40th WorldVision Song Contest | Rokkestaat, Ekoz

by **Electrum** » Thu Jul 09, 2015 11:33 pm

Electrumite Worldvision Commentary - Network ENN - Part 1

Sonya Portelli: Hello everyone, you're one of billions of people watching the 40th Anniversary edition of the WorldVision
Max Hardwell: And we're live in Rokkestaat, Ekoz, bringing you our fabulously insightful commentary into the songs of this editoin
Sonya: Yes, we're your award-winning hosts, and we hope to not let you down again!
Max: Alright, let's go in and get started. As always, numbers at the bottom. We won't repeat it because it's boring.
Sonya: You, the viewers at home, will have the important role of choosing where Electrum's votes will go! Choose wisely!
Max: Let's get started.

by **Ekoz** » Fri Jul 10, 2015 7:17 am

Yohanna: Welcome back to the WorldVision Song Contest, live from Rokkestaat! Over forty nations have performed from all corners of the multiverse, so let's all give them a huge round of applause! It's that time of the show where we dive into WorldVision past, this time, spotlighting on Zwangzug

It's been a long journey for The Neoreactionaries since their song The Pendulum won WorldVision 6. While "The Pendulum" was part of their angry rocking second album, "Singing on Eggsheells," it led to a rerelease of their first album, "Back to the Future," with the WorldVision performance included as a bonus track. The five performers released two further albums together. "What I Wouldn't Do" follows in their rock tradition, while "Way to Way" is more of a rock opera.

After this, drummer Graham Simmonds parted ways with the band, and released two solo albums: "Days of Peace" and "Upstorm." Guitarist Fergie Bartlow retired, and The Neoreactionaries added two more members. Today, Tyler Shadd-Escia plays drums and Kevin Juridon plays guitar for the band. Their fifth album, "Enigmagic," is a throwback to their earliest instrumental pieces.
Work was underway on a sixth album, "Check Blank," when Zwangzug receded from the international community. It's unclear whether they'll stay together long enough to release it. Simmonds, meanwhile, is probably going to finish his third solo album, "Voice Mail." The group reunited, including Simmonds and Bartlow, to perform in the "Best of" WorldVision edition.

Yohanna: Again, unfortunately the STE couldn't confirm whether Zwangzug would be returning to the contest but it clearly shows that if you have they talent, you can go the distance and remain a force to be reckoned with.

Next we move back to the contest, are you ready for some more music? I said are you ready for some more music?! Ladies and gentlemen, song number 41!

by **Montenia Fayerland and Dunaria** » Fri Jul 10, 2015 8:12 am

42 MONTENIA

Song Midnight
Artist Rodica Nicolescu
Language English
Tune Loreen - Paper Light (Higher)

Tonight, Rodica Nicolescu wears this outfit.

On the screen behind Rodica, there is a black screen with white hands that are moving slowly. On the screen placed on the ground, there is a chessboard. Rodica is alone on stage. She doesn't moves.

The sun sets and it's dark.
Strange stuff happens in the park.
Can we go back, at last ?
You don't want me to be lost.

The wind blows on my hair
I've got enough air.
I need to go.

The storm prepares.
It's making its tears.
I really need the light.

Here, the only thing that changes is that the light beams are faster.

Because it's midnight.
Hold me tight.
Let's go home tonight.
The clock is always right.

At last, Rodica moves, to do another position.

We're going through darkness.
Keeping me or not, is more or less.
Because the nature is stranger.
With the night comes danger.

The light beams are going faster again.

I don't want to fight
Against the unknown
That i don't own.

I won't stay the night
Here in the park alone
The danger which i'm prone of.

Background dancers appear and do a robotic dance. The light beams are faster than ever and the hands on the screen behind Rodica create an energy "ball" that separates the chessboard in 4.

Because it's midnight.
Hold me tight.
Let's go home tonight.
The clock is always right.

Because it's midnight.
Hold me tight.
Let's go home tonight.
The clock is always right.

The stage is totally dark. There is no more chessboard or hands, and the energy ball explodes to form a forest in the night, with the moon, that is visible.

I want to be safe.
Please keep me safe.

I want to be safe.
Please keep me safe.

I want to be safe.
Please keep me safe.

On the forest, the sun rises and the moon sets. As the new day is born, the sunshine is visible on the screen placed on the ground.

Because it's midnight.
Hold me tight.
Let's go home tonight.
The clock is always right.

