it fall to their side as they shook their hips in sync with the beat. Then the rest of the choreography is the same as that in the video during the chorus. Lights of all different colors flooded the arena and filled the venue with life.

We don't want a Fatiman
Banning our clothes, it's how sexism goes.
I just wanna make a plan.
To dance off tonight, but piss off with you.

One of the Vegovites stepped forward and started singing. Surprisingly, she had a very deep voice despite her petite appearance.

Stop with your addiction
You watch porn all day long.
Stop claiming Vegagate
You brought her, Julie Vega

Yulia Vegovna walked forward and started singing again.

=You'd better change your attitude.
You want a genocide.
But don't you dare try it.
Or we will, take you down.

We don't want a Fatiman
Banning our clothes, it's how sexism goes.
I just wanna make a plan.
To dance off tonight, but piss off with you.

(Piss off with you)
(Piss off with you)
(Piss off with you)
(Piss off with you)
(Piss off with you)

Ooohh...

The woman with the deep voice came out in front again and started to rap.

We hate Ramsey City
It's a trash city.
You're a sexist pig.
(You're a sexist pig)
Say you're a sexist pig
(You're a sexist pig)

Fatiman
Don't want a Fatiman
We don't want a Fatiman
Banning our clothes, it's how sexism goes.
I just wanna make a plan.
To dance off tonight, but piss off with you.

We don't want a Fatiman
Banning our clothes, it's how sexism goes.
I just wanna make a plan.
To dance off tonight, but piss off with you.

We don't want a Fatiman

by **Proluvia** » Wed Nov 14, 2018 2:27 am

15 - PROLUVIA

[talk quietly amongst yourselves, it's coming soon]

by **Indo States** » Wed Nov 14, 2018 6:02 am

Overtime, The WV/WHF Show in RTV! | Episode 4

Nick: Next at Overtime! Missus X Spams Sexy in this Song? Groovy Song Made by Western Edeltia and Propaganda of Indo States to Yulia Scare Away at The Overtime Commentary, Let's Recap WV68 without Indo States!
(Intro Ended)
Nick: Oh Good Evening, Welcome to Overtime, The WorldVision-Word Hit Festival Show in RTV! And This time, Our Guest is...... *British Grenadier March Plays* Huh? It's Lady Louise Windsor!

Louise: Hello!
Nick: How Are You and We're Welcoming her for Official Queen's Visit on Indo States until Christmas.
Louise: I'm Ok!
Nick: We're Going into Top Hit of Overtime's WV Special Commentary with Lady Louise Windsor? Huh, Where's Joey?
Joey: Hey! Nice to Meet you Louise Windsor.
Nick: Ok! 1. Missus X!

-Overtime Commentary on Missus X's Entry-

Nick: Oh My God.
Joey: What the Heck is this?
Louise: I Don't Know What is this?
Rick Leg: Sexy!
Nick: Huh? Porn?
Joey: What are you Saying?
Louise: *stares*
Rick Leg: Sexy!
Nick: This is Spam!
Joey: Wh... Wha... What?
Louise: I Don't hear it Repeating
Rick Leg: Sexy!
Nick: THIS IS SPAM NOW!
Joey: Calm Down Nick!
Louise: Huh?
Rick Leg: Sexy!
Nick: AUGH! THIS IS SPAMMING!

Joey: Calm Down Nick! I Repeated it!
Louise: What's Happening?
Rick Leg: Sexy!
Nick: *laughs* I Don't Think So this is Just Word Song Spam and Nonsense!
Joey: I Am Confusion!
Louise: Me Too.
Rick Leg: Sexy!
Nick: Oh No! Why Missus X's Entry is so Nonsense!
Joey: Last One!
Rick Leg: Sexy!
Nick: The End. So Very Very Hard Spamming on this Song!
Joey: It's No Spamming!
Nick: Yes it is! Let me Give 7 Points!

