The Republic of Atria wrote:Theo
Theodor Arnulfsson
"It's a fine compromise between fighting bare handed and with real, sharp weapons." Theo calmly explained when Francis started complaining that the two of them were using wooden weapons. Of course, even children use them, but does that really make them less valuable. "We're not here to beat the other side to a pulp or to draw blood from them - just show what sort of techniques you have and how good you are at using them."
Theo stepped away from Francis, counting ten steps distance in accordance to Dascian training procedure, then turned towards the hunter and raised his sword.
"Training with real weapons comes later, when you prove that you're adept at wielding one. I'll let you have the first strike and do exactly that."
Tomia wrote:Brialya
Galnius wrote:Tenna
Riki Farinhait
Immediately as he lowered the elven woman back to the ground, Riki let go of her waist and shrouded himself with his pitch black cloak yet again. Alright, he did the thing which Tenna dragged him here for, can he finally leave and go back to what he was doing? Nope, the elf began speaking to him, introduced herself as Brialya and asked for his name. And the way she spoke to him... she seemed to be amused and interested in him. Dear Goddess... please...
"I'm Riki..." he replied. Can he leave the dance floor now? Again... no. This time, it was Tenna's fault - suddenly, the two couples dancing switched partners and Riki found himself almost tackled by a drunk silver-haired elf. She immediately pulled closer to him, wrapping her hand around his waist and starting to direct his movements - clearly, she was trying to be the one in control, unlike Brialya, who mostly just let Riki dance her away.
Even though she was clearly still drunk, Tenna was clearly the more experienced one of the two dancers, but that didn't mean the necromancer was letting himself look like a fool in comparison. He immediately started analyzing his peer's movements and repeated them to the best of his ability, quickly catching on to the rhythm.