Because it's midnight.
Hold me tight.
Let's go home tonight.
The clock is always right.

by **Elejamie** » Fri Jul 10, 2015 6:44 pm

ETV1 presents WorldVision 40 - English language commentary by Cerin Erali and Flynn Taggart

by **Praciba** » Tue Jul 14, 2015 10:49 am

43 - Praciba
Call us (at the Bala) by Party L
Tune: Vamos a la Playa - Miranda
Language: English, Pracib

Party L

As it becomes Praciba's time to perform, all lights are dimmed. Due to these dimmed lights, no one was able to make up what was happening on the stage except for the technicians and mechanics that were sent, among others, with the performers. Wearing night-vision goggles, they placed the required props for the performance and carried the performers to their places. While the performers were more than capable of moving themselves, it was deemed safer for them to get carried to their place, as they would probably knock something over or get seriously hurt in the dark. What many people didn't know was that these technicians and mechanics were often chosen from the best strongmen of Praciba, with popular strongmen such as Barþy 'Man Crusher' Kóngresson and þieðerick 'Femboy' Choulß often receiving a quick course on how to install the specialized Pracib equipment, seeing as regular technicians and mechanics lacked the power and raw strength to lift the equipment and the artists.

When the lights were turned back on, a large DJ booth was revealed to be in the middle of the stage. Behind it stood Party L, the threesome that had been selected as Praciba's participants. A popular musical act in Bentrus, where two of the three members were born, Party L consisted of three ex-Luurisvaleitaræn employees that had turned to the DJ booth to make a buck, stating that their analytic abilities allowed them to make musical masterpieces. While this wasn't seen in the charts, where they reached mediocre results when compared to artists from the more populous areas, they had won the in-house National Final, only able for viewing with the PraSat Plus service of PR TV, with a stunning live performance of their catchy-yet-chilling song 'Call us at the Bala', which makes references to the Luurisvaleitaræn when it was still the 'axe' of the nation.

As the music starts, two men in ratty outfits are seen crawling to the center of the stage, to the area in front of the DJ booth as two of the Party L members grab some bananas and move to the men. Throwing both men a banana and keeping one each, to act as a fake pistol, the Party L members, that were wearing black glitter suits began their act, the oldest of the three staying behind the DJ booth to handle the controls.

Call us at the Bala*
Laying down, eating banana**
The rhythm of the night
Leaves everything alright

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

You know we know
What you did last night
You know we know
Who you did last night
You know we know
Where you did last night

As the Party L members all take off their sunglasses and their pistol-bananas are thrown to the other men, a mix of fireworks and fire shoot out of the stage, giving the entire song a sudden burst of extra energy. A further benefit was the fact that the massive light show took away eyes from the 'prisoners' tearing off their outfits and jumping up, showing that they were not turn-of-the-century inmates but rather professional adult entertainers with terrific bodies. Partying with each other, which primarily featured heated dancing and mutual banana feeding, Party L continued their 'secret agent' dancing, which primarily featured a summer-themed robot dance.

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

Wha-ha!

As the Wha-ha! is shouted, two women in, for Pracib terms only slightly revealing, police outfits drop in, climbing a rope down to reach the stage and joining the dancing. At the same time, two fold-out chairs are also dropped from the ceiling, albeit without any protection and thus leading to a thud when the stage broke their fall, a thud that was overshadowed by the music. The LED screen behind the stage depicts a visual version of what is sung, with various faces, said faces with a cross through them, a telephone and a artist's rendition of Skála Island Prison finding their way onto the screen.

Friends of any color
Will take steps that will bother
Call us at the Bala
Or you will see the Skála***

Balan, eggös eggi hey!****
Balan, eggös eggi hey!
Balan, eggös eggi hey!

As the two chairs are clapped out by the two Party L members, in a way fitting in their dance, the two women handcuff the two adult entertainers and lead them each to a different chair, starting a lapdance as the next part of the song begins.

You know we know
What you did last night
You know we know
Who you did last night
You know we know
Where you did last night

As this part of the song ends, both the male and female entertainers can be seen with a faux surprised look on their face in regards to the knowledge held by the Luurisvaleitaræn. Releasing the men from their handcuffs, the women are then faux assaulted by the men to reveal an even skimpier outfit under their police outfits.

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

The last Party L member joins the other two, holding an enlarged telephone, as they go towards the front of the stage. Hearing the shouts of the excited audience, all three take off their jackets and throw it into the audience, their underlying formal shirts revealing a print on them, the actual public number for the Bala. While it had previously stirred some trouble, the heir to the throne, a personal fan of them, had arranged for the proper clearance.

Call us at the Bala

The enlarged phone was thrown into the air, made possible due to very light materials being used in it's construction, just as another round of pyrotechnics flew into the sky, further pushing the crowd into a frenzy. When the phone reaches it's highest point in the air, it suddenly stays there and rotates heavily, shooting rays of light out of it's antenna into the crowd and onto stage, where Party L had joined in a synchronous dance while the four adult entertainers do their thing further in the middle.