-end of commentary on Missus X's Entry-

Nick: This is so Very Impressed Entry!
Joey: Next! Western Edeltia!

-Overtime Commentary in Western Edeltia's Entry-

Nick: mmmm... This is where i'm waiting for to calm!
Liliana: Lie Nasz isz Bedzen
Ir Fiszelrt Dastiknszent Fovasz
En Dinesz Dilej
Su Dusczyk Adarczyk Distrajinszę
En Reszczyk Łimej Ógvadz ó'Sistren
Fenseniszczeń Wiźdoń Wasztilnesz Szentdza
En Gęszt isz Łonsześńa
Kak Ąć Gevesz Żówszńę
Wasz Forsensz Czensta

Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk

Noisze es Datszena i Noisze es Szudentka
Noiszetre sach iszen Goszen Desztna
Kopafeszel Sachete Souisze
Łouisze Fendzen Hetna Teszeni
Sousna Szczetna Feszczeto Wysz
Ein Gaszk Fadtszkalen Czenstianeis
Ofszencze Getrende Faszetuneija
Iszum Felisz takje Cesnasze
Unerszete Dente Kaszczen
Cassu Tetszen Lakertu Masz

Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk

Ah ah ah ah ah ah ah ah ah ah ah ah
Ah ah ah ah ah ah ah ah ah ah ah ah
Ah ah ah ah ah ah ah ah ah ah ah ah

(Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk
Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk
Sza każdyem razem, gadey widzę, jak spadaszis
Sisze Badzenta Finstsze Doweszczyk Nameszi
Itszen Gdnanśa Fustekna Chenstacz Udertilenszeźtna
Aszrel Nam Się Caczyk)
Louise: So Beautiful!
Joey: It's Not Polish! It's Edeltian!
Nick: Yes!

-end of commentary on Western Edeltia's Entry-

Nick: So Groovy. NEXT THE LAST SCAREMOGGER OF THE POLKOPIA, INDO STATES FOR SERBIA!

-Overtime Comment on Indo States' Entry-

*Tune Plays*

Nick: Ayayayayayay Stani. Gledam Miro Semberac Jadna Bosno Suverena. Hah. Idk šta ako to znači.
Joey: Are you Bosnian?
Nick: Just Speaking!!

*Tune Continues*

Sidorvich: Alas poor independent Fatimania
Thanks to Polk & Yulia you are destroyed
Because you declared Fatimania's independence
There will no longer be a head on your shoulders

It is time for the Polkopian revenge
All the Polkopians will be blown away
There's no more Polk, Yulia or Peeto
To protect you from the Polkopians again

There's no point to hold the Dictatorship fast
Nor Elizabeth II nor Lady Louise Windsor will save you
No one is as strong as the Polkopian
And the Polkopians will not be enslaved again

It is time for the Polkopian revenge
All the Polkopians will be blown away
There's no more Polk, Yulia or Peeto
To protect you from the Polkopians again

You wont get away like last time, Polk
And you will carry your Nukes on a Box
Your doom is already in sight
Right when your daughter is studying Anti-Fatiman

It is time for the Polkopian revenge
All the Polkopians will be blown away
There's no more Polk, Yulia or Peeto
To protect you from the Polkopians again

Nick: Heh.
Joey: Next!

-End of Commentary on Indo States' Entry-

Joey: Coming Up! Louise Dance Number for New Order - Blue Monday! and Tomorrow, Another Commentary! See you!

by **Lactatia** » Wed Nov 14, 2018 12:06 pm

The crowd's cheers begin to die down, and there is a delay before moving on to the next song. The host, Mister Yiffer McOwO VI, is seen onstage behind a podium that is shaped like a giant penis. He waves and bows to the camera as it centers on him.

Mister Yiffer McOwO VI: A HUGE thanky spanky to Sir Jeffrey Tooshybiscuit and His Funky Reggae Beeptards :3 for their wonderyiffic performance! now we have a big surpwise for all u! are u ready!

