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The Daily Carrot (IC)

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Mediama
Diplomat
 
Posts: 768
Founded: Jun 20, 2017
Left-Leaning College State

Postby Mediama » Mon Aug 24, 2020 12:59 am

Carol perked at the mention of a string of murders at the Trictobothnia Building, CONTROL's primary role was in counter-intelligence, and that meant they had access to a multitude of police records and reports. She found it rather odd that Anywhere City's finest weren't still able to figure out who was the responsible party, maybe they'll accept some Federal help on the case, even if it may be overstepping boundaries quite a bit, maybe she'll find something that could justify Federal involvement, at the very least she could write her first article for the paper, she was still struggling to wrap her head around the idea of a fax machine, and how no, not many comic artists use pen and paper these days... unless you were in Japan apparently.

She meekly rose her hand, "I-I'll go with Mister Spear-oar Chief if he needs some help, these kinds of things tend to be a two man job, and although I may be a woman, I've had some experience in investigative journalism, I ran a whole expose on how the government was bees back in community college." Truth be told, that article was meant to throw the public off of CONTROL's trail. The very notion that the world was controlled by bees or chipmunks of some sort, to her knowledge, was completely false, but hey the public ate up anything as long as it made sense.

She'll probably have to update her status with CONTROL once she left the offices, by shoe phone or otherwise, but other than that, it shouldn't be too much of a hassle. She heard in an earlier briefing from chief that CONTROL was also conducting escort operations at the art expo, some sort of European Duchess of some sort was visiting or something, she figured enough agents were covering the operation.

Who knows, maybe if she found the culprit, maybe they'd be connected with the events at the art expo, she mused to herself.
Last edited by Mediama on Mon Aug 24, 2020 1:19 am, edited 3 times in total.
Basically, Canada with Naboo style royalty and more British. My supposed foil and puppet nation is Consertoria


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Pax Nerdvana
Post Marshal
 
Posts: 15726
Founded: May 22, 2017
Left-Leaning College State

Postby Pax Nerdvana » Mon Aug 24, 2020 9:17 am

Daniel "Dutch" Van Dyke
Coming back into the office, he could tell something crazy had happened recently, aside from the whole thing about an art expo. He said to no one in particular,"Can someone fill me in on what happened? I'm hearing people talking about conspiracies and what not." Dutch tended to be pretty skeptical when it came to conspiracy theories, although he had some strange experiences in the desert when he was in the Army. He tended to chalk that up to dehydration and or test aircraft though.
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Main Nation Ministry
Postmaster-General
 
Posts: 13014
Founded: Sep 28, 2016
Psychotic Dictatorship

Postby Main Nation Ministry » Tue Aug 25, 2020 10:19 pm

Francis Smith

Pax Nerdvana wrote:Daniel "Dutch" Van Dyke
Coming back into the office, he could tell something crazy had happened recently, aside from the whole thing about an art expo. He said to no one in particular,"Can someone fill me in on what happened? I'm hearing people talking about conspiracies and what not." Dutch tended to be pretty skeptical when it came to conspiracy theories, although he had some strange experiences in the desert when he was in the Army. He tended to chalk that up to dehydration and or test aircraft though.


Jean-Marc chimed in to Van Dyke to give them a rundown of the events that the Carrot was going to cover today. "Well, you see... the Daily Carrot is going to start reporting on the current events of-"

One Exposition Later...

"And that is happening all today." Jean-Marc explained in a rather one million word explanation to Van Dyke, where Dutch might have had a mind overload or two. However, he got all of the information across. For now, today was going to be a busy day. While Carol and Conn were off to the Trictobothnia Building, Francis Smith and Rosenberg headed to the art expo, while the sports journalist DeMarcus mistakingly believed that the bank would be the location of a sporting event.



Retrospective of The Disaster Artists
Written and covered by Francis Smith and Isaacarine Rosenburg

At the rather fancy, though modern-looking building of the Anywhere City Art Expo, crowds were already gathering to pay admission, though it was still a bit early. However, long lines were expected. Luckily, being a part of a press was practically a fastpass. There was a modest-sized protest crowd in front of the expo, however security was already present to make sure they didn't interfere with lines or cause any violence. Protesters already looked like typical peaceful protesters. Some held picket signs with words of "LOCKSLEY WILL BE AVENGED" and "FAT CAT BATS WITH RATS". A guy with a microphone was voicing up some criticisms in light of the controversies that Smith mentioned at the office.