Call us
Call us at the Bala

Friends of any color
Will take steps that will bother
Call us at the Bala
Or you will see the Skála

Balan, eggös eggi
Balan, eggös eggi
Balan, eggös eggi

As the phone reaches the men again, primarily kept in the air due to the warm air from the pyrotechnics and the usage of heavy duty wires, Party L changes their dance back to the summer-inspired and summer-themed robot dance that two of it's members did for most of the song.

You know we know
What you did last night
You know we know
Who you did last night
You know we know
Where you did last night

Turning back to the DJ booth, Party L turns the music into overdrive for the last part with heavy lighting, fireworks and pyrotechnics giving the people the visible variant of the musical overdrive. With almost every line turning into a light and music show, the end of the song became as intense as any good WorldVision winner should be, said winning further encouraged by a subtle flashing message on the massive LED screen stating 'Vote Praciba' and 'Praß Praciba'.

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

Call us at the Bala
Laying down, eating banana
The rhythm of the night
Leaves everything alright

As the song ends, the biggest mixture of pyrotechnics, fireworks and lights go off, providing a visually blinding experience. When said display finally dies down, the stage is entirely cleared and missing the artists, among all other performers and their equipment, with only one message still seen on the LED screen: 'Vote Praciba!'

by **Electrum** » Wed Jul 15, 2015 5:18 am

Electrumite Worldvision Commentary - Network ENN - Part 2

Sonya Portelli: Welcome back to the folks at home, we're at the halfway stage of the competition now and we're only just getting started!
Max Hardwell: Song number 22 is Kishrael!

by **Nekoni** » Wed Jul 15, 2015 4:14 pm

Entry №44
Night Moves
"Euphoria"
Based on: Trouble by Ola Salo

Night Moves are a glam rock band from Marina Point, Nekoni. Taking their inspiration from the music they grew up listening to from the 70s, their sound is a mix of old and new, with much influence coming from classic rock, and occasionally with some rather risqué lyrics. They are a six-piece, consting of vocals, lead guitar, bass, drums, percussion and keyboard/organ. All of the band are between the ages of 23 and 27, and the frontman, vocalist Rico Gualazzi, is very much a media magnet. With his outlandish costumes and behaviour, both on and off stage, he is one of the most polarising faces in the national music industry, and the guys at NTR believe some of this will rub off tonight...

"This is a properly retro-sounding song here, it's as decadent as you can get," the NTR1 commentor explains during the live broadcast. "It's a bit cheesy, but that's what this contest is all about, isn't it? We all hope it goes well for the boys, we really do. Song #44!"

The LED bars of the set are glowing a lush golden hue. The background screens of the stage display a dark purple leopard print effect. In the middle of the stage, there is a roughly 3m tall purple plinth, with an opaque sugar glass front and golden detail around the edges (as if to resemble an ornate four poster bed), with stairs leading around both its left and right sides to floor level. There is a closed section above the top of the glass front with wires connecting it to the ceiling. Continuing with the theming are smaller purple plinths to the left and right for the musicians. On the left, the drums and percussion (conguitas, for those interested) are situated on seperate platforms, on the right are platforms for the keyboardist and two backing singers. Both guitarists are plinthless at the front of the stage.

The band are dressed in different suits, all variations on the colour scheme of dark purple and black. The two backing vocalists (both female) are wearing long black dresses with a dark purple belt, with a purple headband in long, wavy dark hair. Both of them also play auxillary percussion: one on tambourine, one on tube shaker.

The song begins, and the band (minus Rico) begin to play. The backdrop screens display a silhouette of Rico in black, walking from the right side to the centre, through a background resembling a nouveau-riche cocktail bar. On the way, a white silhouette of a bartender walks in the other direction, with a tray of what appears to be cocktail glasses, of which Rico takes one and continues walking, drinking as he goes. When he reaches the center of the screen (which matches up with the front of the plinth's glass frame), the shadow throws the cocktail glass over his shoulder, the real Rico jumps through the fake glass frame, revealing he had been inside the central plinth all along. He is wearing a midnight purple suit jacket, with a large, black ceramic pendant in the shape of a heart across his upper chest, alongside tight white leather trousers and black shoes. His hair is long, flowing and black, with a single purple and platinum blonde highlight through it on the left side.

He swaggers to the front of the stage, between the two guitarists, microphone in stand, to deliver the first verse. His movements are extremely pronounced, as you'd expect stage movements from a 70s glam throwback to be. Lots of hip-gyrating is the order of the day.