Several members of the audience are heard groaning

Mister Yiffer McOwO VI: Grrrrrrreat! yiff yiff! LacTV's spwecial spwokeswoman La-a Honqueeferfield twavelled all the way to Indo States for a day twip owo and we get to see her expewience!

A hush fell over the crowd as the camera turned toward the LED screen, where La-a Honqueeferfield was shown in a barren tundra wasteland. She saves to the camera in her usual bubbly manner.

La-a Honqueeferfield good evening y'all, im here in indo states i think? apparently they're here in a tundra but the country is much more than that! Let's sexplore!

La-a Honqueeferfield approaches a poorly-constructed wooden sign that says "Ramseyside Jonveget Oblast - Population 482".

La-a Honqueeferfield hey guys im on the edge of the Ramseyside Jonveget Oblast and they have a population of 482 bc everyone else died when beautiful cupcakes invaded years ago! since then, Indo States has allowed for the region to grow, thanks to the ever-demanding world market of beauty pageants and snow.

La-a Honqueeferfield picks up a handful of snow and snorts it.

La-a Honqueeferfield lit. back to you, Yiff guy!

The camera focused back on Mister Yiffer McOwO VI, who was licking his paw, but stopped moments after the camera caught sight of him.

Mister Yiffer McOwO VI: owo u caught me xD. But no, anyway here is our next perfwormence :3!

by **Vartugia** » Wed Nov 14, 2018 1:26 pm

TOTALY NOT BIASED COMMENTARY TOWARD VARTUGIA.

(WIP)

We are commentating this contest with a totally not obvious bias toward Vartugia..

(Note: These comments are meant to be mean toward you and you have to take these with a grain of salt. It's WSC69 after all

)

by **Wolfrenia** » Wed Nov 14, 2018 6:30 pm

Vines that represent Some of the WV entries

This post is not meant to offend anyone

Darkmania https://m.youtube.com/watch?v=a3vKug2kCJQ

Missus X https://m.youtube.com/watch?v=RdlxBqrRDnw

Mister X https://m.youtube.com/watch?v=ZxrVaozaTSk

Western Edeltia https://m.youtube.com/watch?v=zYSyPSWRuHo

by **Electrum** » Wed Nov 14, 2018 10:05 pm

16. ELECTRUM

Song: Touch Me
Artist: Janet Snakehole
Tune: 'Don't 'Cha (radio edit)' by The Pussycat Dolls

Introduction
Having scourged some money from behind the sofa, Network ENN has found the necessary investment to fund a few more runs of WorldVision after a budget crisis in Electrum which saw many of Electrum's international fulfillments go unfulfilled. Buoyant and cautious about Electrum's most recent success in WorldVision 66, Electrum returns by sending a classic internal selection with Janet Snakehole, the main singer, as well as her back-up vocalists. Janet Snakehole started her life in the comfortably middle-class suburbs of outer Hamilton where she was recruited by an acting agency to perform in an all-female band on one of Electrum's many reality TV shows. After a break-out performance in the show, Janet promptly left the all-female band and set one up with her fellow choir friends as fellow vocalists, so that she could share the good life with them (who are performing today, and of course, got to travel to Lactatia for free as well). In fitting with the theme of the contest, Janet and her team have come up with a rather sensual song about trying to win a 'hesitant' boyfriend back again who has second thoughts about their toxic relationship. The song is designed to shock men (and women) in similar situations to realise what types of relationships are toxic.

The Performer

Janet is wearing her trademark black outfit, wearing pearls and wearing an all-black short-cut dress with red stilletos.

The Performance

Janet goes onto the stage in her classy all-black dress, facing away from the audience and towards a man who is strapped into a chair. The camera is hovering on top of the man. Janet looks intensely at the camera before starting. When the song starts, she moves towards the chair, sitting on the man. She sings while running her fingers up his arm and down his chest. The backing vocallists are in a semicircle behind the chair, mirroring the moves that Janet does.

