Kuela wrote:I have loads of fuel for characters. Which idea is the best of them all?
- Cecil is a disillusioned ex-cultist with the ability to see the best of all possible futures. As a result, he has precognition and visions of the perfect world, though the former is fairly inaccurate. Despite knowing that this perfect world does not include him, Cecil aspired towards its existence, anyways -- that's why he joined Young Bloods and became a superhero, purging the land of the unclean.
spacing- Amaryllis is a happy-go-lucky college dropout who accidentally summoned the devil while making a ham sandwich. Some might call her lucky, but this isn't anything special -- it's just how she is! She rented her soul in exchange for superpowers, and as a result, she can animate objects and turn them into golems. Her diet is unhealthy and her exercise is infrequent, which doesn't help her physical condition -- who needs to walk when you have giant monsters to carry you around? Amaryllis isn't a huge fan of the "save-people-without-getting-any-reward" shtick, so she decided to make her own reward by mugging the villains that she vanquished.
more spacing- Noelani is the ghost of a (former?) superhero who currently haunts an apartment building. Invisible and intangible, physically incapable of leaving the apartment on her own, she still manages to carry on saving the world by possessing household objects and tossing them out the window. There are newspaper headlines on how a talking toaster managed to defeat a giant monster rampaging across the city.
By any chance am I breaking a pre-established canon? I'd hate to write ten pages of application only to realize that I messed up the story entirely.
All seem hilarious and cool, but the first seems to have the most ability to interact and mesh with the rest of the cast.
Also, I'm liking the influx of troubled kids that could go villainous. What direction do you plan to take Icarus, Zark?