"It's been so long since I made my goodbyes
And it feels like forever
And now I find that it's right in my eyes
It screams 'it's now or never'
So tonight I'm gonna hit my natural high
Make you my best endeavour"

During each line in the bridge, he looks into each camera, left first, then right, then the central camera. For the fourth line, he un-stands his microphone, turns his back to the camera and heads back to the plinth.

So hold on to me
I'll hold on to you
It's gonna get exciting and
I'm never gonna stop

For the chorus, Rico is inside the plinth where he started. Upon the start of the chorus, the lights inside the plinth switch on, bathing the singer in a golden beam. The LED lights around the stage have changed to dark purple, and the platforms the musicians are standing on are now animated: a swirling pattern of gold, purple and black.

Let's get together
Make this night last forever
Believe in me and I'll take you to heaven
Just come up and see
You know that you can trust me
Come on, close your eyes and feel the heat
I'll take you to euphoria

To match the start of the second verse, the entire stage is now bathed in a dark hot pink. As Rico leaves the plinth, the path where he walks is 'lit' in gold using the floor screen. He reaches the front of the stage, and gets down on his knees to perform the verse. Despite the lack of leg movement, the choreography is just as wild and brash as he was standing.

It's gone midnight when you're locked in my sights
As we both start breathing deeper
Between the heat of the soft velvet sheets
Nobody's gonna sleep, yeah

For the second bridge, he once again looks at the cameras, but this time, the camera cuts between him and the backing singers.

So hold on to me
I'll hold on to you
It's gonna get exciting and
I'm never gonna stop

The second verse brings back the colour scheme of the stage to the original purple and gold. Rico jumps to his feet and reaches out into the crowd for a quick burst of hi-fives from the front row.

Let's get together
Make this night last forever
Believe in me and I'll take you to heaven
Just come up and see
You know that you can trust me
Come on, close your eyes and feel the heat
I'll take you to euphoria

Whilst the camera focuses on the organ solo, Rico has enough time to get into position at the foot of the left stairwell of the large plinth.
As the middle-eight of the song progresses, he steadily moves up the stairs on every line, one step at a time. Each step is lit up gold when it is stood on, reaching the top (which conveniently has a guitar at the top) with enough time to grab the guitar for the solo. For every step, a letter of the word "EUPHORIA" is flashed in white on the screen in the large plinth.

We're on fire
Hearts entwined
Jump into the unknown
Love is blind
Feel the passion
Taste the champagne
Damn, it feels good to be
Back in the game, yeah!

Yes, Rico is that much of a show-off, he's doing the guitar solo. As he's wailing on the six-string, bursts of purple-tinged CO₂ are set off on the four corners of the top of his platform. During the solo, the backing singers leave their platform, and join Rico at the top of the plinth up either stairwell, still playing percussion. Both reach the top by the time the solo finishes.

The chorus is played with Rico placing his guitar back in the stand and singing with a handheld microphone. During the verse, the previously-closed platform starts extending in front of the three, out from the space above the top of the broken glass frame, pulled by the wires in the arena rafters. The platform extends a good two metres into the crowd, with crash matting laid on the floor where the crowd is standing.

The crowd retreat from the matting to a safe distance, as helped by the security.

Come on, let's get together
Make this night last forever
Believe in me and I'll take you to heaven
Just come up and see
You know that you can trust me
Come on, close your eyes and feel the heat
I'll take you to euphoria

Now, the platform is fully extended. Rico walks along the platform whilst singing, with the backing singers left standing on the main plinth. At the last line, he is at the edge of the platform.

Believe in me and I'll take you to heaven
Just come up and see
You know that you can trust me
Come on, close your eyes and feel the heat
I'll take you to euphoria

At each "Come on", he punches the air. On the final grunt, he leaps off the platform into the crash matting.

Come on!
Come on!
UH!

Rico lands into the heavy matting, on the last note of the song. The screaming crowd break from the security and swarm him. Before he is covered by 2,000 screaming bodies, he yells into the microphone: "Grazie, Rokkestaat, we love you all! VOTO PER NEKONI!"

by **Coreyo Entertainment** » Wed Jul 15, 2015 9:00 pm

45. Coreyo

Girls' Era - Dance

The performance is exactly the same as shown below:
Performance

Hey y'all,
Do you know what time it is?
It must be dance time!
Here we go!

This is summer,
Let's go out and have fun,
With the radio on all night long.
Hey, turn it up!

The beat goes on,
Let's travel far away,
Across the bright horizon.
Oh, oh.

Start the engine,
Book a flight plan.
Right now, Yeah, Yeah, Yeah, Yeah, Yeah.
Excited, Yeah, Yeah, Yeah, Yeah, Yeah.

