Tarsonis wrote:Cannot think of a name wrote:Audience scores are more reliable than critic scores...how, exactly? What are they reliably doing? Making you enjoy a movie more or less? What are we measuring that we can call one 'more accurate'? Final box office? Really seems like more of a studio concern. Do you like a movie more or less based on its box office score? Is Ed Wood Burton's worst film because it only made like $6 million compared to Planet of the Apes that made $180 million?
Also, since I've dived way to deep into the pissy fan fucker bitch fest over Captain Marvel trying to pin down exactly what they're so bent out of shape about (and talking with someone on the Marvel team who has made the conniption fit so much sillier), they're already making excuses as to why it's going to be popular despite their little tantrum. Mostly because Avengers.
Some of the 'lolsux' is hilarious. "She's not even popular enough for an MCU movie..." Hahaahaa...welcome to the MCU, also known as 'all the characters that Marvel couldn't sell to anyone else at any price when they needed the money.' Fucking Iron Man wasn't considered a marque enough character when his movie was coming out, and that wasn't some pissy fanboy on the internet saying it, it was The Hollywood Reporter. I gave up looking for the actual article (maybe it was Variety...), but Honest Trailers did a whole bit about it. But now, ten years later and 20 films in, "Pffft, she ain't that great." Dudes. Squirrel Girl got a tv show. It didn't air, but it got made. But now 'she's not popular enough'...as if that hasn't been the MCU this whole time. Like Guardians of the Galaxy was a household name. Clydes.
More reliable in that the average movie goer is going to like the movie or find it enjoyable, compared to the critic score.
There's reliable constant of movies with high Critic score and low audience scores, and vice versa.
This seems like a sloppy kind of comparison measuring a hazy target. Essentially you're saying that 'audiences saying they like a movie is more indicative of them liking a movie' which isn't predictive, it's recording. So the question of what it's reliably doing is still questionable.
I'm not doing the size thing. I would suggest that TLJ and Solo were too close to each other and TLJ being poorly constructed (the clock meant nothing, the c and d stories were inconsequential and muddled the a and b stories, instead of addressing mysteries set up in TFA it took them all and went "nah.") had more to do with it than some dudes upset that they...something. Their complaints here are also a little fucking spotty.
Also, save for the stupid cameo at the end I loved Solo.
Don't disagree with anything here (except the cameo, I dug it). TLJ was a poor movie (for far more reasons than have been stated) and it dragged Solo down with it. It's simply more evident with Solo because people had to actually spend money on TLJ to be let down. I mean I saw it opening day, and I actually dug it the first time I watched it because they actually did a WW2 throwback space battle like the OT's were, and the rest of the movie could do no wrong after that. But the more I thought about it and watched it again, the more the facade fell away. It's easily the poorest of the movies, and that's saying something.
Solo was fantastic, a throwback to what the OT used to be like.
Not that I get a medal for it or anything, but I started out excited about TLJ but as it dragged on I started going, "This...is a bad movie." I went from being emotional at the "A long time ago in a galaxy far far away" to "What the fuck is going on here...this is a bad movie."
Of course I had similar misgivings during Rogue One regarding structure, stakes, and character motivations (she literally goes from 'fuck your war' to 'rebellions are built on hope' in a single scene), and I'm not in the majority there so, what do I know. Regardless, since I saw Star Wars in the theaters when I was six, I'll just keep going.