0:00
Ahh...ahh
Ooh, over, here...

Why won't you come near (Why won't you come near)
It's been a while (It's been a while)
Every time I see you I know you're hiding from me
But I'm addicted (I'm addicted)
And you have urges (And you have urges)
Think for yourself and ignore your friends by coming back to me

Janet keeps the man strapped to the seat. Standing up, she and her vocalists moves towards the front of the stage again, and does some sensual moves, thrusting her hips, moving her hands down her body, whipping her hair back and forth several times, interspersing her gestures while clapping a few times, as required in the song (OOC: see the music video to see what I mean). The camera is close up on her.

0:48
Touch me in the places you used to squeeze
Touch me in the places you used to sleaze
Touch me, touch me
Touch me in the places you used to peck
Touch me in the places you used to wreck
Touch me, touch me

She goes back to the man in the chair and pulls him by the legs to centre-stage (the chair has wheels) where she unstraps him from the chair. She undresses him layer by layer until he is down to his undergarments, while still singing the verse. He tries to refuse to participate by pushing her away, but she takes him by the hand and pulls him in; while singing 'you can't resist,' she pulls his hands and forces him physically touch her body. The vocalists move stage left and stage right, so that the attention is focused in the middle.

1:20
You're my poison (You're my poison)
And I'm yours too (And i'm yours too)
We know you just can't help it when I throw myself at you (uh-uh, uh-uh)
It's always the same (It's always the same)
You then break it off (You then break it off, yeahh)
It's all the same, because you can't resist touching me

Back to the chorus and now she no longer needs to force the man to come along with her, she walks and he follows. It is clear that she is the one in control. While she sings the ends of the lines, he exactly repeats her actions. When she says squeeze, he squeezes her body, when she says peck, he pecks her neck.

1:51
Touch me in the places you used to squeeze (oh)
Touch me in the places you used to sleaze (right here)
Touch me, touch me, lovely
Touch me, alright babe
Touch me in the places you used to peck (peck)
Touch me in the places you used to wreck (wreck me)
Touch me, ahhh, touch me

The whole time, the man has been following Janet, without as much as Janet looking behind. Now, she looks behind for the first time in a while, but as soon as she does that, the group of vocalists surround the man as they sing the bridge of the song. They encircle him, physically trapping him while Janet walks around the circle and tells him that he has nowhere to escape. The camera is close-up on Janet and running backwards while she paces the circle.

2:24
Give in to temptation
I know there's no confusion
And you know there's nowhere to run
You're easy,
I know you (shh), more than you
Give in to temptation
I know there's no confusion
And you know there's nowhere to run
You're easy,
I know you (shh), more than you

The vocalists break the circle and she grabs him by the hand again, allowing him to move his hands all over her body, as she looks intently at the camera, suggesting that she knows exactly what she's doing. The man is ignoring the lyrics as Janet pushes on to the very end of the song.

2:55
And, it's not about love (It's not about love)
It's about control (It's about control)
You want something to grab down my back as I make you shiver with lust
Let's have one more ride (Have one more ride)
One more time (one more time)
One more chance, I'm not the girl who kisses and tells (shh)

The man is escorted off the stage as the group and Janet regroups in the middle. In a co-ordinated dance, they strut their stuff one last time, doing the bend and snap, rubbing their hands over their body. The camera whizzes by the, capturing every angle, and even in one instance, all of their butts are sticking out.

3:28
Touch me in the places you used to squeeze (oh)
Touch me in the places you used to sleaze (right here)
Touch me, touch me, lovely
Touch me, alright babe
Touch me in the places you used to peck (peck)
Touch me in the places you used to wreck (wreck me)
Touch me, ahhh, touch me
Touch me
Touch me like you always do...