Listen to the beat,
Scream and shout out,
Hit the pedal hard,
and the music blares out.

We can’t stop, stop, stop.
It’s Dancing Time!
Keep it up,
It's your dancing time!

We will rock, rock, rock,
'Cuz it's dancing time!
D-A-N-C-E,
D-A-N-C-E.

Dance with Soju*, Vodka, Bourbon!
Head to Jeju*, and Kasin, of Kalosia,
The emerald, gorgeous, beach waves,
Oh, yeah!
D-A-N-C-E,
D-A-N-C-E.

We love summer,
Not yet, Fall and Winter,
DJ, A-yo, turn it up!

The music,
Fits well with the blue sky,
Blending in with the sunshine.

Don't waste this sacred summertime,
Everyone, Yeah, Yeah, Yeah, Yeah, Yeah.
Singing, Yeah, Yeah, Yeah, Yeah, Yeah.

Adrenaline,
Shoots higher,
The music, don't stop,
Let's keep this, here we go!

We can’t stop, stop, stop.
It’s Dancing Time!
Keep it up,
It's your dancing time!

We will rock, rock, rock,
'Cuz it's dancing time!
D-A-N-C-E,
D-A-N-C-E.

Dance with Soju*, Vodka, Bourbon!
Head to Jeju*, and Kasin, of Kalosia,
The emerald, gorgeous, beach waves,
Oh, yeah!
D-A-N-C-E,
D-A-N-C-E.

Sunshine will disappear,
but we won't stop,
The party continues,
It'll go on and on and on!

We can’t stop, stop, stop.
It’s Dancing Time!
Keep it up,
It's your dancing time!

We will rock, rock, rock,
'Cuz it's dancing time!
D-A-N-C-E,
D-A-N-C-E.

Dance with Soju*, Vodka, Bourbon!
Head to Jeju*, and Kasin, of Kalosia,
The emerald, gorgeous, beach waves,
Oh, yeah!
D-A-N-C-E,
D-A-N-C-E.

*A popular alcoholic drink in Coreyo
**Island in the southern part of Coreyo; see bottom of factbook: http://www.nationstates.net/nation=core ... ok/id=main

by **Saviera** » Thu Jul 16, 2015 11:09 am

46. Saviera
Bad Ass, By YYTB
To The Tune Of Bad Romance By Lady Gaga

Saviera Returns! Finally after a 10 Edition break.
YYTB is a Band with 5 Members. Their Names are Badia, Diot, Jajy, Pruro, and Soa. This Song was written by Pruro and Soa. But No One knows what Waba means.

Oooohohohohooo…
Want your bad buttock
Oooohohohohooo…
Want your waba ass

Butt-butt-buttbuttock
Waba-waba ass
Soa’s sexy ass
Want your waba ass

Butt-butt-buttbuttock
Waba-waba ass
Soa’s sexy ass
Want your waba ass

We want your ass cos it’s an ass
Beautiful ass that no one can resist
We want your ass
Waba-waba-grassy-grass-grass

You know that your ass is so sexy
So we wanna grab it your waba ass
We want your ass
Grassy ass your grassy ass

You know that I grope you
And you know that you grope me
We both have grassy
Grassy ass

I want your waba and I want your ass
You and me could make a bad ass
Oooohohohohooo…
I want your ass and all your ass is grassy
You and me could make a bad ass

Oooohohohohooo…
Want your bat buttock
Oooohohohohooo…
Want your grassy ass

Butt-butt-buttbuttock
Waba-waba ass
Soa’s sexy ass
Want your waba ass

I want your grass coming out of your ass
I want ass cos ass is an ass
I want your waba
Waba-waba-grassy-grass grass

I have a lot of ass in my room
I got porcupine ass and bear ass
I want your grass
Ass ass ass the waba ass

You know that I grope you
And you know that you grope me
We both have grassy, grassy ass

I want your waba and I want your ass
You and me could make a bad ass
Oooohohohohooo…
I want your ass and all your ass is grassy
You and me could make a bad ass

Oooohohohohooo…
Want your waba ass
Oooohohohohooo…
Want your sexy ass

Butt-butt-buttbuttock
Waba-waba ass
Soa’s sexy ass
Want your waba ass

Ass ass grassy waba
Work it with your ass baby
Ass ass grassy waba
Work it with your ass baby
Ass ass grassy waba
Work it with your ass baby
Ass ass grassy waba
Work it
I am sexy grassy

I want your ass
And I want your grassy
I want your ass
Your waba waba ass

Prêt prêt prêt prêt
Prêt prêt prêt prêt prêt prêt
Prêt prêt prêt prêt

I don’t wanna shit bricks
I don’t wanna shit bricks
I DON’T WANNA SHIT BRICKS

WANT YOUR GRASSY ASS
WANT YOUR WABA ASS

I want your waba and I want your ass
You and me could make a BAD ASS
Oooohohohohooo…
I want your ass and all your ass is grassy
You and me could make a bad ass

