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by Singaporean Transhumans » Fri Sep 11, 2015 9:57 pm

by Ashkera » Fri Sep 11, 2015 9:59 pm

by Surawi » Fri Sep 11, 2015 11:16 pm

by Estainia » Fri Sep 11, 2015 11:45 pm

by Surawi » Sat Sep 12, 2015 1:17 am

by Greater Mackonia » Sat Sep 12, 2015 2:31 am

by Bereia » Sat Sep 12, 2015 4:12 am

by Gigaverse » Sat Sep 12, 2015 4:32 am
Art-person(?). Japan liker. tired-ish.
Student inlinguistics???. On-and-off writer.
MAKE CAKE NOT stupidshiticanmakefunof.born in, raised in and emigrated from vietbongistan lolol
Operating this polity based on preferences and narrative purposes
clowning incident | clowning incident | bottom text
can produce noises in (in order of grasp) vietbongistani, oldspeak
and bonjourois (learning weebspeak and hitlerian at uni)

by Singaporean Transhumans » Sat Sep 12, 2015 4:49 am
Gigaverse wrote:"We've lost count of how many 'Galactic Empires' are conquered and unconquered by now."
-An Imperial Scribe, regarding dozens upon dozens of entities named "Galactic Empire" out there.

by Insulatia » Sat Sep 12, 2015 5:17 am

by Barboneia » Sat Sep 12, 2015 6:03 am

by Las Palmeras » Sat Sep 12, 2015 7:38 am

by Christian Dominion of the Levant » Sat Sep 12, 2015 7:44 am

by Ashkera » Sat Sep 12, 2015 8:25 am
Las Palmeras wrote:" ' Resident Reasonable (But Not Sane) Anime Land', we are not unique?
Eh, 'anime-esque'. And definitely not very attractive to many, even anime enthusiasts for it's cheapness or purposeful dis-appeal like plainness and relatively small eyes. If translated to Japanese it'd be spoken in a very thick Kansai dialect, or NYC English if seen in the English world. Soul-crushing banality, sniveling protagonists who look down or around a rustic populace and unforgiving and aimless world in contempt or confusion. No visible gods. No magic or magical girls. No super-powers or superheroes. No giant robots. No ninjas. No Katanas outside of museums. No Z-cup sized breasts...I think some people have technicolor hair but there's no telling because everything is near-monochrome."
-Two people conversing in an unkempt metro

by Las Palmeras » Sat Sep 12, 2015 9:01 am

by Akhurea » Sat Sep 12, 2015 9:16 am
Vistora wrote:Edgy Persians proud with their success at fending off just about every empire in Afroeurasian history.

by Las Palmeras » Sat Sep 12, 2015 9:37 am

by Ashkera » Sat Sep 12, 2015 9:49 am
"It happened in the mid 1980's. Each studio did the locally rational thing and focused only on the most reliably profitable series and genres. Audiences were becoming increasingly numb. It reached peak in 1987. Literally every show failed to make back its production budget except for a title many of you will be familiar with from its modern remakes: Futur Soldat et La Guerre. The title, which might have failed had it been released ten years earlier, was known for its highly intellectual script, blending of philosophy, narrative, reality, and dream-like virtual reality, and avant-garde animation style. It blew every other series out of the water, and some believe, 'broke' the Ashkeran animation industry permanently.
In 1988, studios began to hire popular writers from abroad, and cult-classic writers from at home, and produce many experimental works. From 1988 to 1994 is known as the 'Golden Age' of animation in Ashkera as the studios began to branch out and produce innovative works that rivaled - or even surpassed - the live action films of foreign nations. But by end of 1994, the culture had been set in place, and arms race to further shock Ashkeran viewers and appear more 'transgressive', 'avant-garde' and 'edgy' had been set into motion, limited only by the commercial viability of the works. Fortunately for the rest of us, the equivalent of meaningless, content-free faux-trangressive foreign 'modern art' bombed for any studio that attempted it, which left the other direction, where works have tunneled deeper and deeper, including more and more content and layers of meaning, both direct and allegorical. It's not uncommon these days for a 24-episode anime to come out with three 500-page books and two thousand pages of comics which are required reading to fully understand it. World-building has become an addiction among the Ashkeran creative class.
Foreigners see this in either one of two ways: either they love it as an escape from the torrid, hollow reality TV of their home countries, or it slowly drives them mad.
Video games used to be the exception to this, but the influence this 'modernized' Ashkeran animation has had on the generations now responsible for creating them has leaked through. You can see this even in modern triple-A titles such as Inflection Point, even though it's ostensibly about space cyborgs doing rocket parkour."
- professor of film history

by Bereia » Sat Sep 12, 2015 10:38 am

by Greater Mackonia » Sat Sep 12, 2015 11:31 am

by Bereia » Sat Sep 12, 2015 11:34 am

by Greater Mackonia » Sat Sep 12, 2015 11:47 am

by Auzkhia » Sat Sep 12, 2015 12:12 pm

by Christian Dominion of the Levant » Sat Sep 12, 2015 12:24 pm

by Ashkera » Sat Sep 12, 2015 12:38 pm
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