"The fat cats of the high society has disrespected the anonymous for too long! While we understand the authority that seek to remove and vandal the arts that Longsley has left behind to the masses, you have crossed the line! Longsey gave you no permission to obtain copies of his art to sell to the ones who get off from committing financial domination! To imidiate the artist is the day you shall face vengeance from Locksley!" a speech from a protester yelled from his microphone, as Francis showed security his press pass to get admission, where he gave Rosenburg a spare press pass before they arrived, in case she already lose her own.

He had already ended up ahead of Rosenburg, however he was already planning on sharing his notes with Isaacarine's own, so that they can combine it for the final version of the article. Entering through the main entrance, he already encountered one of the "selling points"...

(Ambience)

In the entrance hall was the attention grabber that was 'The Tree'. It was a large sculpture made out of metal, designed to look like a tree without any leaves, only pointy branches that only served to attract ambulance chasers. It was tall enough to have onlookers view it from a balcony upstairs. Francis could only marvel at the deadly looking design, which might have been what the artist had intended. "I need to make the intervention! I shall become part of art itself!" a man from upstairs yelled, as he was about to jump off from the balcony to get himself impaled by the Tree, however a security guard immediately tackled him. "Situation defused, people! Ignore what you just heard". The security guard said to the crowd near him, as the crazed man who was pinned to the ground continued his ramblings. "Ok...I'm sure neither me or Isaacarine will go near this thing..I should find the art auction, though. But the artwork here is already bringing in my interest."
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Talchyon
Negotiator
 
Posts: 5825
Founded: May 05, 2016
Authoritarian Democracy

Postby Talchyon » Tue Aug 25, 2020 10:54 pm

After the timeskip, now on the job
Bank and Trust savings building
DeMarcus Clark


Image


As he got off the bus, DeMarcus took in the sight of the bank, which looked more like a building that supported several Wall Street firms, as well as providing the financial records for a few small countries. Though it was gaudy, DeMarcus grinned. They could get really sell tickets here in this unusual arena. Surely players would approve of playing here, such as the ever popular figures Steph, Kobe, Kawi, and of course, DeMarcus would always be down for seeing the 85 year old former Celtic Bill Russell coming out of retirement to take on Michael Jordan one on one in a charity game.

Entering the modern building, DeMarcus had his laptop in his bag, along with his cell phone (that got lousy pics but it was cheaper than sending out an actual cameraman, and with the Carrot you had to cut expenses somewhere), his Atlanta Hawks jacket, slightly casual button up shirt only half buttoned, his khaki shorts and of course, white socks and sandals, newly dry-cleaned. He was feelin' chill.

The inside of the bank, however, looked just like a regular old bank. Bored tellers were twiddling their thumbs or watching a show on their phones. Some low-level flunkies sat in rooms off to the sides and were telling happy couples that yes, the bank would be more than happy to gouge them with high interest payments later in exchange for helping them get a house now. A few people shuffled around. Nowhere anywhere was anyone doing anything remotely athletic.

DeMarcus walked up to one of the empty tellers. She looked skeptically at him (no doubt, because he was sporting the jacket of one of the worst NBA franchises in history, and not because of his otherwise questionable fashion sense), and said, "Can I help you?"

DeMarcus held out his press credentials and said, "DeMarcus Clark, reporter for The Daily Carrot. I was sent here to cover a story. Any chance I can speak to the bank president? Or your floor manager? Or, actually, even the guy who sharpens pencils and only is responsible for getting coffee."

The teller looked bored. "I've never heard of The Daily Carrot."

DeMarcus grinned. "It's a great magazine. Bi-weekly. Or is that 'buy it weekly?' I always forget. Low subscription costs and some great coverage of topics other news magazines won't touch." Like 1 star restaurants run by cultists who sacrifice animals and are now serving up his old sandals. But he wasn't going to get into all that with her.