Oooohohohohooo…
WANT YOUR BAT BUTTOCK
Oooohohohohooo…
WANT YOUR GRASSY ASS

Butt-butt-buttbuttock
Waba-waba ass
Soa’s sexy ass
Want your waba ass

YYTB say "GRACIAS!!!!!!!!!!!"

by **Ekoz** » Thu Jul 16, 2015 12:03 pm

Yohanna: Ladies and gentlemen. Forty-six nation's have graced the stage here in Rokkestaat fighting for the crown. The artists have done everything they possibly can, but now. It's up to you... (The stage lighting dims and the camera pans in on Yohanna). WorldVision, it's time to start voting.

This image appears on the LED screen's on stage and screens around the arena

Yohanna: To vote, all you have to simply do is call in and vote for your favourite. Or, for you ultimate WorldVision gay- excuse me, fans, you can't vote via WorldVision's very own app, available on iPhone and Android. The voting system is simple. For those who have been living under a rock, or have never been able to vote before like Milea(the crowd laugh then boo. Yohanna laughs), hey, I didn't write this, I'm just reading an autocue! (She laughs again). To continue, each nation awards points from 1-7, and then awards top points of 8, 10 and 12; twelve being the most voted-for song. Lines are officially open but please remember that you cannot vote for your own nation.

Yohanna walks to the left side of the stage and faces another camera to the audience

Yohanna: The STE has kept the interval act as classified information up until this evening. Earlier on in the month, you may recall WorldVision veterans Kishrael and Polkopia hosting a 'Best Of Edition' in their respective cities, and what a fantastic contest that was; could we all have a round of applause ladies and gentlemen?!

To carry on with the 40th anniversary celebrations, the STE planned at the winner of the 'Best OF Edition' would become the interval act for the contest here in Rokkestaat. Ekoz never win's anything, so gladly I did not have to take on the honour of being the interval act this evening! (the crowd laugh) however, one act from one nation did win and claims it's place in history as the best ever WorldVision entry. With a total of 121 points, from the beautiful nation of Todlichebujoku, ladies and gentlemen, you're ultimate WorldVision winner, Veli!!

by **Ekoz** » Thu Jul 16, 2015 12:09 pm

The arena is dark, as ice-blue accents streak briefly across the stage. The background screen lights up with a great flash to reveal the horizon of a beautiful, sunlit plain with green fields and stately trees as the first great auditory blow reverberates through the arena. A few moments later, a second flash of light replaces the previous image of beauty and bounty with the same vista, but this time a cold, gray landscape of drifting ash and bare trees. At the third, more electronic blow, the overhead lights rapidly flash and then focus on the stage, illuminating Veli in front of this large triangular sculptural prop as angular shards of the background image fall away behind him to reveal slightly rose-tinted peeks at the previous image, and he begins to sing

Too weary to notice through this incandescent pain
Every day dawns terrible, but delicious all the same
Wracked by all these new sensations
What is left of our creation?

The lights briefly intensify. The image on the background screen blurs, running together as if it were melting, before zooming to a volcano in the distance and diving into its fiery depths, where the orange and red of its lava engulfs the entirety of the screen. Veli lets loose for the chorus

Cyanide eyes and honey-gold skin
You lure me close and pull me in
Loving me without a trace
Nothing's on your face

The heat of the lava seeps away as frost covers the background screen and the lights dim so that the only major light source is the screen. At the first "blast" of sound, a man in dark clothing is briefly illuminated as he steps out from behind the rightmost (from the audience's perspective) leg of the prop. Veli turns toward him, and the background screen briefly shows static as if its feed were interrupted. The light poles/bars surrounding the stage flash in various shades of gray and silver, adding to the static effect. The figure heads toward the center as Veli runs to the leftmost leg of the sculpture. The famed singer climbs to the middle of the sculpture just as the second blast tears through the arena and the dark figure makes it to the leftmost leg, the two men briefly illuminated by separate spotlights as they momentarily freeze in place. Like before, the screen briefly turns to static. Veli climbs to the top of the sculpture and looks around for someplace else to flee, as the man approaches his perch and the third blast roars. The spotlights again briefly highlight the pursuer and the pursued as the two freeze, the screen's static phase lasting this time for the duration of the blast. The static does not fully go away, with the frosty image disrupted by occasional streaks of static. Following the blast, the man stays in his frozen state, allowing Veli to continue singing and also climb down in between lines. The figure then assumes a sinister pose facing the audience