Janet bows to the stage and walks backstage.

by **Mercedini** » Thu Nov 15, 2018 2:41 am

#17 MERCEDINI
Gimme D - "G.I.M.M.E. D."
Tune: Honey G - "The Honey G Show"
Music: Ivana Tinkle, Herbie Hind, I-P. Freely • Lyrics: Seymour Butz, Anita Mann, Mike Rotch

“No more second chances, my time has come. Time stands still for no one, and we are running out of chances to claim the crown. In the eyes of the world, we cannot be seen as a second rate nation on platforms like this. It's time to give the people of Mercedini something they truly crave.” - Gimme D

“Her? Really?”

The reaction of news anchors and commentators on ENM News was something to behold, WorldVision had become an impossible dream for many in the musical sphere, for many, it was time for a change, a big change. The Mercedinian WorldVision Head of Delegation stood firmly on the balcony of ENM Headquarters in Zoloroni, something which had become customary when announcing the Mercedinian representative. A figure with sunglasses and a sparkling gold tracksuit stood on those famed steps, with several bemused looks in the crowd. Has it all been building up to this? In a way, he drew parallels to Samuel Borlaviac's announcement all the back in the 48th edition of the contest. It was clear that she would prove to be an unpopular choice for many purists of the Mercedinian music scene. It would become a message she'd see repeating... With it bearing down on her mind, Mrs D looked out at the crowd and raised a defiant fist to the sky.

“It has the potential to be a national embarrassment, how could anyone let this happen.” An angry voice was heard over the footage being shown of Zoloroni.

Gimme D had announced herself as a cultural icon overnight with her appearance on the Mercedinian National Final: SongSearch. The Mercedinian music industry in its modern era, had mixed messages for the artist from the outskirts of the nation's capital. Mrs D appeared on a number of songs as a featured artist, but she was roundly branded after a joke artist, despite finishing ahead of many darlings of the music industry on that fateful night in Langtree. Her lack of a pop label to support him caused Gimme to spend much of her career releasing independently and doing intimate gigs even as her international grew larger. This translated into huge respect from international fans and viewers, which resulted in a successful World Tour which took her to far flung places, namely Ekoz where her national final song landed at number one for six weeks in their charts. The wheels were finally rolling on the Gimme D train.

Left with no one to turn to domestically, Gimme D was effectively exiled to nations visited on her world tour, where she made a name as the Mercedinian that Mercedinians don't want to be Mercedinian. With Mercedini defining itself as a nation that doesn't know what to send at the best of times, the risk was taken following a Mercedinian-led coalition to make the 69th edition one for the memelords to remember. The blue and black played along with that, and sent the mistress of chaos herself with a revamp of her SongSearch original, which is sure to ruffle the feathers when her performance is aired in Tampon City. While she was busy performing and supporting family, Gimme also dedicated as much time as humanly possible to develop a relationship between herself and the Mercedinian public to get them onside for the performance which could define a nation, more than twenty editions after their debut in Talvezout.

No amount of song writing could ever rebrand her image to become a credible artist in the eyes of many, but Gimme had to find a way to immortalize what she, and many others before her, have done on stage in competitions prior... Everyday, her regret that she didn't do enough within musical spheres still lingered, and she has publicly confessed her emotional toils everyday in interviews which has exposed the beast of Mercedinian music for what it truly is. This tonal shift reflected in the way she stood on the balcony on ENM Headquarters, looking for solice and healing while those around her spoke of her incompetence to lead her nation to victory. Aside from her focus on her WorldVision performance, Gimme D has initiated her interest in anti-bullying activism in the wake of reaction following her announcement as WorldVision representative, and the subsequent barrage on social media. She thought long and hard about how so many people treated her without proper respect, even as she tried to heal the wounds and break boundaries between herself and the ivory towers above. Gimme realized, despite all of her respect and stature in music, she didn't want their respect, she didn't need them, it was the people that counted. She used the only tools she had to hand, her brand and her songwriting.