The teller wasn't impressed. "I'm not impressed," she said.

DeMarcus kept grinning. "Hey, girl. All I'm wanting is just to talk, you know? Do an interview with people here. Because this article is going to be sweet." He was just picturing it - a picture of the indoor basketball stadium from the stands splashed out over a two page spread, then other shots of the floorboard and the snazzy logo in the center of the court, maybe team uniforms, maybe even DeMarcus himself lighting it up by his 3 pointers on the court. He could see it now. And beneath those shots, words. Words of some kind. That didn't really matter right now. What mattered was selling the great new basketball arena to the readership of the Carrot, and maybe also the broader public who was like the rest of the 97% of the population of the city.

The bored teller was getting irritated talking to DeMarcus. "You irritate me," she said. "But I'm going to call up to Mr. Walker, our CEO, and ask him if he wants to talk to you, just so that you'll leave me alone." She picked up the phone, and DeMarcus heard her say, "Yeah, Mr. Walker please... Yeah, Mr. Walker. I got a reporter here. Said he wants to interview you... Yeah. Yeah, I know. Of course. He said he's with the "Weekly Zuchini." No, I've never heard of it either. Yes, he did have press credentials. They looked real to me, sir. I'm sure it's not a fake ID, sir. Yes, sir. Ok. I'll send him up."

She looked at DeMarcus again and said, "You can go take the elevator to the 17th floor. Mr. Walker will meet you there and then he'll give you two minutes for an interview."

DeMarcus grinned! This story was going to be epic! And he got in the posh elevator, and pressed lucky number 17.
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Voxija
Ambassador
 
Posts: 1449
Founded: Jan 17, 2019
Civil Rights Lovefest

Postby Voxija » Wed Aug 26, 2020 4:10 pm

Isaacarine Rosenberg

Isaacarine Rosenberg accompanied Francis Smith to report on the art exhibit. For a newbie, he was doing pretty good at his job, except for one thing. Isaacarine had snuck a peak at his notes. He had spelt her last name rong! It was Rosenberg, with an E. Eh. She'll correct him when it's time to write the full article.

The young reporter observed the protestors protesting. Isaacarine was sure that Locksley himself didn't care about who sold his art, but Isaacarine had to spin it into a controversy or else the Daily Carrot would sell even less than it already did. She jot down a couple of notes.

The protestors shouted angrily about the bergwassi stealing Locksley's money from selling his art.


Isaacarine didn't even know what a bourgeois was. She thought it meant "anyone artists didn't like", but she couldn't be sure. She regretted asking for a drinking bird in her office instead of a dictionary.

When the new Smith was busy looking at the Tree, Isaacarine slipped away. She was going to sneak her guy, Gianni Bondier, into the exhibit. Isaacarine giggled. She might have been a beautiful, intrepid, mature for her age reporter who never screamed or backed down from danger no siree, but Isaacarine was still a teenage girl.

She pulled out her spare press pass. She didn't forget her old one. She was going to use the spare to help sneak Gianni into the exhibit. This was remarkably convenient. Maybe the new Smith had guessed her plan, and was endorsing her on it. Isaacarine walked around the outskirts. Where was Gianni? He should be here any second now.

Isaacarine bumped into something. She screamed. "Whoa, whoa! It's me, Gianni!" Isaacarine brushed herself off. "Heh. That was embarrassing. So, let's go look at dumb art."

The teenagers hugged, Isaacarine passed Gianni the spare press pass, and they went off into a secluded closet—




"Cut, cut, cut!" screamed the director. "I'm not having anything to do with this!" He pointed at the cameraman. "And if you keep filming, you creep, you'll be fired! With a gun!"

"I just do what my job is," said the cameraman. "And I was ordered by many layers of senior cameramen..."

"That's what the Nazis said!" screamed the director. "Now, Rosenburg and Bondier are examining postpostpostmodern art..."




Isaacarine Rosenberg and Gianni Bondier looked at the Tree from the balcony upstairs. Rosenberg had positioned herself where Francis Smith couldn't see her. Isaacarine held Bondier back from throwing himself onto the Tree, and they had a little chat.