I truly loved you then but now it's just a game
Your icy countenance is eating up my flame
Oh.. You're sometimes nothing more than a deity of hate

The dark figure seems to disappear, as the sculpture fades into darkness except for its accent lights, the spotlights on Veli brighten again and the frost on the screen shatters to reveal a swirling maelstrom of lava-colored streaks. Veli returns to his original position in the middle of the stage. Having caught his breath from his little workout, he belts out the chorus

Cyanide eyes and honey-gold skin
You lure me close and pull me in
I swore I'd never leave in haste
You put my life to waste

The view on the screen turns upward to an icy blue sky and a pale sun (with the sun on the center screen), and the lights become fainter and more ethereal. Veli refocuses onto his breathing and voice as he closes his eyes and looks down, and then looks out over the audience

Ooh… I had hoped to peer within
Ooh... Try to salve you of your sins
Oo-ooh... But now I know too well
There is no hope

The screen's view suddenly "falls" as the guitar solo begins. The circle of the sky decreases in size until the view is that of a stylized lava pit and the "camera" plunges beneath the surface, bubbles whooshing past every which way as if the collective screen was tumbling uncontrollably. The lights do an undulating motion, then scattering and refocusing on Veli, brightening as they do so. He takes a deep breath to sing the final chorus, dropping to his knees and closing his eyes after the last line

Cyanide eyes and honey-gold skin
You lure me close and pull me in
Loving me without a trace
You put my life to waste

The lights momentarily dim, then they and the screens alternately flash on and off as the music's parting beats rip through the arena and dissipate.

by **Normandy and Picardy** » Thu Jul 16, 2015 12:11 pm

Ar Norgwéanan Votager
(The spokesperson for Normandy and Picardy, Marcello Esvejat, begins speaking in Norgwéan. An English translation is provided below)

Bonjasorlí MondeVis, Bonjasorlí Rokkestaat. Einale Ega Marcello et einalai ega prevtetön ar norgwéanan votager nesa. Avalîs avails nusa toul ota wolenbartína nesa nesa ikma en Norgwéan et Picgwéan . Marci é kostralîssan toulgener qui eröny possiðe, et é toule ar accer. Sanís loian adocemon, ikma einalés ar norgwéanan votager.

Good Evening WorldVision, Good Evening Rokkestaat. I am Marcello and I will present the Normand votes tonight. We have all had a wonderful night tonight here in Normandy and Picardy. Thank you to everyone who has made this possible, and to all of the acts. Without further ado, here are the Normand votes.

Main, einalés era téma pau eras printínnéas pointjas. Bonja chané!
Now, it's time for the main points. Good Luck!

by **Talvezout** » Thu Jul 16, 2015 12:21 pm

Don't ask how a parrot delivers the votes.

A small, green parrot is sitting on a table in front of the camera. There is a paper on it; the parrot tears off a strip of paper, which reveals the country and amount of points Talvezout is giving.

1 point goes to EKOZ
2 points go to POLKOPIA
3 points go to KISHRAEL
4 points go to KALOSIA
5 points go to ALOQUIRBE
6 points go to BLOODBATH GENERATION
7 points go to DREAMPLANET

8 points go to Praciba!

10 points go to Electrum!

And 12 points to to KwaDai!

The parrot flies off the table to go deliver the Gente votes.

by **The Free City of Rouen** » Thu Jul 16, 2015 12:26 pm

Rouen Votes...

12 Points - Praciba
10 Points - Saviera
8 Points - FEC Milea
7 Points - The Sarian
6 Points - Bloodbath Generation
5 Points - Elejamie
4 Points - Kalosia
3 Points - Normandy and Picardy
2 Points - Montenia
1 Point - Rotia

by **Esta Lloviendo** » Thu Jul 16, 2015 12:28 pm

The parrot reappears again, with a long trail of paper behind him.

He promptly begins ripping up the new paper for the votes.

1 point goes to Electrum Diplomatic Offices.
2 points go to Former Ekozian Colony of Milea.
3 points go to Southern Dreamplanet.
4 points go to Wazekia
5 points go to Izmedu.
6 points go to Normandy & Picardy.
7 points go to The Sarian.

8 points go to Yttribia!

10 points go to Britonsea!

12 points go to Francile!

The parrot walks up to the camera, squawks, and starts pecking at it.

by **The Sword Bloke** » Thu Jul 16, 2015 1:12 pm

THE SWORDEANS VOTE

"Hello everybody. Angelou calling. Yes, of course this is Shop Owner. I may or may not be in the restroom for the participants of this contest. As you know, I will be singing again in WorldVision 41. Yay! The best artist in WorldVision history is coming back baby! Anyways, onto the votes. Due to our war with the SETO organisation, no points to any of them will be awarded. Here are our votes.

