Muravyets wrote:That is very true, but it also has does not tell us how the original audiences received the story/stories -- as reportage or as art.
I would imagine it was in the form of a sort of play, a ritual re-telling of the story that partly served to bind a community together through history.
It's interesting to see how the landscape impacts on a creation story, the difference between, say, Australian aborigine and Vietnamese, one focused around earth and the other focused around water.
While watching a water play in Hanoi, I was transported back to imagining a community, where Uncle Nyet always plays the water dragon, where people remember Grandpa's amazing portrayal of the hero...
Etc., etc., good times.