"I don't commit suicide," said Isaacarine. "I read once that suicide rates are increasing among teenage girls, and I don't want to go down that route."

Gianni tried to wriggle out of Isaacarine's grasp, but I. D. held on tight to his pants. "I thought it would be because you don't want to be a stereotype."

Isaacarine looked at Gianni blankly. "Stereotypes aren't stereotypes if they're true. And feminism is bogus anyway."

Gianni's gaze fell away from the Tree to stare at Isaacarine. "But I didn't mention feminism."

Their remarkably adult conversation continued. "So," asked Gianni. "Why do you figure all these people want to 'be one with the tree' or something? What do you think, Id?"

"Perhaps this stupid piece of art is making everyone go nuts."

"You're probably right," Gianni said. "Even if it is stupid, it is having an effect, and that's what art is."

"Feh," said Isaacarine. "It's bergwa anyway."

They walked through the art exhibition, making sure to hide whenever they saw anyone who looked vaguely familiar. Isaacarine interviewed people to get their reactions on the art and took notes. Gianni wondered why Id seemed to hate the art and learned a lot about gonzo reporting.
The Republic of Voxija (pronounced: Voshiya)
I'm a woman. Some weird Jew. Trying to learn French and failing. An American who wishes the US would switch to the metric system. Part of a giant conspiracy. Secret pyromaniac? I will never make an OOC factbook!

my politics are confused and muddled
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Main Nation Ministry
Postmaster-General
 
Posts: 13014
Founded: Sep 28, 2016
Psychotic Dictatorship

Postby Main Nation Ministry » Fri Aug 28, 2020 12:12 am

Francis Smith

Looking around the art expo, Smith managed to find the area where the auction was to be held. It was upstairs with some of the more flashier and expensive looking art. However, there were already stanchions and velvet ropes in front of the entrance with a security guard, looking like he was part of a private military company, making sure no one gone through. "Hey? Excuse me? I'm part of the press. Is this where the auction for Locksley is taking place?" Smith asked the man, though the guard looked rather tense. "No one is allowed in, until it has reached the specified time of 3:00!" Smith checked his watch. It was 1:00. He needed to kill some more time. "Can I, at least, know what kind of work is being showcased in the audition or-"
"Stop loitering or I make some mince outta you! Only staff is allowed, no journalists or attendees!" the guard immediately threaten Smith, as Smith immediately stepped away.

"That guy has no chill.. Well, it doesn't look like I should sneak in. It's bad to have security grill us for not following the rules. Actually, I hadn't even visited this place at all. What kind of artwork do they actually have here? I'm curious." Smith thought, as he figured that writing about the current artwork at the art expo will still attract readers.

(OOC: Here's a fun drinking game that I recommend with the strongest of alcohol, like absinthe or samogon. Every time you see an art pun or reference, including one of pop culture. Take a shot.)
Actually, please don't drink any of the mentioned two or any alcohol, please. I don't want to get arrested or banned..

Smith headed to a random retrospective to find himself at the Marcel Duchamp exhibit. Of course, while Smith wasn't a major art person, he tried to figure out the works present. "Collection of ready-made sculptures. Ordinary made objects or items that have been found and adjusted to be fit for the artist.." a sign on the wall reads for the exhibit. "..while Duchamp wasn't the only artist, he was among the many who engaged in anti-art, or rather dadaism. Many millennials and gen z's will describe modern instances as shit-posting." Ok, unnecessary information there, but Smith can tell there was a hint of boomer frustration. Such readymades present at the exhibit were replicas of Bicycle Wheel, Bottle Rack, and even L.H.O.O.Q. Some people were spinning the wheel on the stool of Bicycle Wheel, where Smith was trying to figure out what L.H.O.O.Q meant. However, such French-speaking gentlemen, such as Jean-Marc Consommer who was busy eating pine bark at one of those "natural food" restaurants, would snicker as they were the ones to understand the joke with Mona Lisa having a mustache drawn on it.