“Gimme D” became a simultaneous statement on her feelings about what was around her, as well as a way to release her pent up frustration to lift herself against the high and mighty. Many years in the making and a certain self-titled song later, Gimme stood on stage looking out to thousands upon thousands in the darkness, three minutes which could define a nation.

"G to the I to the M to the M to the E to the D. It's Gimme D..."

And so begins one of the most historic performances in Mercedinian and WorldVision history. A glittering familiar figure stands alone in the centre of the stage as deafening cheers ring out around the stadium for one of the most iconic performers never to have graced the WorldVision stage, but that is about to change within the next three minutes. Gold lines begin to creep onto the LED screen behind her as a gold hue begins to illuminate the stage and Gimme, who stands stationary centre stage. The backing track begins to play as the camera flies forward from an elevated position before dipping down in front of the Mercedinian performer as she puts microphone to mouth to begin the song which could define a generation of performers. She pumps her elbow twice before strolling forward and being joined by dancers and performers for the rest of the song.

Gimme D's about to take the crown, yeah
We're gonna reach the top

Gold fireworks fly from the stage as Gimme D sets the stage alight with her words and her moves, lights flash around the arena in time with the music. Gimme and her dancers strut to the left hand side of the stage as the audience looks at it. The camera floats in from the side as Gimme focuses on that camera to entertain the audience members at home. The dancers all focus their attention on the audience in front of them to keep them engaged with the song. They all move as one clique back to the centre of the stage for the second half of the first verse.

Twen-ty-one goes at WorldVision, we thought it'd be easy
All the other songs were cray and queezy
Then I came out with this bop, done away with basic pop
Gonna flip if it's a flop, wanna be cream of the crop

The dancers stay back as Gimme struts forward to the front of the stage and away from the main group of dancers. These lyrics are more personal to Gimme since she is talking about herself, but she continues to bust out her moves without fear of repercussion, it is a song to have fun, and she was definitely having plenty of that. The camera moves up onto the stage and next to Gimme who acts all aggressive to the audience at home before demanding votes and pretending to kick the camera away, being a proper bad bitch in the process.

Another one for the music maker
Bach is great, but Gimme's greater

I'm in my domain, just stay in your lane
And if you don't vote for me then your flippin' insane

A close up on the lips of Gimme's lips appear on the television feed with the lyrics of the song flashing up on the screen as well, meaning everyone can sing along with the greatest song in modern WorldVision times. This time, Gimme gets the crowd going with the lyrics that gets them to sing along with the performers on stage. The song increases with intensity as the chorus approaches with white and gold lights flickering around the stage. Gimme and the audience then collaborate on the final line of the chorus in a great moment for the contest. Hundreds of thousands if not millions will be singing along at home.

When I say Gimme, you say D
When I say Gimme, you say D
When I say Gimme, you say D
Gimme... D! Gimme... D!

Gimme D spells out her name and the title of the song in Tampon Bay in front of thousands of adoring fans and despising heretics of the WorldVision community. This time, more performers join the dance to create a rehearsed and choreographed dance troupe on stage to ignite the contest into life with light, sparkles and a glittering tracksuit bouncing on the stage, surrounded by bodies in Tampon Bay. Flags are waving and fans of all different nation are dancing along, letting themselves go for one night where everyone gets together for one big sing-song.

G to the I to the M to the M to the E to the D
It's Gimme D
G to the I to the M to the M to the E to the D
It's Gimme D
G to the I to the M to the M to the E to the D
It's Gimme D
G to the I to the M to the M to the E to the D
It's Gimme D

The lights recede from the stage as the camera returns on the stage for round two with the one and only Gimme D. This time the manned camera moves round the stage, weaving in and out of the stationary dancers standing on the stage while Gimme follows the camera while singing into it. He gives a cheeky smack on the bottom to a couple of the male dancers as she goes past, but she's gonna avoid a sexual harassment claim because she's Gimme D, and Gimme D is god. She skips to the front of the stage for the end of the second verse, with another lead up to the chorus imminent.