Uno vote for Praciba, for sending along a catchy song about bananas (My favourite fruit).

Two votes for The Sarian, for failing terribly; Thanks to the title, I knew that would happen.

Three votes for Santaclausisgodistan for their song, on the condition that he Santa who reads out the votes gives me my Christmas present; The death of SETO.

Four votes for Mister X for sending along a guy who we gave votes to for his song bout killing in the WV Best Of Edition.

Five votes to Owner-osity. I wish we coul give more to our Rushmori embassy nation, but we can't thanks to rules about giving points to your embassy nation. Well, I liked the gummy bears with air freshener a over their privates, and the scared kids...

Six votes to Electrum Diplomatic Offices for doing what all good evil dictators who want to win WorldVision do; Copy the old winning songs.

Seven votes to the toilet anthem of Missus X, the same nation who always send along something that makes us laugh! Funniest song of the night! Now, onto the big ones...

Eight points for Electrum. God song and nothing to do with the nation of Coconut Isle, who we are about to bomb.

Ten points to the masterpiece of Krytenia.

And twelve for... Gregoryisgodistan, for another good song, and for being on our side in the war!

Good night Multiverse!"

by **Owner-osity** » Thu Jul 16, 2015 1:21 pm

1 vote to Missus X
2 votes to The Sarian
3 votes to Kalosia
4 votes to Mister X
5 votes to The Sword Bloke
6 votes to Electrum
7 votes to Gregoryisgodistan
8 votes to Electrum Diplomatic Offices
10 votes to Praciba
12 votes to Santaclausisgodistan, if they give Shop Owner his present.

by **Gregoryisgodistan** » Thu Jul 16, 2015 1:38 pm

12 points to Electrum Diplomatic Offices
10 points to The Sword Bloke
8 points to Owner-osity
7 point to Missus X
6 points to Kasanova-Koratica
5 points to Mister X
4 points to Yttribia
3 points to Bloodbath Generation
2 points to Nekoni
1 to Praciba

by **Santaclausisgodistan** » Thu Jul 16, 2015 1:40 pm

12 points to Electrum Diplomatic Offices
10 point to The Sword Bloke
8 points to Associated Godlands
7 points to Missus X
6 points to Holy Republican Empire
5 points to Gregoryisgodistan
4 points to Kasanova-Koratica
3 points to Owner-osity
2 points to Kishrael
1 point to Wakeziea

by **Coreyo Entertainment** » Thu Jul 16, 2015 2:58 pm

12 points to Francile
10 point to Kishrael
8 points to Associated Godlands
7 points to Missus X
6 points to Holy Republican Empire
5 points to Esta Lloviendo
4 points to Montenia
3 points to Owner-osity
2 points to Wakeziea
1 point to Aloquirbe

by **Francilie** » Thu Jul 16, 2015 3:09 pm

( OOC : Guys, it's Francilie, not Francile !

)

FRANCILIE CALLING
Emilie Emesterel is the spokesperson of Francilie. She took part in the 32nd contest in Gronbis, Lyonsland.

1 point : Britonisea
2 points : Montenia
3 points : Electrum
4 points : Yttribia
5 points : The Sarian
6 points : Kishrael
7 points : Normandy & Picardy

8 points : Missus X

10 points : Todlichebujoku

12 points : Praciba

by **Kwadai** » Thu Jul 16, 2015 3:36 pm

Zaynab al Sheikh, KwaDaian actress and songwriter

Asalamu alaykum! Masā el khayr to Rokkestaat and WorldVision from Tripoli, KwaDai! I present to you the result of the KwaDaian vote.

1. Polkopia
2. Electrum
3. Titaniumland
4. Izmedu
5. Ekoz
6. Rotia
7. Talvezout

by **Bloodbath Generation** » Thu Jul 16, 2015 4:15 pm

by **Elejamie** » Thu Jul 16, 2015 4:21 pm

ETV1 presents WorldVision 40 - English language commentary by Cerin Erali and Flynn Taggart

by **Rotia** » Thu Jul 16, 2015 4:42 pm

Nikica Duvnjak, Rotian television host and actress.

Dobra Večer Rokkestaat, this is Mazan calling. Thank you for a spectacular show. Now, the Rotian televote results

1 Point // Normandy & Picardy
2 Points // Ekoz
3 Points // Polkopia
4 Points // Kishrael
5 Points // Esta Lloviendo
6 Points // Bloodbath Generation
7 Points // Talvezout

40th WorldVision Song Contest | Rokkestaat, Ekoz

#throwback: Zwangzug

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