"...! Ah crap, I gotta take a piss? Where's the restroom?" Smith looked around to see a sign that showed the entrance of the unisex restroom, which he immediately scrambled inside. However, he did not take into account that he should've read the other signs directly next to the bathroom sign. Smith strolled right in, where he found another work by Duchamp, Fountain. Where it looked like the security in the art expo didn't care that the art piece was going to be subject to any interventions, so they put it in the bathroom to be used as a normal urinal. Smith saw the sign next to it to know that he didn't want to piss on a sculpture that was about 100 years old, even if it was used as it was intended. Maybe a bathroom stall would give him some privacy. He noticed a rather long line to get into one stall, but no one seemed to be heading to the other empty ones. Smith didn't care, he could use the empty stalls. But unfortunately, there was another issue. When Smith got inside the stall and started to unzip his fly, he suddenly realized a glaring issue with the stall. At the back wall where the toilet is, was a see-through plastic wall where onlookers were looking through into the bathroom stalls. The lack of privacy was a major violation here, however it was part of another piece of art by an artist in Anywhere City. "Oh come on! I can't hold it!" Smith yelled, as some people watching him were about to film him on their smartphones. Smith immediately ran out of the stall, where he tried to hold it while in the long line to the occupied stall. "Is this the only stall that doesn't have people watching you piss?" he whispered to someone in front of him. "Oh it's better. You get to use America."
"America?"

Smith's questions were answered, when he was allowed into the stall by himself. No see-through walls. Just his personal privacy to himself and... "Holy shit..." Inside of the stall was America, a golden toilet made by Maurizo Cattelan, where it looked like they managed to find it, after it was stolen back last year in the United Kingdom. "Well, I know someone piss on America, but this is now getting ridiclous. Damn it." Smith used the toilet for his needs, where it was well worth the wait.

Smith luckily found an exhibit that was showcasing all of the high-end art that many people might recognize. It actually helped Smith, but he could immediately tell that the art in the exhibit was going to be the best out of the whole art expo. Such examples were Christina's World by Andrew Wyeth, an Untitled painting by Clyfford Still, Still Life With Tulips by Diego Rivera, and even an Alexander Calder module. The latter of which Smith accidently nearly knocked down, because the damn thing set too low to the crowds viewing the art.

Before Smith could end up at the next exhibit, he noticed a door that led to what appeared to be a room that made be the whole artwork itself. Smith reads the sign on the front of the door. "Yayoi Kusama - Infinity Room." Smith, being curious like anyone else, enters the room. About 10 minutes later, he exits the room with a dazed look on his face at what he just saw. "Well, I figured out why she likes to have polka dots a lot.."

Next up was Video Games as Art, which the art expo gave an interesting selection. There was the obvious, like Super Mario Bros, Doom, Myst, Bioshock, Portal, Night in the Woods and even Papers Please, which many people have heard of and knew. However, the exhibit took it a step forward with The Oregon Trail, Pong, Dwarf Fortress, Bubsy Visits the James Turrell Retrospective, Flappy Bird, Polybius, and even the newest Hideo Kojima game. Smith read the description of the Hideo Kojima, where it showcased this quote. "Even after you view the trailers and play the video game, you still aren't going to have a clue what the hell is going on the game. All you need to know that this game will predict some future event that many will not see coming that will be dismissed as fiction, but prove to be horrifying reality. Also, Super Mario 64 speedrunners will be the first human beings to discover time travels and parallel universes. Don't look it up, just trust us on this."

"Internet Art, huh?" Smith thought, as he checked a small exhibit. Already the most glaring was a piece titled "Lust of 2018". Smith immediately looked away, because he didn't want to admit he was interested in that past trend, even if it's still around, because his search history was full of related porn that he partook in. Needing to get it off his mind, he took a look at another painting that looked somewhat innocent. Just a couple of lines forming a symbol of some sort. "....Wait.."

Smith immediately took a look at what the painting was called.

"HOW THE FUC-"

(Important OOC Note: Most of the links to the reference art is all videos, which is all from Youtube and meets typical guidelines to post. However, I extremely recommend that you don't watch the video featured, otherwise your Youtube search algorithms will all be messed up and featuring weirder stuff than I could have found to reference. Please heed my warning.)