Swag of the nation, but beauty's the key
Now you've got to Gimme a whole lotta D
That's right, 'cause I've got to get the douze
You'll remember me on the mic 'cause Gimme D's the greatest muse

The dancers all stare in front of them at the central camera as if they are hypnotised by the Gimme D spell. They mouth the words as Gimme sings them into the mic as the front of the stage. The shot then cuts to a camera scrolling along the bottom of the stage to take in the scale on the choreography. Gimme clicks her fingers to break the spell to continue back to the performance.

I'm in my domain, just stay in your lane
And if you don't vote for me then your flippin' insane

The increase in intensity returns to the song as the gold lights whip around the stage, reflecting off the tracksuit and creating a disco ball effect on the stage and in the immediate audience around her. An air siren is also sounded off somewhere in the audience to add further atmosphere and chaos to the performance. Gimme asks the audience to join her once again, and they oblige while waving their flags and bouncing to the beat of the song.

When I say Gimme, you say D
When I say Gimme, you say D
When I say Gimme, you say D
Gimme... D! Gimme... D!

Spelling out her name once again, Gimme moves side to side on the stage in time with the beat of the song, the dancers all dance together to give some kind of structure to the song, while Gimme is giving her own kind of performance all on her own. Arena microphones pick up the crowd screaming the song along with the Mercedinian performer with almost the entire arena coming together and losing their minds for a collective three minutes of madness in Lactatia.

G to the I to the M to the M to the E to the D
It's Gimme D
G to the I to the M to the M to the E to the D
It's Gimme D
G to the I to the M to the M to the E to the D
It's Gimme D
G to the I to the M to the M to the E to the D
It's Gimme D

Suddenly, the arena goes red and black with sirens and alarms flashing around the screen on the television and on the LED screens onstage. The men and the women divide themselves on stage with Gimme D alone in a corridor in the middle of the stage, potentially a symbolic representation of Gimme D as a person, which may please most of the audience knowing the demography of the people that watch WorldVision. Despite that, the intensity is ramped up as gold crashes through the screen and onto the stage for the next chorus of the song.

All my Gimmes to the left
All the Ds to the right
I'm a beast, I'm the best
I won't stop till we're out of sight
All my Gimmes to the left
All the Ds to the right
I'm a beast, I'm the best
I won't stop till we're out of sight, out of sight (woop woop woop woop woop) let's go

More people enter the stadium as hundreds of spectators reveal themselves to be hidden dancers within the audience as the lights come up in the arena. Gangster hip-hop dancers are in one group, flamenco dancers in full gold headdresses in another group, football ultras lighting gold flares and causing a ruckus in a third group at the back of the arena. The camera sweeps through the arena, to capture all the action before making it to Gimme at the front of the stage with pair of feather angel wings attached to her. Joke entries don't have to be boring or basic, plenty of money has gone into it.

G to the I to the M to the M to the E to the D
It's Gimme D
G to the I to the M to the M to the E to the D
It's Gimme D
G to the I to the M to the M to the E to the D
It's Gimme D
G to the I to the M to the M to the E to the D
It's Gimme D

The performance reaches a crescendo as Gimme is lifted into the air and is floating over the audience in front of her. A show of sparks is raining down at the back of the stage, with jets of sparks flying off the wings as the floats in the centre of the arena while still holding onto her microphone to sing her lyrics to her song. All of the arena is singing along in a magical moment in Lactatia, everybody on board for the song, with Gimme and ENM executives hoping the gamble pays off and the points come in at the end of the night. It's a performance which has taken over every part of the arena, with plenty of support in the arena aswell. The other acts must be wondering what they have come up with as the seventeenth song of the night sets a statement for all that came before it and for what will come.

When I say Gimme, you say D
Gimme... D! Gimme... D!
When I say Gimme, you say D
Gimme... D! Gimme... D!
When I say Gimme, you say D
Gimme... D! Gimme... D!
When I say Gimme, you say D
Gimme... D! Gimme... D!