One venting and trashing the painting later, Smith immediately checked out the Performing Arts section of the art expo, where he already saw some weird stuff. Does he understand how performing arts work? No. There was a women sitting at a table, looking into the eyes of another. Some one was using their body to paint on a canvas on the floor. And there appeared to be a rather interesting piece with a man standing on a raised platform and a gun on a table in front of him. "I ask you this. If my work has offended you, is it something to kill a human being over? I shall accept my fate, if you are willing to shed blood to silence an artist who has brought discourse upon the minds. The pain of shooting me is enough-"
BAM!
"AGGHHH!!!" the man fell off the platform, as a snobby-looking influencer fellow had the gun in his hands. "Oh shit, I thought the gun was a prop!"
"Abel Azcona didn't use a freaking prop, you asshole!" the man yelled, as he got shot in the leg. Smith checked a counter of the room, where a man appeared to be turning into possibly a Splicer from Bioshock, where the performance is done by Olivier de Sagazan. After viewing, Smith noticed a main stage in the center, where it showed-


The director and the crew that was present all looked baffled, along with the actor playing Francis Smith, as they watched probably the most WTF performance art by a bunch of people they found on Craigslist.

"What am I watching...?" the director said, immediately uncomfortable at the sight. (OOC: Btw, this video of some performance art that was shown on Attack of the Show is a bit...softcore NSFW. Again. Youtube algorithms. But...here you go. And yes, I will take the link down, if a mod thinks the video isn't of good viewership here.)




"I need relief..." Smith said, feeling uncomfortable, along with possibly everyone who was at the performing arts section of the art expo at that time. Another exhibit popped up. Filmography. "Jesus, I hope they are showing Transformers." Smith said to himself, as he entered a room that had many private booths playing different films. What was behind Curtain No. 1? A film that Smith and the director was also confused as hell. Smith immediately got the hell out of there. Smith checked the next booth to see something more surreal that appeared to be the Local 58 version of Family Guy. Tolerable, but questionable. Smith didn't even know what was in the next booth he checked out. All they were showing was that one Nick show that featured Seth Green once. "I swear to god, the quality of the work is decreasing. This film better be interesting.." Smith entered the last booth, where often looking at the screen, he saw the sign that showed what movie was playing. "Catcher in the Rye, directed by Nigel Tomm." "Are you serious right now?" Smith said, where he saw that the booth had a copy of Nigel Tomm's The Blah Story.

Smith looked at a page.

"...The fuck am I reading?" Smith immediately went out of character upon reviewing the book.

Smith walked out of the exhibit, only to end up in the worst possible spot. With a simple sign that read Trash, Smith observed the idiotic artworks that were presented. All pretentious, bogus, and overall trash. Featuring such famous works as Cheese with Hair, White Walls, Someone's Glasses, The Last of Us II (yes you can hate me later in the OOC...), and of course, Nothing! Actually Nothing!!

Don't worry, that last part with the invisible art is a hoax.

It was at that one moment, where Francis Smith, having been subjected to the amount of art and art apprection is when his brain shut down, where he collapsed to the floor. Is he dying? No, but the stupidity of some of the stuff he seen is enough to drive a sane man to the depths of madness. As he laid on the floor, people who saw him fall all assume that he was doing some performing arts of his own, where some took selfies and took pictures of him as he looked like a dead fish. Luckily, this was a good way to kill time.
Last edited by Main Nation Ministry on Thu Sep 03, 2020 5:45 pm, edited 1 time in total.
Local 22 year old Diet Coke Addict College Student Ruins Everything

Quote of the Week: "A NEW STORY ON WRITING THREAD FOR HALLOWEEN!! MYSTERY MINE AVAILABLE NOW!"

RPs I do
- How do you do fellow kids? You want to see something violent? - Artemis: Deimos Trafficking League (Horror/Mature)
- Descend into the forgotten tourist traps of Florida on this transgressive RP! - The Community (Mature/Black Comedy/Slice-of-Life)

My overall account that I use for P2TM and even for international roleplaying! MNM is a mysterious and extremely dangerous dictatorship filled with supernatural oddities, demons, militarized soldiers everywhere, and a misanthropic nihilistic dictator who doesn't give a damn. It's basically if the SCP Foundation got mixed with 1984.

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