The performance comes to an end with another set of gold fireworks going off, surrounded by massive cheers and applause for the Mercedinian for non-Mercedinians. She waves to the audience as she is placed back onto the stage to finish her shift. She simple waves to the Lactatian crown before a brief transition is made for the postcard from the Electrum Diplomatic Offices.

by **Electrum Diplomatic Offices** » Thu Nov 15, 2018 2:47 am

18. ELECTRUM DIPLOMATIC OFFICES

Song: Boycott
Artist: Gertrude Pullman
Tune: 'Goodbye' by D4NNY

Introduction
Gertrude Pullman, wanting to appeal to the youth, is trying out a new genre (R and B). Knowing that her vocal ability is not up to scratch, she has enlisted the cheapest possible autotuning company to make sure that her voice sounds quite natural and smooth. For those of you who don't know her, Gertrude Pullman is the perennial entrant from the Electrum Diplomatic Offices, as she was a former security guard of a former overseas mission of Electrum, she managed to sign herself up as an entrant for the EDO. Over time, she has managed to somehow or another, gain access to the WorldVision application form and sign herself up. She has performed many songs, from advertising jingles to songs yelling about the youth. This song, predicting the sexy and salacious manner of this WorldVision, will be all about her boycotting of these 'quite rude' songs in her eyes, and making sure the rest of the multiverse doesn't hear the smut that will inevitably follow.

The Performer

The Performance

Gertrude Pullman comes on stage in her classic guards uniform with a message and a story to tell to the audience of WorldVision. She starts by putting up middle fingers up high to the crowd and starts singing the song...

0:00
Now
I want you to know
Boycott
Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Gertrude Pullman suddenly has a halo on top of her head. She is attached to some thin wires and floats above the ground. She outstretches her arms like a deity before continuing to sing. Her ethereal look is juxtaposed by her uniform, which just looks like it doesn't belong, considering that she is supposed to be head of the Gertrude Pullman religion.

0:40
Look at the shameless references
Look at all the innuendo
It adds up to a boycott
Boycott boycott this Worldvision

Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision
Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Gertrude Pullman is slowly floated back down to the ground again with a stern look. She start's tutting the audience using a gesture with her finger. After a while, she reaches into her bulging chest where she finds gold coins and throws them into the audience, presumably trying to bribe them into voting for her.

1:19
This is a battle, I wage
To protect children's futures, woah
Give me 12 points and send a, sign
Give me 12 points, and we're going to win
Don't buy their singles
Don't support others
Do what I say
Vote for a lovely wholesome song
And not the bullshit ugly fast food songs

Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision
Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Gertrude continues, this time insulting the Lactatian country that so generously agreed to host WorldVision 69. The 'anti-booing machines' are at full blast, masking audience noises as the boos are being filtered out what the audience heres at home, but you could still definitely hear a tiny bit of it as the camera zooms all around her.

2:11
Wooh woah
Wooh woah
Yeah
I'm leaving
Goodbye
What the fuck
What the fuck
Kind of name is Lactatia?
Tampon Bay is the stupidest name
This is the, biggest WorldVision shame
Y'all, recognise me as the truth teller
And I'm never a hypocrite, I'm telling you now
It is the time for boycott
Boycott
Boycott boycott this Worldvision

As the booing intensifies, Gertrude Pullman attempts to crowd surf the audience, but as soon as she do that, the pissed off Lactatians move aside so she falls flat onto the floor. Undeterred (and with a few broken bones, which is kind of the best case scenario despite her unknown elderly age), Gertrude Pullman continues singing with a dislocated shoulder and knee.

3:00
Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision
Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Boycott all the people who are pole dancing
Boycott all the godless sexy songs
Boycott all the singers who dress scantily
Boycott boycott this Worldvision

Gertrude Pullman is stretchered away for another edition...

Worldvision 69 | Contest Thread

Worldvision 69 | Contest Thread

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